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Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
По разделу | 75356 | 2060 | 466 | 485 | 255 | 181 | 83 | 93 | 91 | 81 | 59 | 87 | 98 | 81 | 1 | 5 | 5 | 4 | 2 | 3 | 5 | 8 | 14 | 9 | 11 | 9 | 6 | 11 | 17 | 21 | 9 | 18 | 37 | 19 | 18 | 31 | 24 | 99 | 75 | 5 | 6 | 5 | 13 | 45 | 55 | 29 | 31 | 18 | 16 | 32 | 38 | 47 | 4 | 6 | 6 | 4 | 6 | 4 | 4 | 6 | 3 | 5 | 13 | 16 | 21 | 23 | 19 | 10 | 5 | 9 | 11 | 12 | 17 | 14 | 7 | 3 |
Сингулярность, Бессмертные Химеры и Прочие Издержки Неожиданных, Непредсказуемых и Утраченных Технологий | 452 | 452 | 452 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 4 | 2 | 2 | 5 | 8 | 14 | 9 | 11 | 9 | 5 | 11 | 17 | 21 | 9 | 18 | 37 | 19 | 18 | 31 | 24 | 99 | 75 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Сверхновая звезда Коатликуэ (исп. Coatlicue) - мать Солнечной Системы и Древа Жизни | 4262 | 360 | 30 | 36 | 53 | 29 | 30 | 27 | 31 | 16 | 16 | 24 | 33 | 35 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 4 | 1 | 2 | 0 | 4 | 3 | 0 | 5 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 2 | 4 | 0 | 3 | 0 | 3 | 1 |
Tilapia as a Sacred Symbol | 1956 | 355 | 32 | 47 | 44 | 32 | 30 | 26 | 22 | 20 | 21 | 17 | 37 | 27 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 4 | 2 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 2 | 3 | 0 | 4 | 2 | 0 | 0 | 2 | 2 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 4 | 4 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 2 | 2 |
Протобаски, препротобаски и гибридная неандертало-препротобаскская культура: история и влияние (гипотеза) | 2725 | 273 | 33 | 40 | 42 | 25 | 29 | 9 | 8 | 16 | 13 | 14 | 28 | 16 | 0 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 3 | 3 | 2 | 2 | 2 | 4 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 5 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 2 | 0 | 3 | 1 | 1 | 3 | 1 | 1 | 2 |
Манускрипт Войнича и Надпись Ла-Пасьеги были созданы потомками препротобасков | 1560 | 270 | 43 | 42 | 33 | 20 | 27 | 10 | 14 | 20 | 12 | 14 | 22 | 13 | 0 | 2 | 1 | 1 | 1 | 3 | 5 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 5 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 4 | 3 | 2 | 1 | 2 | 2 | 0 | 5 | 1 | 2 | 1 | 3 | 1 | 1 | 0 | 0 | 1 | 2 | 4 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 2 | 2 |
Йоханнес Хартлиб (Johannes Hartlieb) - автор Рукописи Войнича (Voynich Manuscript) [1414-1460] | 430 | 264 | 47 | 36 | 42 | 28 | 13 | 20 | 12 | 11 | 10 | 14 | 22 | 9 | 0 | 0 | 3 | 3 | 1 | 1 | 1 | 3 | 3 | 0 | 1 | 1 | 1 | 2 | 3 | 3 | 2 | 0 | 1 | 1 | 1 | 3 | 4 | 1 | 3 | 5 | 1 | 4 | 4 | 4 | 0 | 2 | 0 | 3 | 2 | 0 | 3 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 2 | 3 | 1 | 1 |
Манускрипт Войнича - один из самых удачных долгоиграющих бизнес-проектов | 263 | 263 | 32 | 38 | 30 | 26 | 18 | 13 | 12 | 20 | 14 | 24 | 36 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 3 | 0 | 0 | 1 | 4 | 3 | 0 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 |
La Pasiega Cave | 1165 | 248 | 27 | 41 | 36 | 20 | 13 | 13 | 22 | 15 | 16 | 14 | 17 | 14 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 4 | 1 | 2 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 0 | 6 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 1 | 0 |
Учёные обнаружили в геноме жителей Западной Африки признаки скрещивания с "призрачным" человеком, который предположительно происходит из системы Сириуса и сто тысяч лет назад посещал Западную Африку | 1042 | 245 | 30 | 18 | 24 | 16 | 11 | 17 | 6 | 6 | 15 | 32 | 38 | 32 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 9 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 |
Секреты мага фон Вормса, доктора Хартлиба и доктора Видеманна или колдовская мазь "unguentum morphosis" | 239 | 239 | 35 | 36 | 24 | 20 | 19 | 16 | 15 | 16 | 10 | 16 | 27 | 5 | 0 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 3 | 0 | 1 | 3 | 1 | 2 | 1 | 0 | 2 | 0 | 3 | 0 | 1 | 4 | 2 | 0 | 0 | 2 | 1 | 5 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 3 | 0 |
Надпись Ла-Пасьеги / The Inscription of La Pasiega | 1708 | 234 | 33 | 38 | 33 | 18 | 17 | 10 | 8 | 9 | 9 | 16 | 20 | 23 | 0 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 4 | 0 | 4 | 1 | 2 | 0 | 2 | 2 | 3 | 1 | 1 | 4 | 3 | 2 | 0 | 2 | 2 | 2 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 1 | 0 |
"Blutenburgpur - Die Ausstellung": Gemälde, Bilder, Zeichnungen und Fotos rund um das Obermenzinger "Schloss Blutenburg" | 233 | 233 | 23 | 41 | 47 | 122 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 3 | 0 | 3 | 1 | 3 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 2 | 1 | 1 | 6 | 1 | 1 | 1 | 1 | 5 | 2 | 4 | 0 | 0 | 1 |
Das Voynich-Manuskript wurde von Doktor Johannes Hartlieb 1449 verfasst | 565 | 228 | 33 | 28 | 28 | 18 | 16 | 12 | 16 | 12 | 11 | 8 | 22 | 24 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 0 | 2 | 2 | 4 | 0 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 0 |
Картины в стиле "Панпсихореализм" - первый опыт публичного показа | 645 | 227 | 28 | 55 | 24 | 19 | 13 | 9 | 5 | 9 | 10 | 19 | 20 | 16 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 3 | 1 | 4 | 2 | 1 | 3 | 2 | 4 | 1 | 4 | 3 | 2 | 2 | 2 | 2 | 4 | 0 | 2 | 1 | 4 | 2 | 1 | 1 | 3 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 |
Попытки возрождения древнейших засекреченных технологий | 226 | 226 | 28 | 198 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 0 | 0 | 1 | 3 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 11 | 15 | 20 | 18 | 16 | 32 | 38 | 47 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
So erschien die Inschrift "Michitonese" im Voynich-Manuskript (feeria.de) | 323 | 225 | 34 | 27 | 29 | 21 | 16 | 13 | 7 | 8 | 11 | 10 | 23 | 26 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 4 | 1 | 1 | 3 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 1 | 5 | 2 | 0 | 3 | 0 | 1 | 0 | 3 | 3 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 |
2023 - Год Чёрного Водяного Вольпертингера или Водоплавающего Крылатого Клыкастого Рогатого Кролика-Кота | 523 | 221 | 28 | 27 | 31 | 20 | 17 | 16 | 14 | 12 | 15 | 9 | 16 | 16 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 4 | 0 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 4 | 0 | 1 | 0 | 1 | 3 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 1 | 1 |
Kandinsky | 1438 | 220 | 28 | 35 | 31 | 22 | 19 | 9 | 10 | 9 | 8 | 16 | 15 | 18 | 0 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 4 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 0 | 4 | 4 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 1 | 2 | 1 |
Geheimnisse der weißen Magie und Hexereitechnologien: unguentum morphosis | 321 | 219 | 25 | 35 | 23 | 21 | 11 | 15 | 13 | 14 | 13 | 8 | 22 | 19 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 3 | 3 | 5 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
Рукопись Войнича заказана у придворного врача Ханса Хартлиба герцогом Альбрехтом Третьим для Герцогини Анны Брауншвейгской в 1449 году | 305 | 219 | 29 | 30 | 26 | 35 | 22 | 9 | 8 | 7 | 7 | 14 | 24 | 8 | 0 | 2 | 3 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 3 | 1 | 1 | 0 |
Радио Войнич М - Radio Voynich M | 341 | 218 | 25 | 31 | 29 | 14 | 17 | 9 | 11 | 14 | 12 | 26 | 16 | 14 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 0 | 2 | 4 | 1 | 1 | 2 | 3 | 1 | 2 | 0 | 2 | 0 | 3 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 |
Ein interessantes Angebot für Münchner Künstler: "Möchten Sie mit Herrn Dr. Amelkin eine Redaktionsgemeinschaft (Künstlergruppe) in München gründen und die Gemeinschaftsausstellungen mit städtischer Unterstützung zusammenmachen?" | 739 | 217 | 17 | 30 | 32 | 18 | 20 | 15 | 6 | 10 | 15 | 15 | 19 | 20 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 0 | 5 | 1 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 |
Эти методы самоомоложения изначально открыты магом Абрахамом фон Вормсом | 214 | 214 | 30 | 184 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 2 | 2 | 2 | 2 | 3 | 6 | 5 | 13 | 45 | 55 | 29 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
От Абстракционизма (Беспредметности) к Панпсихореализму | 944 | 211 | 29 | 36 | 33 | 19 | 13 | 10 | 5 | 7 | 11 | 9 | 22 | 17 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 2 | 1 | 3 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 |
Заготовка статьи "Надпись Ла-Пасьеги / The Inscription of La Pasiega" | 999 | 209 | 32 | 35 | 33 | 25 | 9 | 12 | 8 | 4 | 8 | 11 | 17 | 15 | 0 | 0 | 5 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 5 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 5 | 2 | 1 | 2 | 0 | 3 | 0 | 2 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 0 | 2 | 1 |
Doktor Hartlieb | 232 | 205 | 27 | 31 | 27 | 31 | 11 | 15 | 11 | 8 | 8 | 7 | 19 | 10 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 4 | 2 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 2 | 1 | 3 | 1 | 1 | 0 | 3 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 |
Философия панпсихореализма и панпсихореалистическая культура | 497 | 201 | 26 | 50 | 31 | 16 | 11 | 6 | 5 | 6 | 7 | 7 | 13 | 23 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 3 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 4 | 4 | 4 | 1 | 1 | 3 | 2 | 4 | 0 | 5 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 1 | 2 | 0 |
"Кандинский" / "Kandinsky" | 1105 | 200 | 26 | 22 | 36 | 27 | 10 | 9 | 8 | 7 | 8 | 10 | 19 | 18 | 0 | 3 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 0 | 3 | 2 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 |
Василий Васильевич Кандинский (Wassily Kandinsky) | 1140 | 197 | 23 | 23 | 25 | 24 | 13 | 10 | 9 | 13 | 9 | 11 | 19 | 18 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 3 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
От Исторических Событий к Модели Сознания: Панпсихореалистический Трактат | 980 | 193 | 28 | 24 | 23 | 23 | 12 | 7 | 6 | 7 | 7 | 13 | 23 | 20 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 3 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 0 | 3 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 3 | 0 | 1 |
Художник-Панпсихореалист Александр Амелькин | 865 | 191 | 24 | 31 | 25 | 18 | 11 | 11 | 8 | 4 | 9 | 12 | 19 | 19 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 4 | 0 | 0 | 0 | 4 | 0 | 2 | 6 | 1 | 1 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 |
Панпсихореализм / Panpsychorealism | 779 | 190 | 19 | 24 | 27 | 15 | 19 | 16 | 7 | 9 | 9 | 15 | 14 | 16 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 1 | 3 | 0 | 1 | 0 | 2 | 0 | 4 | 0 | 3 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Агрегатор Панпсихизма | 978 | 190 | 25 | 25 | 33 | 21 | 9 | 9 | 12 | 7 | 8 | 9 | 18 | 14 | 0 | 5 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 4 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 4 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 4 | 0 | 7 | 0 |
Вода | 960 | 188 | 30 | 27 | 33 | 21 | 10 | 14 | 5 | 5 | 8 | 10 | 13 | 12 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 4 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 4 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 |
Парадокс Интеллекта: в процессе развития человек постоянно умнеет, но мозг его уменьшается | 493 | 187 | 16 | 26 | 34 | 16 | 17 | 10 | 10 | 8 | 8 | 9 | 21 | 12 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 4 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 0 | 1 | 0 |
Wünsche und Metamorphosen | 187 | 187 | 39 | 34 | 114 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 6 | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 4 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 3 | 0 | 1 | 2 | 3 | 1 | 0 | 1 | 3 | 1 | 2 | 0 |
"Голос Вселенной" - подражание Кандинскому | 1446 | 183 | 26 | 25 | 29 | 16 | 11 | 14 | 3 | 9 | 6 | 11 | 18 | 15 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 3 | 2 | 0 | 2 | 7 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 3 | 1 | 0 | 2 | 0 |
Погруженный в Воду Свет Жизни / The Submerged Light of Life | 1458 | 183 | 26 | 23 | 30 | 21 | 13 | 8 | 7 | 6 | 12 | 8 | 14 | 15 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 4 | 2 | 5 | 1 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 0 |
Вода | 867 | 182 | 25 | 26 | 33 | 20 | 7 | 10 | 6 | 6 | 9 | 11 | 17 | 12 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 3 | 0 | 0 | 2 | 4 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
Панпсихизм, Теория Интегрированной Информации, Опыт Препротобасков, Надпись Ла-Пасьеги и Манускрипт Войнича | 2052 | 182 | 31 | 34 | 19 | 14 | 9 | 6 | 9 | 8 | 13 | 14 | 14 | 11 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 4 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 5 | 2 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 |
Проект Спасения Человечества | 1143 | 181 | 26 | 19 | 30 | 15 | 10 | 14 | 7 | 10 | 5 | 12 | 19 | 14 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 4 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 0 |
In Secret Archives there are several Voynich Manuscripts | 181 | 181 | 29 | 26 | 25 | 14 | 14 | 9 | 8 | 9 | 11 | 18 | 18 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 3 | 4 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 |
Неандертало-Препротобаскская Водная Цивилизация и Современность | 856 | 178 | 21 | 34 | 31 | 13 | 11 | 7 | 9 | 6 | 10 | 10 | 14 | 12 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 5 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 2 | 4 | 4 | 2 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 0 |
Is the Inscription of La Pasiega (La Inscripción de La Pasiega) still a Top Secret? | 777 | 178 | 28 | 29 | 22 | 17 | 18 | 11 | 5 | 6 | 6 | 11 | 13 | 12 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 3 | 2 | 3 | 1 | 1 | 4 | 1 | 0 | 1 | 4 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
Растение Sansevieria trifasciata вопреки законам природы успешно преобразовано в гидатофита! | 1133 | 177 | 23 | 20 | 26 | 16 | 13 | 13 | 10 | 7 | 8 | 12 | 12 | 17 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 4 | 0 |
Алекс Амелькин (aka Panpsy / Пэнпси) - российский художник, основатель панпсихореализма | 909 | 176 | 25 | 24 | 25 | 19 | 9 | 10 | 9 | 7 | 12 | 8 | 17 | 11 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 2 |
Тот самый шоколад из детства, тот самый чарующий аромат! | 839 | 176 | 25 | 27 | 22 | 19 | 10 | 8 | 5 | 5 | 12 | 11 | 16 | 16 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 5 | 0 | 0 | 2 | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 |
Радио Войнич М - Radio Voynich M: "The Voynich Manuscript" | 190 | 176 | 24 | 19 | 25 | 18 | 11 | 8 | 5 | 8 | 6 | 8 | 22 | 22 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 3 | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 0 |
Нло - это гигантские быстроживущие микоплазмы / Ufos are giant fast-living Mollicutes | 772 | 175 | 31 | 30 | 17 | 16 | 9 | 6 | 5 | 8 | 11 | 11 | 16 | 15 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 5 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 |
Ein systematischer Ansatz zur Suche nach der Urheberschaft des Voynich-Manuskripts | 235 | 175 | 22 | 25 | 29 | 19 | 13 | 9 | 7 | 6 | 8 | 11 | 17 | 9 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 3 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 |
Тайна Рукописи Войнича раскрыта | 216 | 173 | 27 | 22 | 28 | 14 | 12 | 10 | 9 | 6 | 4 | 8 | 20 | 13 | 0 | 3 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 1 | 1 |
Панпсихореализм (Panpsychorealismus) - новое направление в искусстве, изображающее сознание во всём сущем | 797 | 173 | 23 | 22 | 26 | 21 | 7 | 7 | 6 | 6 | 7 | 16 | 20 | 12 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 3 | 1 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 0 |
Сюжет (синопсис) фильма "Hartlieb" | 261 | 173 | 21 | 33 | 16 | 23 | 11 | 9 | 7 | 9 | 9 | 8 | 21 | 6 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 4 | 0 | 0 | 5 | 0 | 0 | 3 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 4 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
Утренний Кофе для Карманной Чёрной Дыры | 2025 | 172 | 24 | 20 | 25 | 21 | 7 | 8 | 10 | 5 | 15 | 6 | 14 | 17 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 3 | 4 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 |
Надпись из Галереи B (второго святилища) пещеры "Ла-Пасьега" и Рукопись Войнича | 583 | 172 | 28 | 28 | 25 | 15 | 10 | 11 | 9 | 4 | 8 | 10 | 12 | 12 | 0 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 |
Hoax | 172 | 172 | 24 | 24 | 22 | 15 | 11 | 10 | 9 | 9 | 10 | 13 | 25 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 |
The topic of white magic sessions in the 15th century is completely classified | 171 | 171 | 27 | 25 | 30 | 17 | 6 | 9 | 10 | 10 | 11 | 21 | 5 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 5 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 3 | 0 | 3 | 2 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
"Sede" на протобаскском означает "сидеть": индоевропейцы произошли от протобасков! | 870 | 170 | 25 | 22 | 23 | 18 | 13 | 7 | 7 | 5 | 8 | 7 | 18 | 17 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 | 0 | 5 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 2 | 3 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 1 |
Его Величество Климат предупреждает: "Кто не спрятался, я не виноват!" / What is Our World Coming to | 1104 | 170 | 19 | 22 | 25 | 16 | 13 | 8 | 6 | 10 | 7 | 14 | 20 | 10 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
Наиболее опасный астероид Бенну с вероятностью 0,04% может столкнуться с Землёй | 678 | 169 | 23 | 20 | 24 | 17 | 8 | 11 | 6 | 6 | 9 | 15 | 15 | 15 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 3 | 0 | 2 | 0 | 2 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 2 |
Unguentum Morphosis | 169 | 169 | 31 | 138 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 5 | 2 | 4 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 4 | 6 | 6 | 3 | 1 | 3 | 3 | 6 | 2 | 5 | 13 | 16 | 21 | 23 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Der Yuppie-Blues | 745 | 169 | 26 | 26 | 20 | 15 | 9 | 7 | 8 | 4 | 8 | 11 | 21 | 14 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 6 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 2 | 4 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 |
Машуня | 1184 | 168 | 27 | 22 | 21 | 16 | 14 | 11 | 7 | 9 | 6 | 8 | 14 | 13 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 4 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 4 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 3 | 0 |
Doktor Hartlieb war berühmt für die Erfindung einer Hexensalbe "unguentum pharelis" | 166 | 166 | 32 | 25 | 29 | 22 | 22 | 12 | 16 | 8 | 0 | 0 | 0 | 0 | 0 | 5 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 4 | 3 | 2 | 3 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 |
Выставка "Панпсихореализм" в Мюнхене в сопровождении произведений Арнольда Шёнберга (2022) / Ausstellung "Panpsychorealismus" in Bayern | 647 | 166 | 27 | 24 | 27 | 18 | 7 | 7 | 7 | 7 | 7 | 8 | 16 | 11 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 3 | 3 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 2 | 1 | 2 | 1 | 4 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 3 |
В начале был Образ... | 609 | 166 | 18 | 24 | 29 | 13 | 12 | 8 | 5 | 5 | 14 | 10 | 17 | 11 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 |
"Панпсихореализм" / "Panpsychorealismus" | 859 | 166 | 22 | 21 | 22 | 24 | 4 | 10 | 13 | 3 | 10 | 6 | 19 | 12 | 0 | 1 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 1 | 0 | 4 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 2 | 0 |
Что, в конце концов, происходит с климатом, кто виноват и что делать? | 1335 | 164 | 20 | 22 | 22 | 14 | 11 | 7 | 7 | 4 | 12 | 13 | 18 | 14 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 3 | 1 | 3 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 0 |
Предпатентный Отчёт | 853 | 164 | 21 | 23 | 22 | 11 | 14 | 8 | 7 | 7 | 9 | 14 | 19 | 9 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 4 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 |
Das Voynich-Manuskript: eine wahre Geschichte mit Elementen der Fiktion | 598 | 163 | 25 | 30 | 19 | 18 | 12 | 9 | 8 | 5 | 9 | 8 | 11 | 9 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 1 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
Физикалисты пока не создали живого из неживого: панпсихореализм - альтернатива физикализму / Panpsy and U.F.O. / Панпси и Н.Л.О | 698 | 163 | 28 | 30 | 18 | 19 | 9 | 7 | 6 | 5 | 7 | 8 | 17 | 9 | 0 | 2 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 4 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 3 | 1 | 4 | 3 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 |
Предупреждение: карается законом! | 162 | 162 | 43 | 28 | 19 | 15 | 14 | 17 | 17 | 9 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 3 | 4 | 9 | 2 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 0 |
The Exhibition "Panpsychorealism", The Decryption of the La Pasiega Inscription, The Voynich Manuscript Decoding | 905 | 162 | 19 | 24 | 29 | 15 | 9 | 10 | 4 | 8 | 4 | 11 | 19 | 10 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 3 | 2 | 0 | 2 | 5 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 1 |
Манускрипт Войнича написал Абрахам Вормсский | 232 | 162 | 24 | 32 | 23 | 17 | 9 | 5 | 6 | 9 | 8 | 9 | 11 | 9 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 0 | 4 | 1 | 2 | 0 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Различные формы нло (ufo) с точки зрения панпсихореализма | 661 | 159 | 23 | 25 | 20 | 17 | 11 | 11 | 5 | 3 | 8 | 9 | 13 | 14 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 3 | 2 | 1 | 0 | 0 | 3 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
Альбом "Сансевиерия - Древо Жизни" / Album "Sansevieria" ("Lebensbaum", "Menzingia") | 2185 | 159 | 23 | 22 | 24 | 14 | 13 | 6 | 5 | 10 | 9 | 8 | 14 | 11 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 6 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 |
Ключ к разгадке Рукописи Войнича находится в "Книге о Растениях" доктора Хартлиба | 334 | 159 | 21 | 25 | 28 | 15 | 8 | 8 | 6 | 6 | 9 | 6 | 17 | 10 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 3 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 |
Реинкарнация, сингулярность и экстрасоматика / Reincarnation, singularity and extrasomatics | 465 | 158 | 26 | 22 | 20 | 23 | 8 | 7 | 4 | 6 | 10 | 5 | 17 | 10 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 4 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 |
Описание идеи для трёх короткометражных эпизодов фильма-трилогии "Destruction" | 789 | 158 | 26 | 19 | 22 | 13 | 11 | 7 | 6 | 3 | 9 | 12 | 19 | 11 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
Изгнание из Рая | 475 | 157 | 26 | 22 | 25 | 20 | 6 | 11 | 5 | 7 | 7 | 6 | 12 | 10 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 4 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 4 | 3 | 0 | 0 | 0 | 1 | 0 |
Панпсихореализм: аллюзии тренд-хантеров, утопизация общества и антивиртуальность / Panpsychorealism: allusions of trend hunters, the utopianization of society, and antivirtuality | 676 | 157 | 23 | 25 | 21 | 21 | 6 | 11 | 5 | 7 | 6 | 6 | 14 | 12 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 3 | 0 | 4 | 0 | 0 | 1 | 1 | 5 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 1 | 1 |
Системный подход в искусстве и истории | 222 | 157 | 22 | 20 | 21 | 22 | 10 | 5 | 5 | 4 | 7 | 15 | 19 | 7 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 3 | 3 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
Панпсихореализм: Через Год Эти Картины Будут Стоить В Сотни Раз Больше | 600 | 155 | 23 | 18 | 26 | 12 | 13 | 8 | 7 | 7 | 7 | 11 | 14 | 9 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 4 | 0 |
В голубой бутылке с водой неожиданно выросло подводное Древо Жизни | 954 | 152 | 21 | 23 | 26 | 16 | 10 | 8 | 6 | 3 | 8 | 6 | 12 | 13 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 4 | 2 | 2 | 0 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 4 | 0 | 0 | 3 | 0 | 2 | 1 |
Рукопись Войнича написана в Аугсбурге (Швабия) или в Менцинге (Верхняя Бавария) | 357 | 150 | 19 | 26 | 18 | 19 | 11 | 4 | 8 | 6 | 12 | 7 | 14 | 6 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 4 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 |
Das Voynich-Manuskript | 166 | 149 | 21 | 23 | 18 | 17 | 8 | 7 | 6 | 4 | 6 | 11 | 18 | 10 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 6 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 |
Труды учёных подтверждают верность теорий панпсихизма и панпсихореализма | 407 | 149 | 19 | 20 | 31 | 17 | 8 | 5 | 5 | 5 | 9 | 5 | 14 | 11 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 5 | 1 | 0 | 2 | 3 | 0 | 1 | 0 |
Началась эпоха войн, разрушений, ненависти, расизма и геноцида | 406 | 148 | 23 | 26 | 18 | 14 | 6 | 7 | 7 | 8 | 6 | 9 | 16 | 8 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 3 | 3 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 2 | 3 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 |
Субареям и древним римлянам удалось создать два типа колдовской мази: от одной люди левитируют, от другой превращаются в птиц. Главное - не перепутать! | 144 | 144 | 24 | 21 | 22 | 19 | 14 | 13 | 31 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 3 | 0 | 2 | 3 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 |
Манускрипт Войнича / Voynich Manuscript / 2020 / https://youtu.be/_tgy5yapsqg | 809 | 143 | 24 | 15 | 24 | 13 | 10 | 8 | 3 | 6 | 10 | 7 | 13 | 10 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 |
К сожалению, цивилизация оаннов выродилась из-за невозможности полной изоляции от пост-адамов | 392 | 143 | 16 | 17 | 24 | 16 | 11 | 8 | 3 | 6 | 9 | 8 | 13 | 12 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 1 |
Определённые астероиды и неопознанные объекты являются живыми системами и воплощением инопланетных технологий | 568 | 142 | 19 | 16 | 25 | 15 | 11 | 6 | 6 | 2 | 6 | 11 | 11 | 14 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 3 | 0 | 0 | 3 | 2 | 0 | 3 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 |
Способ обнаружения зон повышенного риска заражения различными воздушно-капельными инфекциями | 770 | 139 | 25 | 21 | 19 | 13 | 8 | 7 | 4 | 4 | 5 | 10 | 13 | 10 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 3 | 0 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 |
Остров Lore-Mendia, шаман Urabelarra, левитация, метаморфозы и исполнение желаний | 137 | 137 | 27 | 21 | 23 | 14 | 12 | 7 | 14 | 19 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 0 | 4 | 2 | 2 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 |
Сильное Желание Улучшает Генетику! | 135 | 135 | 25 | 25 | 17 | 20 | 11 | 12 | 15 | 10 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 4 | 3 | 0 | 2 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 |
Настройка механизма исполнения желаний | 131 | 131 | 20 | 42 | 69 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 6 | 13 | 4 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 2 | 5 | 3 |
Die Geschichte präsentiert eine Zusammenfassung von drei mysteriösen Manuskripten | 130 | 130 | 27 | 37 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 3 | 2 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 2 | 2 | 10 | 3 | 9 | 11 | 12 | 17 | 14 | 0 | 0 |
Die Subaräer entdeckten die magischen Eigenschaften mehrerer Wasserquellen | 128 | 128 | 28 | 23 | 29 | 16 | 8 | 24 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 3 | 2 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 0 | 0 |
Информация о владельце раздела | 2256 | 126 | 15 | 23 | 17 | 16 | 8 | 5 | 2 | 3 | 8 | 5 | 9 | 15 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 |
Итого | За последние 12 месяцев | Mar | Feb | Jan | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | |
Рукопись Войнича - Магия Абсурда, Манипуляция Символами и Женщинами | 115 | 115 | 23 | 20 | 23 | 22 | 17 | 10 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 |
К мистической картине "Экстрасоматическое Сознание Замка Блютенбург" (2021) | 109 | 109 | 29 | 18 | 39 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 1 | 2 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 2 | 2 | 0 | 0 | 1 |
Философия панпсихореализма утверждает, что любая система обладает интра- и экстрасоматическим сознанием, включая долговременную память | 104 | 104 | 23 | 30 | 51 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 2 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"