| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
По разделу |
756403 | 2009 |
15 |
167 |
176 |
180 |
151 |
133 |
194 |
170 |
220 |
201 |
206 |
196 |
1 |
6 |
8 |
3 |
6 |
5 |
5 |
5 |
6 |
4 |
5 |
6 |
4 |
7 |
9 |
5 |
9 |
4 |
5 |
7 |
5 |
5 |
6 |
4 |
4 |
8 |
5 |
3 |
8 |
5 |
8 |
5 |
6 |
5 |
6 |
7 |
5 |
8 |
4 |
3 |
5 |
7 |
8 |
6 |
4 |
6 |
6 |
4 |
7 |
5 |
5 |
4 |
5 |
4 |
4 |
5 |
5 |
6 |
6 |
6 |
7 |
7 |
|
Поэтика абсурда в аспекте литературно-художественной методологии |
29812 | 1274 |
9 |
132 |
122 |
114 |
66 |
93 |
113 |
130 |
134 |
107 |
138 |
116 |
0 |
5 |
4 |
3 |
4 |
1 |
3 |
4 |
6 |
2 |
0 |
6 |
4 |
5 |
9 |
4 |
9 |
2 |
5 |
5 |
5 |
3 |
6 |
3 |
3 |
8 |
2 |
0 |
8 |
5 |
8 |
3 |
6 |
2 |
3 |
6 |
2 |
7 |
4 |
2 |
4 |
6 |
8 |
4 |
4 |
4 |
2 |
4 |
7 |
4 |
2 |
4 |
4 |
3 |
2 |
2 |
5 |
3 |
6 |
4 |
5 |
5 |
|
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
3130 | 1097 |
14 |
67 |
70 |
54 |
57 |
60 |
86 |
104 |
127 |
147 |
174 |
137 |
0 |
6 |
8 |
1 |
2 |
1 |
3 |
4 |
3 |
3 |
5 |
1 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
4 |
3 |
2 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
4 |
2 |
0 |
2 |
1 |
6 |
3 |
5 |
2 |
2 |
2 |
5 |
1 |
4 |
0 |
4 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
|
Поэтика абсурда. Часть 1 |
3225 | 717 |
6 |
82 |
92 |
60 |
58 |
59 |
77 |
62 |
80 |
55 |
40 |
46 |
0 |
0 |
6 |
1 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
3 |
2 |
7 |
2 |
2 |
3 |
2 |
4 |
2 |
2 |
2 |
4 |
1 |
4 |
1 |
5 |
1 |
2 |
0 |
6 |
3 |
5 |
3 |
3 |
5 |
1 |
6 |
2 |
2 |
2 |
2 |
4 |
4 |
4 |
0 |
6 |
3 |
1 |
5 |
2 |
1 |
5 |
4 |
2 |
2 |
0 |
6 |
0 |
3 |
2 |
4 |
|
Метод приведения к абсурду в школьной классике |
1996 | 636 |
5 |
57 |
64 |
52 |
51 |
46 |
79 |
57 |
57 |
60 |
37 |
71 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
3 |
2 |
2 |
1 |
2 |
5 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
2 |
4 |
2 |
3 |
4 |
0 |
3 |
4 |
1 |
2 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
7 |
|
Мертвые души: хозяйственная бесхозяйственность |
2304 | 564 |
5 |
76 |
63 |
42 |
45 |
48 |
40 |
53 |
63 |
43 |
41 |
45 |
0 |
3 |
2 |
0 |
4 |
4 |
4 |
5 |
3 |
0 |
4 |
1 |
4 |
2 |
0 |
4 |
0 |
4 |
1 |
5 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
5 |
3 |
4 |
4 |
4 |
3 |
4 |
6 |
0 |
3 |
2 |
2 |
4 |
4 |
1 |
0 |
3 |
2 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
3 |
|
Гипербола и Гиперборея Маяковского |
1171 | 559 |
4 |
60 |
71 |
47 |
42 |
43 |
47 |
53 |
51 |
37 |
43 |
61 |
0 |
2 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
4 |
2 |
3 |
1 |
4 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
3 |
4 |
1 |
1 |
6 |
4 |
4 |
1 |
1 |
3 |
1 |
7 |
2 |
5 |
1 |
5 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
4 |
1 |
2 |
1 |
3 |
3 |
|
Внутренний монолог |
1141 | 537 |
4 |
66 |
67 |
48 |
47 |
38 |
47 |
43 |
53 |
31 |
40 |
53 |
0 |
0 |
4 |
2 |
3 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
3 |
4 |
3 |
0 |
4 |
2 |
4 |
6 |
0 |
3 |
4 |
0 |
1 |
4 |
0 |
2 |
2 |
3 |
1 |
4 |
3 |
0 |
1 |
5 |
1 |
6 |
3 |
2 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
2 |
2 |
0 |
3 |
0 |
4 |
2 |
2 |
1 |
4 |
2 |
2 |
1 |
0 |
4 |
|
В чем философский смысл фильма "Остров проклятых" |
1185 | 536 |
1 |
31 |
42 |
34 |
44 |
52 |
71 |
51 |
55 |
62 |
49 |
44 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
6 |
1 |
2 |
3 |
0 |
0 |
5 |
1 |
2 |
1 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
|
Автобиографизм и автопсихологизм |
886 | 464 |
3 |
64 |
58 |
36 |
45 |
36 |
44 |
44 |
44 |
30 |
30 |
30 |
0 |
0 |
3 |
2 |
2 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
3 |
4 |
1 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
3 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
4 |
0 |
3 |
0 |
4 |
2 |
4 |
4 |
0 |
2 |
4 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
3 |
0 |
3 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
|
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5930 | 437 |
3 |
47 |
54 |
29 |
21 |
35 |
88 |
25 |
49 |
22 |
32 |
32 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
4 |
4 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
3 |
0 |
3 |
0 |
3 |
3 |
3 |
4 |
2 |
2 |
4 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
3 |
1 |
2 |
3 |
1 |
|
Печорин и декабристы - бесславие героев времени |
1449 | 409 |
6 |
34 |
40 |
27 |
29 |
18 |
32 |
30 |
44 |
47 |
47 |
55 |
0 |
3 |
3 |
0 |
3 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
|
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2968 | 408 |
2 |
41 |
44 |
27 |
29 |
22 |
104 |
23 |
32 |
23 |
26 |
35 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
3 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
|
Интерьер в "Капитанской дочке" |
1498 | 382 |
4 |
43 |
67 |
25 |
20 |
21 |
26 |
25 |
34 |
31 |
32 |
54 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
4 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
2 |
0 |
5 |
5 |
4 |
1 |
0 |
0 |
4 |
5 |
2 |
2 |
4 |
1 |
0 |
2 |
|
Полифония Блока |
1594 | 379 |
2 |
47 |
47 |
36 |
22 |
16 |
34 |
24 |
36 |
35 |
38 |
42 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
5 |
1 |
4 |
3 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
1 |
2 |
|
Дуэль Онегина и Ленского |
1347 | 368 |
4 |
37 |
37 |
27 |
25 |
14 |
22 |
32 |
38 |
37 |
39 |
56 |
0 |
1 |
3 |
0 |
3 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
6 |
1 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
|
Шукшин ли "Хозяин бани и огорода"? |
2115 | 366 |
6 |
42 |
43 |
31 |
23 |
30 |
30 |
28 |
32 |
48 |
23 |
30 |
0 |
2 |
4 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
4 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
|
Антитеза |
635 | 364 |
4 |
37 |
43 |
32 |
22 |
31 |
26 |
16 |
39 |
39 |
35 |
40 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
4 |
0 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
5 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
5 |
2 |
1 |
|
Смертная казнь как эротика государственного самоубийства |
7683 | 354 |
4 |
41 |
39 |
28 |
25 |
21 |
21 |
23 |
27 |
42 |
36 |
47 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
4 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
3 |
3 |
4 |
1 |
3 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
|
Михаил Гарцев. История внутри нас |
4531 | 353 |
2 |
37 |
40 |
23 |
29 |
42 |
28 |
24 |
32 |
24 |
27 |
45 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
4 |
0 |
3 |
3 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Кто убил старуху процентщицу? |
2130 | 353 |
5 |
33 |
43 |
23 |
38 |
22 |
29 |
21 |
37 |
29 |
29 |
44 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
0 |
3 |
3 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
2 |
|
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
1008 | 350 |
2 |
37 |
37 |
28 |
25 |
25 |
43 |
17 |
39 |
35 |
28 |
34 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
0 |
4 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
|
Елена Чудинова. Мечеть Парижской Богоматери |
11843 | 349 |
2 |
39 |
46 |
32 |
28 |
21 |
28 |
22 |
36 |
41 |
19 |
35 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
4 |
1 |
4 |
1 |
0 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
6 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
|
Я играю вместе с мамой |
9762 | 344 |
2 |
46 |
40 |
36 |
25 |
21 |
26 |
26 |
27 |
24 |
38 |
33 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
3 |
3 |
0 |
4 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
|
Энтропия.net |
6183 | 341 |
4 |
39 |
45 |
24 |
33 |
23 |
32 |
27 |
31 |
27 |
23 |
33 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
5 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
2 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
|
Образ России в арт-среде Интернета |
2673 | 336 |
2 |
37 |
43 |
27 |
29 |
21 |
17 |
20 |
54 |
29 |
24 |
33 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
4 |
3 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
|
Пестрый дятел |
4752 | 329 |
3 |
45 |
55 |
37 |
22 |
23 |
22 |
22 |
31 |
24 |
22 |
23 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
4 |
0 |
3 |
0 |
2 |
1 |
4 |
2 |
6 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
3 |
3 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
4 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
7 |
|
"История Рода Толстых - история России". Фоторепортаж |
5716 | 320 |
4 |
52 |
42 |
19 |
26 |
21 |
22 |
26 |
25 |
28 |
21 |
34 |
0 |
1 |
3 |
0 |
4 |
2 |
1 |
0 |
5 |
2 |
1 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
5 |
0 |
2 |
1 |
2 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
|
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5760 | 318 |
3 |
42 |
47 |
34 |
29 |
18 |
22 |
18 |
31 |
25 |
15 |
34 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
5 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
6 |
1 |
1 |
|
Медвежонок |
9079 | 317 |
3 |
45 |
49 |
35 |
25 |
22 |
19 |
23 |
26 |
18 |
25 |
27 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
4 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
2 |
|
Можно ли назвать Печорина фаталистом |
843 | 316 |
1 |
29 |
32 |
20 |
24 |
30 |
29 |
21 |
29 |
35 |
34 |
32 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
4 |
4 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
|
Древесная лирика Хельги Ольшванг |
3801 | 315 |
2 |
38 |
39 |
20 |
39 |
20 |
17 |
12 |
22 |
36 |
30 |
40 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
1 |
5 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
|
Кот Васька в своей квартире |
7933 | 313 |
7 |
37 |
40 |
27 |
27 |
26 |
19 |
21 |
27 |
28 |
25 |
29 |
0 |
3 |
4 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
5 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
2 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
|
Что на небе |
8162 | 312 |
4 |
36 |
49 |
30 |
21 |
21 |
16 |
18 |
21 |
29 |
31 |
36 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
4 |
3 |
1 |
2 |
1 |
2 |
4 |
2 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
|
Каждый знает |
6755 | 308 |
2 |
35 |
39 |
30 |
28 |
21 |
39 |
21 |
26 |
19 |
16 |
32 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
4 |
|
Кто как кричит |
4564 | 307 |
4 |
39 |
39 |
21 |
37 |
13 |
18 |
25 |
28 |
28 |
26 |
29 |
1 |
2 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
3 |
3 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
0 |
0 |
5 |
3 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
|
Дискуссия о гениальности, Достоевском и социальном запросе |
1142 | 303 |
3 |
52 |
52 |
26 |
26 |
15 |
18 |
14 |
24 |
20 |
24 |
29 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
4 |
2 |
0 |
4 |
3 |
7 |
0 |
8 |
1 |
3 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
2 |
|
Учимся мыслить логически |
3763 | 299 |
3 |
43 |
46 |
27 |
29 |
17 |
19 |
18 |
21 |
26 |
21 |
29 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
0 |
4 |
0 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
3 |
0 |
5 |
0 |
0 |
1 |
4 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
|
Маяковский и его философия |
1486 | 299 |
3 |
41 |
38 |
26 |
28 |
19 |
24 |
20 |
31 |
22 |
18 |
29 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
4 |
0 |
4 |
2 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Комментариии к статье А.Виноградова о сетевой литературе |
4091 | 295 |
3 |
30 |
36 |
34 |
35 |
27 |
18 |
14 |
21 |
31 |
21 |
25 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Михаил Гарцев и сетевое письмо |
4561 | 294 |
2 |
34 |
44 |
32 |
25 |
22 |
22 |
20 |
18 |
23 |
20 |
32 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
5 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
2 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
|
Ослик |
8428 | 294 |
2 |
37 |
41 |
25 |
34 |
22 |
18 |
15 |
25 |
18 |
22 |
35 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
4 |
|
Александр Кушнер. Аполлон в траве |
4649 | 293 |
3 |
47 |
39 |
26 |
24 |
16 |
25 |
15 |
27 |
21 |
27 |
23 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
1 |
1 |
7 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
6 |
|
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
893 | 293 |
4 |
40 |
36 |
19 |
30 |
29 |
22 |
17 |
27 |
23 |
17 |
29 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
1 |
|
К вопросу о Фрейде и православии |
3165 | 291 |
3 |
36 |
41 |
25 |
29 |
17 |
22 |
20 |
19 |
27 |
18 |
34 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
6 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
|
Замятин "Мы". Конспект урока |
994 | 290 |
1 |
34 |
38 |
17 |
27 |
36 |
20 |
27 |
22 |
21 |
19 |
28 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
6 |
0 |
3 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
|
План анализа стихотворения |
642 | 288 |
1 |
40 |
35 |
20 |
22 |
16 |
18 |
28 |
21 |
30 |
23 |
34 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
6 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
|
Средства художественной изобразительности |
1615 | 287 |
4 |
43 |
38 |
32 |
28 |
15 |
21 |
17 |
19 |
19 |
24 |
27 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
7 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
3 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
Зеркало |
2970 | 287 |
3 |
37 |
36 |
23 |
31 |
12 |
25 |
20 |
22 |
20 |
23 |
35 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
3 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
1 |
1 |
5 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
|
Почему в Прибалтике не проходит русский бунт |
2652 | 286 |
2 |
32 |
45 |
29 |
23 |
11 |
20 |
26 |
20 |
30 |
30 |
18 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
6 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
3 |
2 |
5 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
|
Карнавал и декарнавализация |
4171 | 285 |
4 |
28 |
42 |
28 |
22 |
14 |
16 |
20 |
36 |
28 |
25 |
22 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
4 |
2 |
4 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
|
Волчонок |
4260 | 285 |
3 |
35 |
34 |
31 |
23 |
18 |
18 |
22 |
21 |
20 |
22 |
38 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
|
Стихи для детей |
5518 | 285 |
6 |
38 |
39 |
26 |
28 |
19 |
19 |
13 |
35 |
23 |
17 |
22 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
5 |
3 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
3 |
|
Язык и генетика |
4550 | 284 |
4 |
38 |
42 |
26 |
21 |
22 |
20 |
16 |
25 |
23 |
19 |
28 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
2 |
1 |
4 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
6 |
2 |
|
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
947 | 281 |
3 |
28 |
34 |
26 |
24 |
17 |
19 |
22 |
36 |
18 |
21 |
33 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
4 |
1 |
4 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
|
Потомки "Метрополя" |
5865 | 281 |
1 |
33 |
43 |
25 |
29 |
26 |
18 |
19 |
22 |
21 |
19 |
25 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
|
Липки |
2871 | 281 |
3 |
36 |
49 |
26 |
27 |
10 |
14 |
17 |
33 |
19 |
17 |
30 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
2 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
2 |
0 |
5 |
2 |
4 |
0 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
0 |
3 |
|
Поэтика абсурда и образ Святой Земли |
3577 | 281 |
2 |
40 |
32 |
25 |
27 |
20 |
24 |
16 |
22 |
24 |
22 |
27 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
|
О любви к правителям и поэтам |
1262 | 281 |
2 |
31 |
36 |
33 |
29 |
27 |
20 |
11 |
26 |
19 |
18 |
29 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
0 |
4 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
|
Психология - наука рабов |
6797 | 280 |
2 |
37 |
28 |
18 |
30 |
20 |
18 |
21 |
35 |
23 |
17 |
31 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Что общего между не любящими друг друга Раскольниковым и Лужиным |
1122 | 280 |
2 |
41 |
42 |
33 |
23 |
18 |
19 |
16 |
24 |
22 |
15 |
25 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
4 |
0 |
2 |
2 |
3 |
2 |
3 |
0 |
3 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
4 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
|
В защиту массовой литературы |
5680 | 279 |
2 |
32 |
37 |
22 |
26 |
23 |
13 |
11 |
35 |
28 |
17 |
33 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
4 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
7 |
1 |
1 |
0 |
0 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Избранница народного слова |
2490 | 279 |
3 |
37 |
35 |
26 |
31 |
23 |
20 |
17 |
21 |
22 |
17 |
27 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
5 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
|
Рифма к городу |
3604 | 279 |
1 |
36 |
43 |
31 |
27 |
15 |
18 |
21 |
22 |
19 |
19 |
27 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
4 |
0 |
4 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
|
Кто на самом деле ввходит в комнату к Юрию Живаго |
992 | 279 |
3 |
36 |
37 |
13 |
21 |
22 |
26 |
9 |
29 |
24 |
18 |
41 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
3 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
|
Сказка о гейзере на Стихире |
3025 | 279 |
4 |
30 |
36 |
16 |
25 |
26 |
24 |
14 |
21 |
25 |
20 |
38 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
5 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
|
Возвращение |
3383 | 279 |
2 |
39 |
45 |
24 |
26 |
19 |
17 |
18 |
23 |
14 |
23 |
29 |
0 |
0 |
2 |
0 |
1 |
5 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
|
Сон как нонсенс в "Войне и мире" |
685 | 277 |
2 |
35 |
42 |
30 |
29 |
14 |
17 |
16 |
25 |
24 |
17 |
26 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
2 |
|
Кирилл Юрьевич отбывает в Канаду |
3199 | 277 |
3 |
44 |
38 |
23 |
24 |
18 |
21 |
15 |
21 |
23 |
22 |
25 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
1 |
1 |
0 |
1 |
5 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
1 |
1 |
|
Гегельянство в России |
1130 | 277 |
4 |
32 |
43 |
22 |
22 |
15 |
20 |
16 |
30 |
29 |
20 |
24 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
3 |
2 |
0 |
4 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
|
Информация о владельце раздела |
3359 | 276 |
3 |
38 |
32 |
18 |
30 |
20 |
22 |
19 |
21 |
21 |
25 |
27 |
0 |
2 |
1 |
0 |
3 |
1 |
5 |
3 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
5 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Достоевский и конец истории |
3534 | 275 |
2 |
31 |
30 |
21 |
20 |
21 |
14 |
19 |
42 |
27 |
19 |
29 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
|
О курсе реформ и курсе литературы |
1028 | 274 |
2 |
34 |
41 |
28 |
22 |
10 |
14 |
13 |
36 |
29 |
21 |
24 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
3 |
2 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
|
Монтаж у Гоголя и Алексиевич |
822 | 274 |
5 |
36 |
46 |
31 |
29 |
12 |
17 |
20 |
19 |
15 |
19 |
25 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
1 |
4 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
|
Самоубийство разума |
3162 | 274 |
2 |
35 |
45 |
26 |
30 |
22 |
22 |
17 |
20 |
18 |
14 |
23 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
4 |
4 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
|
Натюрморт (Гоголь, Бродский, Есенин) |
963 | 274 |
3 |
30 |
45 |
26 |
24 |
15 |
17 |
12 |
32 |
19 |
21 |
30 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
5 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
3 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
5 |
1 |
|
Ушки, ножки, рожки |
6549 | 273 |
2 |
38 |
45 |
24 |
24 |
14 |
13 |
15 |
36 |
15 |
19 |
28 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
3 |
4 |
1 |
0 |
1 |
5 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
5 |
|
Ведение в чтение Гоголя |
1167 | 273 |
4 |
34 |
37 |
20 |
25 |
24 |
25 |
15 |
25 |
18 |
17 |
29 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
|
С кем я познакомилась на Си |
3532 | 272 |
4 |
39 |
35 |
31 |
32 |
16 |
17 |
15 |
19 |
27 |
15 |
22 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
2 |
5 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Про что поэзия Барто? - да все про то! |
5873 | 272 |
0 |
36 |
35 |
25 |
20 |
24 |
19 |
14 |
32 |
22 |
21 |
24 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Островский о романтической ипостаси русской литературы |
1260 | 272 |
2 |
31 |
36 |
19 |
22 |
19 |
28 |
19 |
27 |
21 |
20 |
28 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
1 |
4 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
|
Пушкинские и лермонтовские мотивы у Некрасова |
875 | 271 |
3 |
31 |
36 |
25 |
29 |
19 |
27 |
10 |
38 |
15 |
12 |
26 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
3 |
|
Ницше, ценности и Гегель |
3146 | 271 |
2 |
31 |
43 |
24 |
25 |
16 |
16 |
9 |
30 |
25 |
14 |
36 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
4 |
1 |
6 |
|
Демократия как искусство для искусства |
2888 | 271 |
1 |
40 |
44 |
22 |
24 |
14 |
22 |
11 |
27 |
25 |
16 |
25 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
|
Ирония и автоирония |
517 | 270 |
1 |
30 |
35 |
19 |
25 |
24 |
17 |
12 |
26 |
29 |
24 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
|
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2455 | 270 |
1 |
38 |
47 |
29 |
29 |
14 |
15 |
12 |
20 |
23 |
16 |
26 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
0 |
3 |
7 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
4 |
3 |
|
Алексиевич. Чернобыль |
1172 | 269 |
1 |
39 |
36 |
19 |
28 |
13 |
23 |
14 |
29 |
25 |
19 |
23 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
2 |
3 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
0 |
1 |
|
Достоевский как оптимальная точка видения |
3031 | 269 |
2 |
37 |
34 |
32 |
26 |
16 |
21 |
12 |
20 |
18 |
21 |
30 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
4 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
|
Ботинок |
4084 | 269 |
2 |
38 |
39 |
25 |
32 |
11 |
17 |
17 |
16 |
25 |
21 |
26 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
2 |
1 |
|
Пейзаж в поэме Лермонтова |
827 | 269 |
5 |
29 |
39 |
21 |
25 |
20 |
20 |
13 |
26 |
19 |
21 |
31 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Фотомастерская Вадима Месяца |
2992 | 268 |
4 |
35 |
38 |
21 |
25 |
19 |
24 |
10 |
18 |
28 |
21 |
25 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
3 |
|
Почему поэзия должна быть глуповата |
3191 | 267 |
4 |
27 |
37 |
25 |
28 |
21 |
20 |
16 |
21 |
20 |
19 |
29 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
5 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
|
Сюжет: событие, действие, мотив |
579 | 267 |
2 |
40 |
38 |
19 |
21 |
19 |
10 |
20 |
12 |
27 |
24 |
35 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
|
Бунт против Гегеля |
3220 | 266 |
2 |
29 |
41 |
21 |
27 |
12 |
14 |
17 |
34 |
20 |
23 |
26 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
4 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
|
Пьер и Андрей |
1226 | 266 |
3 |
34 |
32 |
24 |
25 |
14 |
26 |
15 |
25 |
21 |
15 |
32 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
|
В поисках смысла сетевой литературы |
2733 | 266 |
3 |
30 |
40 |
23 |
24 |
23 |
21 |
14 |
22 |
21 |
16 |
29 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
6 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
1 |
6 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
|
Об одном фильме |
1416 | 265 |
0 |
34 |
40 |
20 |
19 |
11 |
19 |
13 |
41 |
25 |
19 |
24 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
1 |
|
Какой плод у дерева |
3073 | 265 |
2 |
33 |
29 |
23 |
28 |
16 |
17 |
17 |
34 |
17 |
22 |
27 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
|
Автопортрет, оксюморон |
781 | 264 |
3 |
30 |
34 |
19 |
25 |
30 |
13 |
17 |
17 |
28 |
24 |
24 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
3 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
|
Введение в чтение Гоголя. Хлестаков |
707 | 263 |
4 |
38 |
39 |
20 |
21 |
17 |
16 |
11 |
35 |
16 |
16 |
30 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
4 |
3 |
3 |
0 |
0 |
2 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1641 | 262 |
2 |
29 |
35 |
22 |
20 |
23 |
26 |
13 |
22 |
30 |
21 |
19 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
|
Юрий Поляков. Грибной царь |
3681 | 262 |
0 |
35 |
32 |
18 |
28 |
18 |
20 |
19 |
27 |
20 |
14 |
31 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
4 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
4 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
О "Медном всаднике" |
1176 | 261 |
4 |
34 |
39 |
31 |
18 |
15 |
25 |
13 |
20 |
17 |
24 |
21 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
|
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
663 | 261 |
1 |
32 |
34 |
38 |
26 |
8 |
18 |
12 |
22 |
24 |
18 |
28 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
2 |
|
Галич и Мандельштам вокруг образа вождя |
531 | 261 |
4 |
33 |
37 |
26 |
25 |
13 |
13 |
13 |
36 |
19 |
19 |
23 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
1 |
4 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
|
Интервью с Игорем Панариным |
2567 | 261 |
1 |
24 |
43 |
24 |
19 |
12 |
23 |
23 |
31 |
21 |
15 |
25 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
1 |
2 |
|
Расширит ли виртуальная реальность возможности познания истины |
3344 | 261 |
1 |
28 |
32 |
32 |
21 |
17 |
18 |
14 |
25 |
30 |
19 |
24 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
1 |
|
Почему легенду о Данко можно назвать сказкой-обманкой? |
698 | 260 |
2 |
35 |
34 |
22 |
25 |
13 |
19 |
19 |
27 |
23 |
15 |
26 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
2 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
|
Где же новая поэзия |
2495 | 259 |
3 |
39 |
36 |
31 |
26 |
15 |
14 |
16 |
24 |
15 |
18 |
22 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
4 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
|
Утенок |
4588 | 259 |
4 |
29 |
31 |
28 |
30 |
27 |
15 |
15 |
16 |
17 |
15 |
32 |
0 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
|
Буддистский колобок |
2811 | 259 |
2 |
28 |
37 |
25 |
23 |
15 |
15 |
17 |
35 |
13 |
19 |
30 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
1 |
0 |
3 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
|
Социальные болезни Стихи.ру |
7066 | 259 |
4 |
42 |
35 |
31 |
20 |
19 |
18 |
13 |
18 |
19 |
14 |
26 |
0 |
0 |
4 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
|
Андрей Болконский - Дон Кихот |
742 | 259 |
2 |
29 |
40 |
22 |
28 |
14 |
19 |
20 |
17 |
20 |
20 |
28 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
0 |
|
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
701 | 259 |
0 |
33 |
36 |
19 |
26 |
16 |
17 |
21 |
25 |
25 |
16 |
25 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
5 |
0 |
0 |
2 |
3 |
2 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
7 |
1 |
|
Ведьмостиший больше не будет |
3031 | 258 |
5 |
32 |
39 |
16 |
24 |
19 |
16 |
16 |
32 |
16 |
18 |
25 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
6 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
|
Вирус абсурда в истории человеческой культуры |
2352 | 258 |
2 |
29 |
34 |
21 |
20 |
16 |
18 |
14 |
31 |
19 |
15 |
39 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
1 |
3 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
|
Поэтика абсурда при свете совести |
2796 | 258 |
3 |
28 |
31 |
27 |
22 |
15 |
15 |
15 |
26 |
26 |
21 |
29 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
|
Между прошлым и будущим |
684 | 258 |
2 |
35 |
39 |
27 |
22 |
21 |
19 |
13 |
21 |
18 |
19 |
22 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
1 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
|
"Коршун" Тютчева - материализм и идеализм |
703 | 258 |
1 |
30 |
45 |
18 |
26 |
16 |
25 |
13 |
21 |
18 |
16 |
29 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
|
Нам много миллионов лет. Каждому |
913 | 257 |
0 |
40 |
38 |
22 |
27 |
19 |
20 |
17 |
18 |
18 |
16 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
4 |
1 |
3 |
0 |
3 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Самосознание сетевой литературы |
4026 | 257 |
1 |
34 |
36 |
16 |
19 |
17 |
14 |
17 |
32 |
25 |
22 |
24 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Конечный смысл страдания |
2521 | 257 |
4 |
33 |
36 |
29 |
25 |
25 |
17 |
10 |
23 |
18 |
11 |
26 |
0 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
5 |
1 |
0 |
1 |
3 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
|
Мир как книга |
1013 | 257 |
0 |
33 |
39 |
33 |
20 |
10 |
19 |
16 |
25 |
19 |
15 |
28 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
|
Короля делает свита |
2316 | 256 |
0 |
35 |
37 |
24 |
22 |
16 |
11 |
17 |
35 |
17 |
17 |
25 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
|
19 августа 1991 года |
2427 | 255 |
1 |
33 |
40 |
29 |
26 |
15 |
16 |
25 |
18 |
18 |
14 |
20 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
4 |
4 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
|
Бессмертие и спасение |
2662 | 254 |
1 |
30 |
42 |
17 |
21 |
12 |
14 |
11 |
23 |
27 |
25 |
31 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
6 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
|
Реформы Путина и моя им гегельянская поддержка |
2802 | 254 |
2 |
37 |
36 |
27 |
25 |
12 |
19 |
15 |
20 |
20 |
16 |
25 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
5 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
|
Ленин как поэт Серебряного века |
1393 | 254 |
3 |
35 |
47 |
24 |
22 |
13 |
18 |
13 |
18 |
19 |
15 |
27 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
5 |
1 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
3 |
3 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
4 |
|
Anti-Dan |
3265 | 254 |
2 |
37 |
32 |
16 |
23 |
17 |
17 |
19 |
17 |
28 |
19 |
27 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
|
Памятник Румянцеву в "Капитанской дочке" |
853 | 254 |
2 |
30 |
36 |
21 |
23 |
8 |
25 |
16 |
27 |
21 |
21 |
24 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
|
Манифест |
2683 | 253 |
5 |
29 |
32 |
23 |
27 |
20 |
14 |
14 |
22 |
19 |
21 |
27 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
4 |
3 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
4 |
3 |
2 |
2 |
1 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
|
Трагический герой |
566 | 253 |
1 |
31 |
42 |
13 |
24 |
15 |
25 |
12 |
23 |
24 |
15 |
28 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
6 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
5 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
|
Что позволило Тынянову назвать тютческие стихи фрагментами? |
781 | 253 |
0 |
31 |
37 |
20 |
21 |
15 |
14 |
16 |
31 |
16 |
22 |
30 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
5 |
1 |
0 |
3 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
|
Образы русской природы в лирике Рубцова |
705 | 253 |
2 |
31 |
38 |
21 |
23 |
15 |
22 |
13 |
26 |
19 |
17 |
26 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
|
Беженки белки в "Центральном парке" Хельги Ольшванг |
1466 | 252 |
2 |
31 |
31 |
22 |
22 |
15 |
13 |
14 |
25 |
27 |
17 |
33 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
|
Государство и общество: свобода и необходимость |
4998 | 252 |
3 |
34 |
45 |
23 |
17 |
19 |
12 |
19 |
23 |
16 |
19 |
22 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
2 |
6 |
0 |
0 |
2 |
3 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
4 |
1 |
|
Двуединство добра |
2857 | 252 |
1 |
28 |
40 |
21 |
19 |
15 |
17 |
16 |
32 |
19 |
23 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
|
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
626 | 252 |
0 |
25 |
32 |
19 |
35 |
33 |
18 |
13 |
21 |
19 |
12 |
25 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
|
Возвращение блудного Чацкого |
911 | 252 |
2 |
35 |
41 |
25 |
27 |
12 |
15 |
14 |
25 |
20 |
17 |
19 |
0 |
2 |
0 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
2 |
4 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
2 |
|
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1688 | 252 |
0 |
35 |
33 |
16 |
25 |
25 |
21 |
14 |
20 |
24 |
14 |
25 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Этапы эволюции вируса абсурда в России |
3336 | 252 |
4 |
28 |
38 |
30 |
21 |
13 |
13 |
15 |
24 |
19 |
17 |
30 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
5 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
4 |
4 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
3 |
|
Проклятое место, проклятые вопросы |
3169 | 252 |
3 |
30 |
31 |
23 |
24 |
16 |
29 |
13 |
21 |
24 |
16 |
22 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
|
Снова по поводу "Тихого Дона" |
1179 | 251 |
0 |
26 |
35 |
19 |
22 |
15 |
33 |
12 |
26 |
24 |
17 |
22 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
|
Паломничество убогой |
2774 | 251 |
4 |
33 |
37 |
28 |
23 |
15 |
14 |
20 |
16 |
23 |
14 |
24 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
3 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
4 |
|
Рецензия на "Лампу Мафусаила...." Пелевина |
1647 | 251 |
0 |
26 |
34 |
26 |
20 |
13 |
23 |
16 |
21 |
23 |
18 |
31 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
|
Вот и обсудили! |
2692 | 251 |
2 |
33 |
39 |
28 |
20 |
16 |
19 |
14 |
21 |
22 |
16 |
21 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
2 |
3 |
4 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
|
Иду, а к ногам моим падает вдруг кипятильник |
2411 | 251 |
3 |
30 |
32 |
27 |
24 |
13 |
22 |
11 |
19 |
21 |
20 |
29 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
1 |
|
Необходимое или цель - искусство? |
740 | 251 |
1 |
33 |
37 |
25 |
23 |
16 |
17 |
10 |
33 |
24 |
11 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
5 |
2 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
4 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
|
Отчуждение |
1211 | 250 |
1 |
29 |
34 |
27 |
23 |
10 |
19 |
14 |
21 |
28 |
15 |
29 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
|
О романе "Обратная Перспектива А.Столярова |
1434 | 250 |
2 |
33 |
44 |
24 |
21 |
17 |
19 |
12 |
21 |
16 |
16 |
25 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
6 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
|
Государство и общество: бюрократизм и свобода от бюрократии |
3331 | 250 |
3 |
33 |
33 |
19 |
24 |
14 |
11 |
25 |
34 |
17 |
10 |
27 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
|
Поэтика абсурда Маяковского |
1546 | 250 |
0 |
28 |
29 |
13 |
21 |
21 |
21 |
18 |
28 |
20 |
20 |
31 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
4 |
2 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
|
Клопы от Фейербаха |
3168 | 250 |
1 |
31 |
36 |
28 |
24 |
21 |
19 |
14 |
20 |
17 |
19 |
20 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
4 |
2 |
4 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
|
Эмоции |
1088 | 250 |
0 |
31 |
30 |
17 |
19 |
16 |
14 |
17 |
24 |
20 |
24 |
38 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
|
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
945 | 250 |
1 |
30 |
35 |
22 |
21 |
15 |
20 |
15 |
36 |
15 |
16 |
24 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
3 |
3 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
|
Кто в окошке. Сказочные звери |
3859 | 249 |
1 |
34 |
33 |
24 |
25 |
22 |
14 |
12 |
19 |
14 |
18 |
33 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
|
Мысль изреченная |
2652 | 249 |
1 |
34 |
42 |
26 |
27 |
17 |
13 |
10 |
19 |
17 |
22 |
21 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
4 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
1 |
0 |
3 |
3 |
4 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
|
Что в имени мне твоем |
3006 | 248 |
1 |
28 |
37 |
22 |
22 |
17 |
14 |
13 |
32 |
25 |
13 |
24 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
|
Хлестаков и Печорин |
1375 | 248 |
3 |
32 |
36 |
17 |
27 |
12 |
15 |
17 |
23 |
20 |
21 |
25 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
1 |
5 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
|
Символизм |
524 | 248 |
2 |
34 |
38 |
17 |
23 |
21 |
17 |
13 |
16 |
22 |
15 |
30 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Как работает поэтика абсурда |
4471 | 243 |
1 |
34 |
41 |
26 |
22 |
13 |
15 |
13 |
19 |
19 |
18 |
22 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
6 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
3 |
2 |
|
Все по Салтыкову-Щедрину! |
4331 | 243 |
0 |
28 |
36 |
23 |
23 |
13 |
15 |
19 |
20 |
24 |
16 |
26 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
|
Атрибуты беса |
3128 | 242 |
3 |
31 |
36 |
26 |
22 |
21 |
13 |
14 |
18 |
16 |
18 |
24 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
|
Премия "Поэзия" что хотят жюри |
1413 | 242 |
0 |
34 |
36 |
26 |
22 |
18 |
13 |
14 |
21 |
15 |
20 |
23 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
3 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
1 |
0 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
|
По поводу некоторых неточностей Евгения Клюева |
2424 | 242 |
4 |
27 |
32 |
31 |
22 |
8 |
19 |
12 |
16 |
21 |
24 |
26 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
2 |
1 |
5 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
|
Модель романа-эпопеи |
991 | 242 |
3 |
29 |
34 |
19 |
22 |
17 |
16 |
15 |
26 |
15 |
18 |
28 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
1 |
|
Воинство Сергия Радонежского |
4422 | 242 |
2 |
24 |
39 |
31 |
20 |
21 |
9 |
13 |
18 |
21 |
18 |
26 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
|
Постновогодний синдром |
656 | 242 |
3 |
36 |
31 |
23 |
21 |
14 |
11 |
17 |
32 |
15 |
14 |
25 |
0 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
|
Лирика |
3208 | 242 |
2 |
29 |
32 |
25 |
26 |
15 |
22 |
10 |
21 |
18 |
15 |
27 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
6 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
6 |
|
Художник у Христа за пазухой |
2713 | 241 |
0 |
29 |
36 |
23 |
20 |
18 |
21 |
17 |
18 |
17 |
13 |
29 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Джулиан Барнс в защиту критики |
2687 | 241 |
2 |
27 |
35 |
26 |
16 |
15 |
15 |
7 |
23 |
31 |
21 |
23 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
3 |
2 |
|
Диалектика пути |
2779 | 241 |
2 |
33 |
37 |
23 |
26 |
13 |
17 |
5 |
21 |
18 |
15 |
31 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
|
О чем поют сферы Гоголя |
938 | 241 |
2 |
31 |
33 |
25 |
17 |
15 |
23 |
8 |
30 |
15 |
16 |
26 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
|
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
549 | 241 |
2 |
27 |
29 |
31 |
21 |
16 |
19 |
11 |
25 |
22 |
16 |
22 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
0 |
0 |
2 |
0 |
2 |
|
Отражение. Две рецензии на стихи Феликса Когана |
3436 | 241 |
2 |
27 |
42 |
24 |
27 |
17 |
14 |
11 |
18 |
17 |
19 |
23 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
|
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1196 | 240 |
2 |
32 |
34 |
21 |
21 |
18 |
21 |
14 |
22 |
17 |
16 |
22 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
4 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
|
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
4128 | 240 |
0 |
32 |
33 |
17 |
28 |
15 |
15 |
13 |
28 |
18 |
18 |
23 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
|
Рванет-не рванет |
696 | 240 |
2 |
36 |
40 |
23 |
19 |
11 |
20 |
14 |
21 |
15 |
14 |
25 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
3 |
0 |
2 |
5 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
|
Технические болезни Стихиры |
2593 | 240 |
0 |
31 |
44 |
20 |
22 |
11 |
13 |
17 |
28 |
19 |
14 |
21 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
5 |
3 |
1 |
1 |
1 |
4 |
1 |
4 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
|
Ведение в чтение Гоголя |
907 | 240 |
2 |
26 |
33 |
23 |
27 |
22 |
17 |
12 |
20 |
13 |
16 |
29 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Онегин - лицеист? |
701 | 240 |
1 |
25 |
34 |
28 |
27 |
20 |
15 |
12 |
23 |
21 |
16 |
18 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
|
Лисенок в курятнике Стихи.ру |
6036 | 239 |
1 |
31 |
30 |
20 |
23 |
19 |
23 |
16 |
18 |
22 |
15 |
21 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
|
Методология работы критика над текстом |
2511 | 239 |
3 |
32 |
33 |
24 |
22 |
18 |
15 |
13 |
22 |
18 |
17 |
22 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
|
Молчание - литературная преемственность |
720 | 239 |
0 |
24 |
34 |
14 |
20 |
20 |
23 |
11 |
37 |
19 |
18 |
19 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
3 |
2 |
4 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
|
Достоевский и риторические вопросы (диатриба) |
676 | 238 |
1 |
28 |
35 |
20 |
24 |
17 |
15 |
12 |
21 |
20 |
20 |
25 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
|
Базаров |
988 | 238 |
1 |
31 |
31 |
25 |
20 |
17 |
20 |
8 |
20 |
26 |
14 |
25 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
|
Недоросль в меняющемся мире |
687 | 238 |
1 |
32 |
39 |
28 |
20 |
13 |
18 |
14 |
17 |
18 |
15 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
|
Рубцов и формальный метод |
2627 | 238 |
0 |
31 |
36 |
19 |
18 |
14 |
14 |
11 |
39 |
15 |
15 |
26 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
2 |
0 |
2 |
|
Темное вещество, абсолютный дух и человеческая цивилизация |
984 | 237 |
2 |
36 |
37 |
20 |
19 |
11 |
13 |
14 |
18 |
27 |
14 |
26 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
2 |
3 |
3 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
|
Дан прислал |
971 | 237 |
1 |
30 |
37 |
20 |
20 |
17 |
14 |
16 |
23 |
24 |
15 |
20 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
5 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
4 |
|
"Хлыстовская богородица" Маяковского |
1363 | 237 |
0 |
27 |
40 |
23 |
25 |
12 |
14 |
17 |
21 |
19 |
18 |
21 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
6 |
4 |
2 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
|
Легенда о великом инквизиторе |
1079 | 237 |
3 |
26 |
37 |
22 |
18 |
11 |
19 |
21 |
19 |
17 |
17 |
27 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
|
Праздник Победы для кого-то пытаются сделать днем скорби |
3451 | 236 |
1 |
33 |
39 |
19 |
22 |
12 |
13 |
16 |
18 |
20 |
15 |
28 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
6 |
1 |
2 |
|
Национальность биографа |
2938 | 236 |
3 |
35 |
27 |
24 |
21 |
16 |
15 |
15 |
31 |
14 |
16 |
19 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
|
Крочечка Хаврошечка |
767 | 236 |
0 |
29 |
32 |
28 |
26 |
13 |
15 |
13 |
21 |
17 |
11 |
31 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
|
Инструкция создателям искусственного разума |
2499 | 236 |
1 |
37 |
37 |
18 |
18 |
14 |
11 |
13 |
29 |
19 |
15 |
24 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
2 |
1 |
4 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
|
Государство Платона и Акунина |
947 | 235 |
2 |
28 |
41 |
23 |
26 |
10 |
17 |
9 |
18 |
17 |
16 |
28 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
|
Воспитание гениев |
1011 | 234 |
0 |
30 |
33 |
13 |
16 |
16 |
15 |
14 |
25 |
24 |
19 |
29 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
1 |
0 |
2 |
|
Смысл и убеждение |
2272 | 234 |
0 |
27 |
33 |
16 |
23 |
12 |
18 |
9 |
36 |
16 |
18 |
26 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
|
Доказательство несовершенства Бога |
2651 | 234 |
0 |
25 |
36 |
17 |
25 |
15 |
16 |
16 |
20 |
19 |
11 |
34 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Быков и Навальный |
691 | 234 |
3 |
31 |
33 |
19 |
23 |
12 |
18 |
26 |
16 |
18 |
14 |
21 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
4 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
|
Собрание обратных цитат о любви |
3008 | 233 |
1 |
28 |
35 |
21 |
23 |
16 |
14 |
10 |
24 |
17 |
12 |
32 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
|
Образ поющей девушки: Пушкин, Лермонтов, Блок |
498 | 233 |
0 |
26 |
34 |
19 |
20 |
15 |
15 |
13 |
23 |
16 |
22 |
30 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
4 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
2 |
|
Лампа Мафусаила |
1653 | 233 |
3 |
27 |
34 |
30 |
14 |
13 |
15 |
13 |
20 |
20 |
19 |
25 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
|
Абсурдизм |
3739 | 233 |
0 |
31 |
28 |
19 |
20 |
16 |
18 |
16 |
19 |
24 |
22 |
20 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
|
Маркетинг науки, или Научный маркетинг |
3052 | 233 |
0 |
21 |
35 |
11 |
28 |
23 |
19 |
14 |
18 |
20 |
17 |
27 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
6 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
|
Печорин как писатель |
1008 | 233 |
3 |
21 |
31 |
24 |
20 |
13 |
16 |
14 |
24 |
19 |
21 |
27 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
5 |
2 |
3 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Молодежь и общество потребления |
3748 | 233 |
1 |
35 |
32 |
20 |
23 |
15 |
13 |
12 |
20 |
21 |
16 |
25 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
|
Отчуждение. стадия Ад |
1285 | 233 |
2 |
29 |
33 |
24 |
20 |
13 |
23 |
13 |
22 |
15 |
15 |
24 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
3 |
1 |
4 |
0 |
0 |
3 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
|
Введение в философию сказок |
714 | 233 |
3 |
34 |
38 |
19 |
22 |
16 |
15 |
10 |
19 |
18 |
10 |
29 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
3 |
0 |
2 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
4 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
|
То было двух бесов изображенье |
538 | 232 |
1 |
25 |
30 |
17 |
19 |
17 |
16 |
15 |
21 |
20 |
20 |
31 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
|
Сексуальность Гоголя |
763 | 232 |
1 |
29 |
32 |
14 |
34 |
24 |
17 |
12 |
20 |
14 |
15 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
|
Заголовок |
420 | 232 |
1 |
31 |
33 |
22 |
16 |
10 |
16 |
14 |
20 |
22 |
19 |
28 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
|
Невозможность гения эпохи |
599 | 232 |
2 |
29 |
36 |
15 |
18 |
12 |
14 |
11 |
40 |
19 |
13 |
23 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
3 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
|
Шаров и его теодицея |
695 | 232 |
1 |
33 |
33 |
19 |
25 |
16 |
15 |
11 |
20 |
18 |
14 |
27 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
|
Киев старый и новый |
2338 | 231 |
1 |
36 |
34 |
16 |
21 |
17 |
12 |
11 |
18 |
21 |
16 |
28 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
|
"Шиповник цветет" - не сжигай |
708 | 231 |
2 |
39 |
32 |
25 |
27 |
13 |
16 |
12 |
18 |
16 |
14 |
17 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
2 |
|
Пространство в живописи текста у Гоголя |
771 | 231 |
1 |
27 |
33 |
14 |
19 |
15 |
20 |
19 |
20 |
21 |
16 |
26 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
4 |
|
Миф о времени |
2424 | 231 |
1 |
27 |
31 |
19 |
17 |
17 |
24 |
16 |
19 |
19 |
20 |
21 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
|
"Добрый Филя" и проекция собеседника |
759 | 231 |
1 |
29 |
38 |
19 |
22 |
20 |
19 |
14 |
19 |
14 |
14 |
22 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
4 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 |
|
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
728 | 226 |
1 |
29 |
33 |
18 |
18 |
11 |
18 |
17 |
14 |
22 |
19 |
26 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
3 |
0 |
0 |
2 |
1 |
|
Обломов и реализм |
657 | 226 |
1 |
28 |
31 |
25 |
17 |
14 |
22 |
13 |
19 |
18 |
14 |
24 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
|
Категории добра и зла |
455 | 226 |
1 |
25 |
39 |
17 |
23 |
21 |
17 |
10 |
21 |
16 |
15 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
4 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
|
Почему Путин заинтересован в развитии гражданского общества |
2629 | 226 |
1 |
26 |
34 |
19 |
22 |
11 |
18 |
21 |
20 |
15 |
14 |
25 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
3 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
|
Литературоведение, рабство и пенсионная реформа |
1094 | 226 |
2 |
34 |
38 |
13 |
24 |
10 |
16 |
21 |
21 |
15 |
15 |
17 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
0 |
2 |
4 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Сила детской публицистики |
1397 | 225 |
2 |
29 |
30 |
18 |
22 |
12 |
22 |
8 |
23 |
17 |
16 |
26 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
|
Искушение как психологический прием |
2893 | 225 |
2 |
30 |
36 |
19 |
18 |
11 |
9 |
12 |
32 |
17 |
16 |
23 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
|
Введение в чтение Гоголя |
891 | 224 |
2 |
29 |
32 |
18 |
21 |
14 |
24 |
14 |
18 |
15 |
19 |
18 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
|
Долой ыгэ! |
660 | 224 |
1 |
31 |
37 |
20 |
17 |
9 |
11 |
15 |
15 |
31 |
17 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
1 |
5 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
5 |
2 |
2 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
|
Я начинаю обретать себя |
2427 | 224 |
0 |
32 |
33 |
18 |
24 |
9 |
11 |
9 |
35 |
13 |
12 |
28 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
|
Форма абсолютной сути созидаемого |
839 | 223 |
0 |
30 |
30 |
27 |
20 |
13 |
19 |
10 |
21 |
13 |
20 |
20 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
|
Конек-горбунок |
1011 | 223 |
0 |
30 |
27 |
21 |
17 |
14 |
19 |
11 |
24 |
18 |
15 |
27 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
|
Монтажная композиция |
567 | 222 |
2 |
22 |
39 |
16 |
22 |
13 |
19 |
10 |
14 |
26 |
20 |
19 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
4 |
1 |
3 |
1 |
|
Бегемотик |
3361 | 222 |
2 |
26 |
35 |
19 |
18 |
20 |
19 |
9 |
19 |
21 |
15 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
5 |
0 |
1 |
0 |
4 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
|
Паломничество убогой (2 редакция) |
533 | 222 |
2 |
25 |
36 |
21 |
19 |
14 |
12 |
12 |
18 |
25 |
13 |
25 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
3 |
3 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
|
Радио Свобода, Цру и великая русская литература |
2463 | 222 |
0 |
27 |
35 |
22 |
20 |
13 |
14 |
24 |
21 |
12 |
17 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
|
Проблематика произведений. Богатство и бедность |
606 | 222 |
0 |
27 |
39 |
22 |
18 |
10 |
8 |
11 |
20 |
17 |
22 |
28 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
|
Популярные стили в изображении Гоголя |
435 | 222 |
0 |
24 |
31 |
16 |
18 |
14 |
15 |
15 |
29 |
17 |
16 |
27 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
|
Онтологическое обоснование гения эпохи |
1253 | 222 |
1 |
29 |
32 |
23 |
21 |
12 |
16 |
18 |
18 |
11 |
21 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
2 |
2 |
0 |
4 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
|
Вирус абсурда в рамках боровской Дополнительности |
2147 | 222 |
2 |
27 |
38 |
16 |
21 |
15 |
14 |
13 |
17 |
16 |
16 |
27 |
0 |
2 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
5 |
1 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
3 |
1 |