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Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
По разделу | 68145 | 1143 | 163 | 181 | 83 | 93 | 91 | 81 | 59 | 87 | 98 | 81 | 77 | 49 | 0 | 4 | 9 | 14 | 20 | 5 | 6 | 6 | 4 | 4 | 5 | 3 | 5 | 5 | 6 | 8 | 3 | 3 | 35 | 13 | 5 | 3 | 4 | 16 | 3 | 2 | 4 | 4 | 7 | 4 | 9 | 7 | 6 | 7 | 6 | 8 | 50 | 2 | 3 | 2 | 5 | 2 | 3 | 4 | 1 | 2 | 3 | 3 | 2 | 2 | 3 | 4 | 2 | 3 | 4 | 3 | 3 | 3 | 4 | 2 | 1 | 2 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4175 | 300 | 32 | 29 | 30 | 27 | 31 | 16 | 16 | 24 | 33 | 35 | 13 | 14 | 0 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 3 | 0 | 2 | 1 | 2 | 2 | 3 | 3 | 2 | 3 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 |
Tilapia as a Sacred Symbol | 1862 | 295 | 29 | 32 | 30 | 26 | 22 | 20 | 21 | 17 | 37 | 27 | 15 | 19 | 0 | 2 | 3 | 1 | 2 | 3 | 1 | 2 | 0 | 0 | 5 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 5 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 1 | 0 | 0 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 986 | 203 | 16 | 16 | 11 | 17 | 6 | 6 | 15 | 32 | 38 | 32 | 10 | 4 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2634 | 202 | 24 | 25 | 29 | 9 | 8 | 16 | 13 | 14 | 28 | 16 | 15 | 5 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 3 | 1 | 1 | 3 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 0 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 248 | 188 | 15 | 21 | 16 | 13 | 7 | 8 | 11 | 10 | 23 | 26 | 20 | 18 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 182 | 182 | 19 | 26 | 18 | 13 | 12 | 20 | 14 | 24 | 36 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 683 | 182 | 23 | 18 | 20 | 15 | 6 | 10 | 15 | 15 | 19 | 20 | 10 | 11 | 0 | 0 | 1 | 3 | 5 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 |
La Pasiega Cave | 1082 | 181 | 21 | 20 | 13 | 13 | 22 | 15 | 16 | 14 | 17 | 14 | 13 | 3 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1462 | 178 | 20 | 20 | 27 | 10 | 14 | 20 | 12 | 14 | 22 | 13 | 4 | 2 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 3 | 2 | 2 | 0 | 0 | 1 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 332 | 174 | 27 | 28 | 13 | 20 | 12 | 11 | 10 | 14 | 22 | 9 | 7 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 492 | 173 | 16 | 18 | 16 | 12 | 16 | 12 | 11 | 8 | 22 | 24 | 11 | 7 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 4 | 2 | 0 | 0 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1621 | 169 | 17 | 18 | 17 | 10 | 8 | 9 | 9 | 16 | 20 | 23 | 15 | 7 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 |
Doktor Hartlieb | 168 | 168 | 21 | 31 | 11 | 15 | 11 | 8 | 8 | 7 | 19 | 10 | 27 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum pharelis | 253 | 166 | 15 | 21 | 11 | 15 | 13 | 14 | 13 | 8 | 22 | 19 | 12 | 3 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 456 | 162 | 19 | 20 | 17 | 16 | 14 | 12 | 15 | 9 | 16 | 16 | 6 | 2 | 0 | 0 | 5 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 |
Секрет доктора Видеманна или ведьмина мазь "unguentum pharelis" | 160 | 160 | 16 | 20 | 19 | 16 | 15 | 16 | 10 | 16 | 27 | 5 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1087 | 160 | 18 | 24 | 13 | 10 | 9 | 13 | 9 | 11 | 19 | 18 | 10 | 6 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 236 | 157 | 16 | 35 | 22 | 9 | 8 | 7 | 7 | 14 | 24 | 8 | 5 | 2 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 4 | 1 | 0 | 2 | 3 | 2 | 1 | 2 | 1 | 1 | 2 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
Радио Войнич М - Radio Voynich M | 271 | 157 | 15 | 14 | 17 | 9 | 11 | 14 | 12 | 26 | 16 | 14 | 4 | 5 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 2 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
От Абстракционизма (Беспредметности) к Панпсихореализму | 871 | 156 | 25 | 19 | 13 | 10 | 5 | 7 | 11 | 9 | 22 | 17 | 14 | 4 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 5 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 152 | 152 | 30 | 122 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 4 | 1 | 2 | 1 | 0 | 2 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 5 | 3 | 3 | 2 | 5 | 2 | 1 | 3 | 2 | 7 | 4 | 9 | 7 | 6 | 7 | 6 | 8 | 50 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Kandinsky | 1360 | 151 | 16 | 22 | 19 | 9 | 10 | 9 | 8 | 16 | 15 | 18 | 3 | 6 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
"Кандинский" / "Kandinsky" | 1047 | 151 | 26 | 27 | 10 | 9 | 8 | 7 | 8 | 10 | 19 | 18 | 6 | 3 | 0 | 1 | 5 | 3 | 1 | 3 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Панпсихореализм / Panpsychorealism | 728 | 149 | 19 | 15 | 19 | 16 | 7 | 9 | 9 | 15 | 14 | 16 | 3 | 7 | 0 | 0 | 4 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 553 | 147 | 15 | 19 | 13 | 9 | 5 | 9 | 10 | 19 | 20 | 16 | 6 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 919 | 145 | 14 | 23 | 12 | 7 | 6 | 7 | 7 | 13 | 23 | 20 | 7 | 6 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Der Yuppie-Blues | 689 | 145 | 16 | 15 | 9 | 7 | 8 | 4 | 8 | 11 | 21 | 14 | 16 | 16 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
Художник-Панпсихореалист Александр Амелькин | 802 | 140 | 17 | 18 | 11 | 11 | 8 | 4 | 9 | 12 | 19 | 19 | 6 | 6 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1400 | 139 | 21 | 21 | 13 | 8 | 7 | 6 | 12 | 8 | 14 | 15 | 9 | 5 | 0 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 5 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 921 | 139 | 22 | 25 | 9 | 12 | 8 | 4 | 8 | 11 | 17 | 15 | 7 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 435 | 139 | 18 | 16 | 17 | 10 | 10 | 8 | 8 | 9 | 21 | 12 | 5 | 5 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 1 |
Проект Спасения Человечества | 1086 | 137 | 18 | 15 | 10 | 14 | 7 | 10 | 5 | 12 | 19 | 14 | 9 | 4 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 4 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 137 | 137 | 15 | 18 | 11 | 8 | 5 | 8 | 6 | 8 | 22 | 22 | 14 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 0 |
"Голос Вселенной" - подражание Кандинскому | 1383 | 134 | 17 | 16 | 11 | 14 | 3 | 9 | 6 | 11 | 18 | 15 | 11 | 3 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Агрегатор Панпсихизма | 912 | 134 | 17 | 21 | 9 | 9 | 12 | 7 | 8 | 9 | 18 | 14 | 7 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
Утренний Кофе для Карманной Чёрной Дыры | 1973 | 134 | 17 | 21 | 7 | 8 | 10 | 5 | 15 | 6 | 14 | 17 | 6 | 8 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 815 | 133 | 15 | 18 | 13 | 7 | 7 | 5 | 8 | 7 | 18 | 17 | 15 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1053 | 133 | 15 | 16 | 13 | 8 | 6 | 10 | 7 | 14 | 20 | 10 | 10 | 4 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 0 | 0 |
Вода | 893 | 132 | 23 | 21 | 10 | 14 | 5 | 5 | 8 | 10 | 13 | 12 | 9 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 4 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 851 | 132 | 16 | 19 | 9 | 10 | 9 | 7 | 12 | 8 | 17 | 11 | 8 | 6 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1076 | 131 | 12 | 16 | 13 | 13 | 10 | 7 | 8 | 12 | 12 | 17 | 9 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 |
Сюжет (синопсис) фильма "Hartlieb" | 203 | 128 | 12 | 23 | 11 | 9 | 7 | 9 | 9 | 8 | 21 | 6 | 8 | 5 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
Тот самый шоколад из детства, тот самый чарующий аромат! | 779 | 127 | 14 | 19 | 10 | 8 | 5 | 5 | 12 | 11 | 16 | 16 | 6 | 5 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 714 | 126 | 16 | 17 | 18 | 11 | 5 | 6 | 6 | 11 | 13 | 12 | 5 | 6 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 4 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 178 | 125 | 19 | 19 | 13 | 9 | 7 | 6 | 8 | 11 | 17 | 9 | 6 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Тайна Рукописи Войнича раскрыта | 157 | 124 | 18 | 14 | 12 | 10 | 9 | 6 | 4 | 8 | 20 | 13 | 7 | 3 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Вода | 801 | 124 | 18 | 20 | 7 | 10 | 6 | 6 | 9 | 11 | 17 | 12 | 5 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1285 | 124 | 14 | 14 | 11 | 7 | 7 | 4 | 12 | 13 | 18 | 14 | 8 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 740 | 123 | 14 | 21 | 7 | 7 | 6 | 6 | 7 | 16 | 20 | 12 | 5 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 548 | 122 | 15 | 12 | 13 | 8 | 7 | 7 | 7 | 11 | 14 | 9 | 6 | 13 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 1982 | 122 | 14 | 14 | 9 | 6 | 9 | 8 | 13 | 14 | 14 | 11 | 6 | 4 | 0 | 0 | 1 | 1 | 0 | 5 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 626 | 122 | 15 | 17 | 8 | 11 | 6 | 6 | 9 | 15 | 15 | 15 | 4 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 |
В начале был Образ... | 555 | 120 | 17 | 13 | 12 | 8 | 5 | 5 | 14 | 10 | 17 | 11 | 5 | 3 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 |
Философия панпсихореализма и панпсихореалистическая культура | 407 | 119 | 17 | 16 | 11 | 6 | 5 | 6 | 7 | 7 | 13 | 23 | 4 | 4 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
"Панпсихореализм" / "Panpsychorealismus" | 805 | 119 | 11 | 24 | 4 | 10 | 13 | 3 | 10 | 6 | 19 | 12 | 4 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 791 | 119 | 21 | 13 | 11 | 7 | 9 | 6 | 10 | 10 | 14 | 12 | 3 | 3 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 |
Предпатентный Отчёт | 801 | 118 | 14 | 11 | 14 | 8 | 7 | 7 | 9 | 14 | 19 | 9 | 5 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 |
Hoax | 118 | 118 | 16 | 15 | 11 | 10 | 9 | 9 | 10 | 13 | 25 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Системный подход в искусстве и истории | 176 | 118 | 17 | 22 | 10 | 5 | 5 | 4 | 7 | 15 | 19 | 7 | 2 | 5 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 4 | 1 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 539 | 117 | 15 | 18 | 12 | 9 | 8 | 5 | 9 | 8 | 11 | 9 | 8 | 5 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 851 | 117 | 18 | 15 | 9 | 10 | 4 | 8 | 4 | 11 | 19 | 10 | 5 | 4 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
In Secret Archives there are several Voynich Manuscripts | 117 | 117 | 16 | 14 | 14 | 9 | 8 | 9 | 11 | 18 | 18 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Машуня | 1125 | 116 | 11 | 16 | 14 | 11 | 7 | 9 | 6 | 8 | 14 | 13 | 6 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 704 | 114 | 10 | 16 | 9 | 6 | 5 | 8 | 11 | 11 | 16 | 15 | 7 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 607 | 114 | 14 | 17 | 11 | 11 | 5 | 3 | 8 | 9 | 13 | 14 | 8 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2130 | 113 | 14 | 14 | 13 | 6 | 5 | 10 | 9 | 8 | 14 | 11 | 6 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 411 | 113 | 14 | 23 | 8 | 7 | 4 | 6 | 10 | 5 | 17 | 10 | 8 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 519 | 113 | 17 | 15 | 10 | 11 | 9 | 4 | 8 | 10 | 12 | 12 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 280 | 112 | 20 | 15 | 8 | 8 | 6 | 6 | 9 | 6 | 17 | 10 | 5 | 2 | 0 | 0 | 2 | 1 | 3 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 634 | 112 | 12 | 19 | 9 | 7 | 6 | 5 | 7 | 8 | 17 | 9 | 10 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 |
Das Voynich-Manuskript | 116 | 111 | 12 | 17 | 8 | 7 | 6 | 4 | 6 | 11 | 18 | 10 | 2 | 10 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
The topic of white magic sessions in the 15th century is completely classified | 111 | 111 | 22 | 17 | 6 | 9 | 10 | 10 | 11 | 21 | 5 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 1 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 737 | 111 | 15 | 13 | 11 | 7 | 6 | 3 | 9 | 12 | 19 | 11 | 4 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 |
Манускрипт Войнича написал Абрахам Вормсский | 171 | 110 | 18 | 17 | 9 | 5 | 6 | 9 | 8 | 9 | 11 | 9 | 4 | 5 | 0 | 1 | 3 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 306 | 109 | 12 | 19 | 11 | 4 | 8 | 6 | 12 | 7 | 14 | 6 | 4 | 6 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 584 | 108 | 15 | 18 | 7 | 7 | 7 | 7 | 7 | 8 | 16 | 11 | 2 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 618 | 107 | 11 | 21 | 6 | 11 | 5 | 7 | 6 | 6 | 14 | 12 | 5 | 3 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 348 | 106 | 13 | 16 | 11 | 8 | 3 | 6 | 9 | 8 | 13 | 12 | 5 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 762 | 103 | 16 | 13 | 10 | 8 | 3 | 6 | 10 | 7 | 13 | 10 | 5 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Jan | Dec | Nov | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 897 | 103 | 13 | 16 | 10 | 8 | 6 | 3 | 8 | 6 | 12 | 13 | 4 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 523 | 102 | 15 | 15 | 11 | 6 | 6 | 2 | 6 | 11 | 11 | 14 | 5 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 353 | 102 | 16 | 17 | 8 | 5 | 5 | 5 | 9 | 5 | 14 | 11 | 4 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 351 | 99 | 12 | 14 | 6 | 7 | 7 | 8 | 6 | 9 | 16 | 8 | 4 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 97 | 97 | 17 | 22 | 22 | 12 | 16 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 0 | 2 | 0 | 0 | 0 |
Изгнание из Рая | 414 | 97 | 12 | 20 | 6 | 11 | 5 | 7 | 7 | 6 | 12 | 10 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
Wünsche und Metamorphosen | 95 | 95 | 95 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 5 | 5 | 6 | 6 | 1 | 4 | 1 | 3 | 4 | 5 | 3 | 8 | 3 | 2 | 35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 718 | 94 | 13 | 13 | 8 | 7 | 4 | 4 | 5 | 10 | 13 | 10 | 3 | 4 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 |
История разработки и применения ядовитой мази доктора Хартлиба "unguentum pharelis" | 92 | 92 | 17 | 15 | 13 | 12 | 35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 91 | 91 | 14 | 19 | 14 | 13 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 |
Информация о владельце раздела | 2213 | 90 | 12 | 16 | 8 | 5 | 2 | 3 | 8 | 5 | 9 | 15 | 4 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 |
Предупреждение: карается законом! | 86 | 86 | 14 | 15 | 14 | 17 | 17 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 83 | 83 | 17 | 14 | 12 | 7 | 14 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 |
Сильное Желание Улучшает Генетику! | 80 | 80 | 12 | 20 | 11 | 12 | 15 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 66 | 66 | 18 | 16 | 8 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 64 | 64 | 15 | 22 | 17 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 50 | 50 | 27 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 3 | 4 | 5 | 3 | 4 | 16 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Настройка механизма исполнения желаний | 47 | 47 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 9 | 14 | 20 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 43 | 43 | 43 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 6 | 3 | 3 | 3 | 5 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"