| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
698467 | 1634 |
8 |
220 |
201 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
2 |
6 |
7 |
5 |
9 |
7 |
4 |
6 |
10 |
5 |
6 |
8 |
4 |
5 |
4 |
8 |
6 |
12 |
13 |
11 |
6 |
9 |
5 |
5 |
7 |
9 |
20 |
7 |
6 |
5 |
5 |
6 |
6 |
5 |
3 |
6 |
5 |
4 |
3 |
4 |
5 |
4 |
6 |
6 |
4 |
6 |
15 |
6 |
4 |
6 |
11 |
10 |
15 |
11 |
7 |
4 |
4 |
4 |
7 |
8 |
10 |
5 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2618 | 1018 |
0 |
127 |
147 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
0 |
0 |
2 |
2 |
8 |
2 |
4 |
4 |
5 |
5 |
2 |
5 |
1 |
5 |
1 |
4 |
2 |
12 |
2 |
7 |
3 |
9 |
5 |
5 |
4 |
2 |
1 |
7 |
2 |
5 |
5 |
6 |
6 |
4 |
3 |
2 |
3 |
3 |
0 |
4 |
1 |
4 |
6 |
4 |
4 |
6 |
4 |
2 |
0 |
4 |
11 |
10 |
15 |
11 |
7 |
1 |
2 |
4 |
5 |
8 |
9 |
2 |
Поэтика абсурда в аспекте литературно-художественной методологии |
29039 | 979 |
6 |
134 |
107 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
0 |
6 |
7 |
5 |
9 |
6 |
4 |
3 |
10 |
2 |
6 |
2 |
4 |
1 |
4 |
8 |
6 |
5 |
3 |
3 |
6 |
2 |
3 |
3 |
6 |
4 |
3 |
5 |
5 |
3 |
2 |
4 |
3 |
5 |
3 |
6 |
5 |
0 |
2 |
1 |
3 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
6 |
5 |
5 |
3 |
3 |
1 |
4 |
1 |
4 |
7 |
5 |
10 |
3 |
Метод приведения к абсурду в школьной классике |
1587 | 414 |
2 |
57 |
60 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
4 |
4 |
0 |
1 |
4 |
2 |
3 |
1 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
5 |
0 |
5 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
4 |
2 |
2 |
5 |
Поэтика абсурда. Часть 1 |
2730 | 403 |
1 |
80 |
55 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
0 |
1 |
2 |
1 |
0 |
7 |
1 |
4 |
3 |
4 |
2 |
3 |
1 |
4 |
4 |
4 |
2 |
2 |
7 |
1 |
5 |
2 |
2 |
3 |
1 |
2 |
2 |
3 |
3 |
0 |
2 |
3 |
6 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
4 |
6 |
1 |
3 |
5 |
2 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
Гипербола и Гиперборея Маяковского |
806 | 394 |
2 |
51 |
37 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
2 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
3 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
1 |
5 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
6 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
4 |
2 |
3 |
0 |
Мертвые души: хозяйственная бесхозяйственность |
1932 | 366 |
0 |
63 |
43 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
6 |
1 |
4 |
1 |
3 |
1 |
2 |
0 |
3 |
1 |
2 |
5 |
2 |
2 |
3 |
2 |
4 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
4 |
3 |
1 |
1 |
В чем философский смысл фильма "Остров проклятых" |
860 | 364 |
1 |
55 |
62 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
5 |
2 |
1 |
3 |
1 |
1 |
3 |
3 |
2 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
3 |
2 |
4 |
0 |
1 |
4 |
2 |
0 |
1 |
4 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
6 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
1 |
4 |
4 |
3 |
2 |
Внутренний монолог |
781 | 342 |
0 |
53 |
31 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
3 |
0 |
4 |
2 |
0 |
5 |
0 |
3 |
3 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
1 |
Интерьер в "Капитанской дочке" |
1268 | 335 |
1 |
34 |
31 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
3 |
3 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
Печорин и декабристы - бесславие героев времени |
1234 | 331 |
1 |
44 |
47 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
0 |
6 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
4 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
4 |
6 |
1 |
1 |
Полифония Блока |
1367 | 286 |
1 |
36 |
35 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
0 |
1 |
2 |
2 |
4 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
2 |
1 |
4 |
2 |
1 |
1 |
Дуэль Онегина и Ленского |
1152 | 284 |
3 |
38 |
37 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
0 |
3 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
4 |
5 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
4 |
3 |
Смертная казнь как эротика государственного самоубийства |
7481 | 284 |
0 |
27 |
42 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
1 |
4 |
2 |
5 |
5 |
1 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11626 | 280 |
1 |
36 |
41 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
3 |
1 |
4 |
0 |
2 |
3 |
Кто убил старуху процентщицу? |
1916 | 279 |
0 |
37 |
29 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
3 |
2 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
5 |
0 |
2 |
Антитеза |
425 | 272 |
1 |
39 |
39 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
7 |
2 |
3 |
5 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
794 | 268 |
0 |
39 |
35 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
3 |
1 |
1 |
1 |
4 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
3 |
0 |
4 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
3 |
3 |
1 |
1 |
План анализа стихотворения |
462 | 262 |
0 |
21 |
30 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
Михаил Гарцев. История внутри нас |
4306 | 245 |
0 |
32 |
24 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
0 |
4 |
6 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Энтропия.net |
5957 | 243 |
1 |
31 |
27 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
5 |
3 |
0 |
Шукшин ли "Хозяин бани и огорода"? |
1882 | 241 |
0 |
32 |
48 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
4 |
4 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
12 |
4 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
Учимся мыслить логически |
3561 | 239 |
0 |
21 |
26 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5628 | 237 |
0 |
49 |
22 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
2 |
4 |
10 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
Три пальмы |
1155 | 235 |
3 |
23 |
18 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
4 |
1 |
1 |
Я играю вместе с мамой |
9542 | 234 |
2 |
27 |
24 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
3 |
Автобиографизм и автопсихологизм |
556 | 232 |
0 |
44 |
30 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
5 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
3 |
"История Рода Толстых - история России". Фоторепортаж |
5504 | 232 |
0 |
25 |
28 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
2 |
Образ России в арт-среде Интернета |
2478 | 232 |
1 |
54 |
29 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
9 |
20 |
2 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
1 |
3 |
Можно ли назвать Печорина фаталистом |
657 | 224 |
0 |
29 |
35 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
4 |
1 |
0 |
4 |
Древесная лирика Хельги Ольшванг |
3614 | 221 |
0 |
22 |
36 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
6 |
4 |
1 |
3 |
Кот Васька в своей квартире |
7729 | 219 |
0 |
27 |
28 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
Сюжет: событие, действие, мотив |
411 | 217 |
1 |
12 |
27 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2676 | 206 |
0 |
32 |
23 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
0 |
0 |
Кто как кричит |
4369 | 206 |
1 |
28 |
28 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
5 |
3 |
2 |
0 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
826 | 204 |
1 |
29 |
24 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
Достоевский и конец истории |
3376 | 199 |
0 |
42 |
27 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
11 |
4 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
К вопросу о Фрейде и православии |
2972 | 199 |
0 |
19 |
27 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
Пестрый дятел |
4524 | 198 |
1 |
31 |
24 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
1 |
Медвежонок |
8860 | 197 |
2 |
26 |
18 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Что на небе |
7968 | 194 |
1 |
21 |
29 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
Об одном фильме |
1261 | 194 |
1 |
41 |
25 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
0 |
4 |
9 |
1 |
3 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
Самосознание сетевой литературы |
3872 | 194 |
0 |
32 |
25 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
5 |
9 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5548 | 192 |
1 |
31 |
25 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
5 |
11 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
Александр Кушнер. Аполлон в траве |
4455 | 192 |
1 |
27 |
21 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
0 |
1 |
4 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
4 |
Поэтика абсурда Маяковского |
1395 | 192 |
0 |
28 |
20 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
4 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
Ослик |
8235 | 192 |
1 |
25 |
18 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
Ведение в чтение Гоголя |
984 | 192 |
1 |
25 |
18 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
Натюрморт (Гоголь, Бродский, Есенин) |
792 | 191 |
1 |
32 |
19 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
7 |
8 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
Комментариии к статье А.Виноградова о сетевой литературе |
3895 | 189 |
1 |
21 |
31 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
2 |
4 |
2 |
1 |
2 |
Сказка о гейзере на Стихире |
2850 | 189 |
0 |
21 |
25 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
Поэтика абсурда и образ Святой Земли |
3393 | 189 |
2 |
22 |
24 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
Карнавал и декарнавализация |
3997 | 187 |
0 |
36 |
28 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
Язык и генетика |
4361 | 187 |
0 |
25 |
23 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
Маяковский и его философия |
1288 | 187 |
1 |
31 |
22 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
0 |
1 |
0 |
3 |
4 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
627 | 186 |
0 |
31 |
16 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
5 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
Гегельянство в России |
956 | 186 |
0 |
30 |
29 |
20 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
2 |
4 |
1 |
В защиту массовой литературы |
5514 | 184 |
0 |
35 |
28 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
7 |
8 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
3 |
Юрий Поляков. Грибной царь |
3513 | 184 |
2 |
27 |
20 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
4 |
Волчонок |
4078 | 184 |
2 |
21 |
20 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Психология - наука рабов |
6623 | 183 |
0 |
35 |
23 |
17 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
9 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
774 | 182 |
0 |
36 |
18 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1316 | 181 |
0 |
25 |
27 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
3 |
Про что поэзия Барто? - да все про то! |
5700 | 180 |
0 |
32 |
22 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
4 |
8 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
Пейзаж в поэме Лермонтова |
656 | 180 |
1 |
26 |
19 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
Ирония и автоирония |
355 | 179 |
1 |
26 |
29 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
1 |
2 |
2 |
5 |
1 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3181 | 179 |
0 |
25 |
30 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
Фотомастерская Вадима Месяца |
2817 | 179 |
1 |
18 |
28 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
697 | 178 |
1 |
27 |
23 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
3 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
Стихи для детей |
5330 | 178 |
0 |
35 |
23 |
17 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
9 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
Зеркало |
2783 | 178 |
0 |
22 |
20 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
Потомки "Метрополя" |
5671 | 176 |
0 |
22 |
21 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
Почему поэзия должна быть глуповата |
3014 | 176 |
1 |
21 |
20 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
3 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1472 | 175 |
1 |
22 |
30 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
1 |
Поэтика абсурда при свете совести |
2641 | 175 |
1 |
26 |
26 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
3 |
2 |
0 |
Пьер и Андрей |
1054 | 175 |
1 |
25 |
21 |
15 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
5 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
2 |
1 |
Эмоции |
944 | 174 |
0 |
24 |
20 |
24 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
Анализ прозы |
362 | 174 |
0 |
24 |
17 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
Реминисценция |
435 | 173 |
0 |
21 |
21 |
18 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
Ницше, ценности и Гегель |
2980 | 173 |
0 |
30 |
25 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
6 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Вирус абсурда в истории человеческой культуры |
2198 | 173 |
0 |
31 |
19 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
3 |
10 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
Дискуссия о гениальности, Достоевском и социальном запросе |
936 | 173 |
0 |
24 |
20 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
Замятин "Мы". Конспект урока |
794 | 173 |
0 |
22 |
21 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
Евгений Водолазкин и поэтика абсурда |
1098 | 173 |
0 |
18 |
23 |
23 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
Сальери как образец |
1076 | 173 |
1 |
25 |
19 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
Памятник Румянцеву в "Капитанской дочке" |
693 | 172 |
1 |
27 |
21 |
21 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
1 |
О любви к правителям и поэтам |
1074 | 172 |
1 |
26 |
19 |
18 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
695 | 171 |
0 |
38 |
15 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
8 |
2 |
1 |
1 |
0 |
5 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
Воспитание гениев |
874 | 170 |
0 |
25 |
24 |
19 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
Михаил Гарцев и сетевое письмо |
4360 | 170 |
0 |
18 |
23 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
3 |
Ботинок |
3903 | 170 |
0 |
16 |
25 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
Какой плод у дерева |
2910 | 170 |
2 |
34 |
17 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
8 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
Anti-Dan |
3102 | 170 |
0 |
17 |
28 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
То было двух бесов изображенье |
399 | 169 |
1 |
21 |
20 |
20 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
Липки |
2689 | 169 |
0 |
33 |
19 |
17 |
30 |
13 |
21 |
10 |
6 |
5 |
6 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
7 |
9 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
1 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
530 | 169 |
1 |
27 |
23 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
Письмо Ольги Пушкину |
1072 | 168 |
1 |
22 |
22 |
15 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
4 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
4 |
4 |
2 |
Каждый знает |
6541 | 168 |
1 |
26 |
19 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
Трагический герой |
403 | 168 |
0 |
23 |
24 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
2 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
Вмешиваясь в разговор с богом |
3198 | 168 |
0 |
28 |
21 |
17 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
5 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
5 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
3 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
В поисках смысла сетевой литературы |
2555 | 168 |
0 |
22 |
21 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
4 |
О "Медном всаднике" |
997 | 167 |
0 |
20 |
17 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
494 | 167 |
0 |
22 |
24 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
Алексиевич. Чернобыль |
999 | 167 |
0 |
29 |
25 |
19 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
4 |
1 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
584 | 167 |
1 |
14 |
22 |
19 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
1 |
Абсурдизм |
3591 | 167 |
0 |
19 |
24 |
22 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
Что в имени мне твоем |
2852 | 167 |
0 |
32 |
25 |
13 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
4 |
8 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
6 |
3 |
3 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
534 | 167 |
1 |
25 |
25 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
3 |
0 |
С кем я познакомилась на Си |
3343 | 166 |
0 |
19 |
27 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
1 |
Информация о владельце раздела |
3178 | 166 |
1 |
21 |
21 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
3 |
0 |
Образы русской природы в лирике Рубцова |
541 | 166 |
1 |
26 |
19 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
Этапы эволюции вируса абсурда в России |
3174 | 165 |
0 |
24 |
19 |
17 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
Галич и Мандельштам вокруг образа вождя |
368 | 164 |
1 |
36 |
19 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
12 |
2 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3975 | 164 |
0 |
28 |
18 |
18 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
5 |
Рифма к городу |
3413 | 164 |
1 |
22 |
19 |
19 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
4 |
1 |
2 |
Кирилл Юрьевич отбывает в Канаду |
3013 | 164 |
0 |
21 |
23 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
Монтажная композиция |
345 | 164 |
1 |
29 |
22 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
9 |
1 |
1 |
0 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
Возвращение |
3193 | 163 |
0 |
23 |
14 |
23 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Монтажная композиция |
426 | 162 |
2 |
14 |
26 |
20 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
Сон как нонсенс в "Войне и мире" |
501 | 162 |
1 |
25 |
24 |
17 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Чудачество и донкихотство. Шукшин и Сервантес |
1262 | 162 |
1 |
17 |
23 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
Горе от ума или ум от горя. Перевертыши |
741 | 161 |
0 |
26 |
20 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
Искушение как психологический прием |
2756 | 161 |
0 |
32 |
17 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
10 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
0 |
Манифест |
2519 | 160 |
0 |
22 |
19 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
929 | 160 |
1 |
24 |
22 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
Автопортрет, оксюморон |
611 | 160 |
1 |
17 |
28 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
2 |
2 |
1 |
Островский о романтической ипостаси русской литературы |
1085 | 160 |
1 |
27 |
21 |
20 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
Почему в Прибалтике не проходит русский бунт |
2466 | 160 |
2 |
20 |
30 |
30 |
18 |
12 |
16 |
5 |
6 |
3 |
7 |
11 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
Ушки, ножки, рожки |
6374 | 159 |
0 |
36 |
15 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
4 |
11 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
1 |
Ферапонтово. Коллекция |
1861 | 159 |
0 |
24 |
18 |
17 |
28 |
17 |
22 |
5 |
4 |
6 |
5 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
3 |
1 |
1 |
Автометафора |
508 | 159 |
0 |
17 |
22 |
24 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
Печорин как писатель |
867 | 159 |
1 |
24 |
19 |
21 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
Иду, а к ногам моим падает вдруг кипятильник |
2249 | 159 |
0 |
19 |
21 |
20 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
2 |
Введение в чтение Гоголя. Хлестаков |
542 | 158 |
1 |
35 |
16 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
11 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
2 |
Буддистский колобок |
2649 | 158 |
0 |
35 |
13 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
5 |
10 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
Достоевский как оптимальная точка видения |
2853 | 157 |
2 |
20 |
18 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
393 | 157 |
0 |
25 |
22 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1489 | 157 |
0 |
21 |
23 |
18 |
31 |
11 |
14 |
8 |
15 |
5 |
5 |
6 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
5 |
1 |
0 |
Вот и обсудили! |
2522 | 157 |
1 |
21 |
22 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
3 |
2 |
0 |
Самоубийство разума |
2964 | 157 |
1 |
20 |
18 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Символизм |
359 | 157 |
0 |
16 |
22 |
15 |
30 |
12 |
20 |
12 |
15 |
4 |
8 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
2 |
Двуединство добра |
2702 | 156 |
2 |
32 |
19 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
5 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
Невозможность гения эпохи |
462 | 156 |
0 |
40 |
19 |
13 |
23 |
17 |
18 |
7 |
2 |
2 |
6 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
11 |
3 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
Джулиан Барнс в защиту критики |
2545 | 155 |
1 |
23 |
31 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
5 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
4 |
1 |
1 |
О курсе реформ и курсе литературы |
864 | 155 |
0 |
36 |
29 |
21 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
11 |
4 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
3 |
5 |
2 |
2 |
Паломничество убогой |
2601 | 155 |
1 |
16 |
23 |
14 |
24 |
9 |
15 |
5 |
2 |
22 |
13 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
3 |
Как в "Превращении" Кафки выражена идея торжества разума |
728 | 155 |
1 |
19 |
22 |
15 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
Символика цвета |
268 | 155 |
1 |
20 |
27 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
3 |
Лирика |
3048 | 155 |
1 |
21 |
18 |
15 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
6 |
2 |
2 |
Ведьмостиший больше не будет |
2864 | 154 |
0 |
32 |
16 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
7 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
Избранница народного слова |
2298 | 154 |
0 |
21 |
22 |
17 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
Бессмертие и спасение |
2514 | 154 |
0 |
23 |
27 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
Бунт против Гегеля |
3058 | 154 |
1 |
34 |
20 |
23 |
26 |
6 |
15 |
6 |
5 |
3 |
5 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
3 |
9 |
4 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
Теория диссоциаций и Булгаков |
1161 | 153 |
1 |
21 |
26 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
4 |
2 |
0 |
Лампа Мафусаила |
1505 | 153 |
1 |
20 |
20 |
19 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
4 |
0 |
1 |
Дан прислал |
816 | 153 |
0 |
23 |
24 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
Компьютер и сексуальная революция писателя |
2714 | 153 |
1 |
31 |
16 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
5 |
8 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
Кто в окошке. Сказочные звери |
3694 | 152 |
0 |
19 |
14 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
Интервью с Игорем Панариным |
2398 | 152 |
0 |
31 |
21 |
15 |
25 |
14 |
15 |
4 |
6 |
4 |
8 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
10 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
Снова по поводу "Тихого Дона" |
1017 | 152 |
0 |
26 |
24 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
5 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Андрей Болконский - Дон Кихот |
569 | 152 |
1 |
17 |
20 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
"Коршун" Тютчева - материализм и идеализм |
529 | 151 |
0 |
21 |
18 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
Страсть и поэзия |
1801 | 150 |
0 |
22 |
21 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
Пространство в живописи текста у Гоголя |
624 | 150 |
1 |
20 |
21 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
1 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1520 | 150 |
1 |
20 |
24 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
4 |
0 |
0 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
4 |
2 |
0 |
3 |
Короля делает свита |
2155 | 149 |
1 |
35 |
17 |
17 |
25 |
16 |
12 |
8 |
3 |
3 |
9 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
6 |
9 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
О чем поют сферы Гоголя |
785 | 149 |
1 |
30 |
15 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
2 |
Демократия как искусство для искусства |
2710 | 149 |
0 |
27 |
25 |
16 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
786 | 149 |
0 |
36 |
15 |
16 |
24 |
17 |
15 |
6 |
4 |
2 |
8 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
8 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
Художник у Христа за пазухой |
2549 | 148 |
0 |
18 |
17 |
13 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
4 |
0 |
0 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
356 | 148 |
0 |
23 |
16 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
Базаров |
836 | 148 |
1 |
20 |
26 |
14 |
25 |
18 |
15 |
7 |
6 |
1 |
7 |
8 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
3 |
0 |
4 |
Мысль изреченная |
2482 | 148 |
0 |
19 |
17 |
22 |
21 |
14 |
15 |
9 |
6 |
8 |
10 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
0 |
Смысл и убеждение |
2136 | 148 |
2 |
36 |
16 |
18 |
26 |
9 |
14 |
6 |
5 |
2 |
8 |
6 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
5 |
11 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
Мир как книга |
843 | 148 |
0 |
25 |
19 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
Киев старый и новый |
2190 | 147 |
0 |
18 |
21 |
16 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
Достоевский и риторические вопросы (диатриба) |
525 | 147 |
1 |
21 |
20 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
Дурное общество |
857 | 147 |
1 |
29 |
13 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
11 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
Темное вещество, абсолютный дух и человеческая цивилизация |
832 | 147 |
0 |
18 |
27 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
Средства художественной изобразительности |
1417 | 147 |
0 |
19 |
19 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Чужая сказка |
2372 | 147 |
0 |
28 |
16 |
16 |
33 |
14 |
15 |
6 |
6 |
3 |
7 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
8 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
По поводу некоторых неточностей Евгения Клюева |
2269 | 147 |
0 |
16 |
21 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
4 |
0 |
0 |
Маркетинг науки, или Научный маркетинг |
2902 | 147 |
1 |
18 |
20 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
4 |
Все по Салтыкову-Щедрину! |
4174 | 147 |
0 |
20 |
24 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
Собрание обратных цитат о любви |
2860 | 146 |
0 |
24 |
17 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
1033 | 146 |
0 |
22 |
17 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
Литературоведение - наука или "Humanities and Arts"... |
2325 | 146 |
0 |
29 |
18 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
10 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
Возвращение блудного Чацкого |
740 | 145 |
0 |
25 |
20 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
Методология работы критика над текстом |
2351 | 145 |
0 |
22 |
18 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
Молчание - литературная преемственность |
574 | 145 |
0 |
37 |
19 |
18 |
19 |
11 |
15 |
4 |
6 |
3 |
7 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
4 |
8 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
Сила детской публицистики |
1254 | 145 |
0 |
23 |
17 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
6 |
1 |
1 |
Я начинаю обретать себя |
2292 | 144 |
1 |
35 |
13 |
12 |
28 |
9 |
14 |
7 |
6 |
3 |
8 |
8 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
11 |
1 |
5 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
Модель романа-эпопеи |
837 | 144 |
1 |
26 |
15 |
18 |
28 |
13 |
13 |
7 |
4 |
4 |
7 |
8 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
Инструкция создателям искусственного разума |
2350 | 144 |
0 |
29 |
19 |
15 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
8 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
Заголовок |
278 | 144 |
1 |
20 |
22 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
1 |
1 |
1 |
Отчуждение |
1054 | 143 |
0 |
21 |
28 |
15 |
29 |
10 |
18 |
4 |
2 |
2 |
4 |
10 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
3 |
Конек-горбунок |
873 | 143 |
1 |
24 |
18 |
15 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
Лисенок в курятнике Стихи.ру |
5873 | 143 |
0 |
18 |
22 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
4 |
3 |
0 |
Паломничество убогой (2 редакция) |
393 | 143 |
1 |
18 |
25 |
13 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
Литературные пейзажи Толстого |
1125 | 143 |
1 |
27 |
16 |
21 |
21 |
18 |
12 |
5 |
8 |
0 |
9 |
5 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
11 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Социальные болезни Стихи.ру |
6885 | 143 |
1 |
18 |
19 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
Ленин как поэт Серебряного века |
1220 | 143 |
2 |
18 |
19 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
Хлестаков и Печорин |
1216 | 143 |
0 |
23 |
20 |
21 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
Был ли влюблен Иван Васильевич в Вареньку? |
453 | 143 |
0 |
22 |
14 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
1 |
Совенок |
3557 | 143 |
0 |
15 |
19 |
15 |
30 |
7 |
18 |
10 |
6 |
4 |
10 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
0 |
Как работает поэтика абсурда |
4306 | 143 |
0 |
19 |
19 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
5 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
Советы |
2269 | 142 |
1 |
14 |
21 |
15 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
Эпилог |
279 | 142 |
1 |
18 |
23 |
19 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
Проблематика произведений. Богатство и бедность |
471 | 142 |
0 |
20 |
17 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
Мастер и Маргарита. Кто написал притчу? |
979 | 142 |
1 |
22 |
18 |
19 |
21 |
14 |
16 |
5 |
8 |
2 |
9 |
7 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
Лимерик |
2187 | 142 |
0 |
33 |
20 |
13 |
25 |
14 |
14 |
5 |
4 |
4 |
5 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
9 |
3 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
5 |
3 |
2 |
1 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2270 | 142 |
0 |
20 |
23 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
3 |
Необходимое или цель - искусство? |
578 | 142 |
0 |
33 |
24 |
11 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
5 |
7 |
2 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
4 |
1 |
2 |
"Хлыстовская богородица" Маяковского |
1206 | 141 |
1 |
21 |
19 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
Утенок |
4410 | 141 |
1 |
16 |
17 |
15 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
Проклятое место, проклятые вопросы |
3000 | 141 |
0 |
21 |
24 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
+7 |
2047 | 140 |
0 |
29 |
16 |
16 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
4 |
Государство и общество: бюрократизм и свобода от бюрократии |
3171 | 140 |
2 |
34 |
17 |
10 |
27 |
8 |
14 |
6 |
6 |
3 |
6 |
7 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
7 |
3 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
353 | 140 |
1 |
21 |
21 |
17 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
728 | 140 |
0 |
20 |
19 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Воинство Сергия Радонежского |
4263 | 140 |
0 |
18 |
21 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
2 |
Постновогодний синдром |
500 | 140 |
0 |
32 |
15 |
14 |
25 |
13 |
16 |
7 |
3 |
3 |
4 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
10 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
4 |
1 |
2 |
Отражение. Две рецензии на стихи Феликса Когана |
3272 | 140 |
0 |
18 |
17 |
19 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
3 |
Пушкин |
5894 | 140 |
1 |
18 |
24 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3297 | 139 |
1 |
18 |
20 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
Кто виноват и что делать? Проклятые вопросы в |
330 | 139 |
1 |
22 |
18 |
13 |
27 |
12 |
18 |
6 |
5 |
5 |
6 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
Каким должен быть правитель |
396 | 139 |
1 |
17 |
20 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
Долой ыгэ! |
520 | 139 |
1 |
15 |
31 |
17 |
20 |
19 |
12 |
3 |
4 |
3 |
6 |
8 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
Романтизм |
374 | 139 |
1 |
21 |
15 |
20 |
26 |
14 |
15 |
5 |
8 |
3 |
7 |
4 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
Легенда о великом инквизиторе |
924 | 139 |
2 |
19 |
17 |
17 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
3 |
0 |
Популярные стили в изображении Гоголя |
303 | 139 |
1 |
29 |
17 |
16 |
27 |
14 |
13 |
5 |
4 |
2 |
6 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
10 |
2 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1219 | 139 |
0 |
18 |
16 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
534 | 138 |
1 |
18 |
16 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
Теософия и поэзия |
927 | 138 |
1 |
19 |
14 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Реформы Путина и моя им гегельянская поддержка |
2629 | 138 |
0 |
20 |
20 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
Байрон - предтеча русского реализма |
654 | 138 |
0 |
22 |
22 |
14 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
Классицизм |
364 | 138 |
0 |
15 |
14 |
18 |
27 |
14 |
17 |
8 |
4 |
4 |
9 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
1 |
Клопы от Фейербаха |
2994 | 138 |
0 |
20 |
17 |
19 |
20 |
5 |
22 |
10 |
4 |
4 |
7 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
Рубцов и формальный метод |
2485 | 138 |
1 |
39 |
15 |
15 |
26 |
8 |
12 |
7 |
3 |
1 |
7 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
6 |
8 |
2 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
Сеть и чудаки |
2814 | 138 |
0 |
21 |
21 |
12 |
22 |
12 |
21 |
8 |
4 |
4 |
4 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Велика ли дань Пушкина мифологии |
3071 | 134 |
0 |
18 |
20 |
17 |
23 |
9 |
14 |
7 |
8 |
0 |
9 |
9 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
Смех без причины |
2528 | 134 |
0 |
17 |
19 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
3 |
0 |
Обломов и реализм |
508 | 134 |
2 |
19 |
18 |
14 |
24 |
16 |
19 |
4 |
4 |
2 |
7 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
Между прошлым и будущим |
508 | 134 |
2 |
21 |
18 |
19 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
Атрибуты беса |
2962 | 133 |
0 |
18 |
16 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
3 |
От финских хладных скал... |
2991 | 133 |
0 |
16 |
18 |
17 |
22 |
12 |
18 |
5 |
7 |
3 |
10 |
5 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
2 |
2 |
Технические болезни Стихиры |
2435 | 133 |
0 |
28 |
19 |
14 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
8 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
Ведение в чтение Гоголя |
745 | 133 |
0 |
20 |
13 |
16 |
29 |
14 |
16 |
7 |
3 |
3 |
9 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
Конечный смысл страдания |
2342 | 133 |
0 |
23 |
18 |
11 |
26 |
14 |
18 |
6 |
4 |
3 |
7 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
Доказательство несовершенства Бога |
2502 | 133 |
1 |
20 |
19 |
11 |
34 |
8 |
18 |
4 |
3 |
1 |
8 |
6 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
Исход |
2061 | 132 |
0 |
18 |
15 |
12 |
24 |
10 |
16 |
12 |
4 |
3 |
10 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
Хельга Ольшванг в новом веке |
766 | 132 |
3 |
16 |
20 |
12 |
19 |
18 |
13 |
9 |
2 |
4 |
5 |
11 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
Введение в чтение Лермонтова. Система отражений |
441 | 132 |
0 |
22 |
14 |
15 |
24 |
19 |
12 |
8 |
4 |
1 |
7 |
6 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
Детство после взросления |
952 | 132 |
0 |
22 |
12 |
15 |
25 |
14 |
17 |
6 |
4 |
4 |
6 |
7 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
Мотивы смерти и бессмертия в физиологических очерках Некрасова "Утренняя прогулка" и "Рыцарь на час" |
373 | 132 |
0 |
21 |
16 |
18 |
22 |
17 |
12 |
4 |
5 |
1 |
8 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
5 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
Ноосфера |
485 | 132 |
1 |
21 |
19 |
12 |
29 |
10 |
12 |
6 |
3 |
6 |
6 |
7 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
3 |
Шаров и его теодицея |
543 | 132 |
1 |
20 |
18 |
14 |
27 |
12 |
12 |
6 |
3 |
1 |
8 |
10 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
2 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
452 | 131 |
1 |
21 |
19 |
12 |
25 |
17 |
10 |
5 |
5 |
3 |
6 |
7 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
Недоросль в меняющемся мире |
522 | 131 |
0 |
17 |
18 |
15 |
23 |
15 |
16 |
6 |
2 |
4 |
7 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
Государство Платона и Акунина |
792 | 131 |
1 |
18 |
17 |
16 |
28 |
11 |
14 |
7 |
5 |
4 |
5 |
5 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
Онегин - лицеист? |
540 | 127 |
1 |
23 |
21 |
16 |
18 |
13 |
11 |
4 |
5 |
2 |
8 |
5 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
Старость |
2187 | 127 |
1 |
17 |
17 |
10 |
26 |
13 |
17 |
8 |
2 |
2 |
5 |
9 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
3 |
3 |
1 |
Категории добра и зла |
302 | 126 |
0 |
21 |
16 |
15 |
21 |
11 |
17 |
8 |
4 |
1 |
7 |
5 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
Премия "Поэзия" что хотят жюри |
1251 | 126 |
1 |
21 |
15 |
20 |
23 |
9 |
16 |
7 |
5 |
0 |
4 |
5 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
Быков и Навальный |
526 | 126 |
0 |
16 |
18 |
14 |
21 |
11 |
16 |
5 |
6 |
4 |
4 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
Возможен ли герой нашего времени? |
505 | 125 |
0 |
20 |
16 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
Честь как главная жизненная ценность у Достоевского |
458 | 125 |
0 |
19 |
16 |
15 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
3 |
0 |
2 |
Суздаль |
1704 | 125 |
0 |
13 |
19 |
18 |
20 |
15 |
16 |
7 |
5 |
2 |
5 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
3 |
0 |
Рванет-не рванет |
531 | 125 |
0 |
21 |
15 |
14 |
25 |
8 |
17 |
9 |
5 |
2 |
4 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
Время и правители |
1074 | 125 |
0 |
21 |
16 |
18 |
21 |
13 |
11 |
6 |
3 |
2 |
6 |
8 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Вирус абсурда в рамках боровской Дополнительности |
2001 | 125 |
0 |
17 |
16 |
16 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
Ну и реклама сейчас у Проханова |
1944 | 124 |
1 |
19 |
18 |
8 |
23 |
14 |
13 |
3 |
4 |
6 |
7 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2043 | 124 |
0 |
20 |
14 |
15 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
3 |
То |
440 | 124 |
1 |
15 |
19 |
8 |
26 |
10 |
16 |
7 |
6 |
3 |
5 |
8 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
3 |
Онтологическое обоснование гения эпохи |
1102 | 124 |
1 |
18 |
11 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
Менеджеры и профессионалы |
2138 | 124 |
1 |
28 |
18 |
16 |
17 |
10 |
12 |
4 |
4 |
1 |
8 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
5 |
6 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
О Бродском - Имперский поэт? |
732 | 124 |
0 |
22 |
15 |
12 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
Становление гения |
2313 | 123 |
0 |
19 |
17 |
12 |
26 |
9 |
16 |
4 |
4 |
2 |
7 |
7 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
1 |
3 |
Эпос |
2079 | 122 |
0 |
18 |
19 |
12 |
25 |
8 |
11 |
9 |
4 |
2 |
7 |
7 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
Форма абсолютной сути созидаемого |
690 | 122 |
0 |
21 |
13 |
20 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3036 | 122 |
0 |
22 |
20 |
11 |
20 |
9 |
13 |
5 |
6 |
4 |
7 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
3 |
"Добрый Филя" и проекция собеседника |
598 | 122 |
1 |
19 |
14 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
Золото партии |
1802 | 121 |
0 |
13 |
17 |
10 |
23 |
12 |
17 |
3 |
2 |
7 |
5 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
"Детство" и уход из Ясной поляны |
287 | 121 |
0 |
22 |
16 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
Государыня Россия |
2201 | 120 |
0 |
20 |
16 |
15 |
21 |
11 |
8 |
6 |
5 |
3 |
7 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
"Сретенье " Бродского как трансляция |
424 | 120 |
2 |
17 |
14 |
17 |
20 |
10 |
15 |
7 |
4 |
1 |
6 |
7 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
Иллич или упадок марксизма |
679 | 119 |
0 |
16 |
17 |
11 |
28 |
13 |
11 |
6 |
6 |
2 |
5 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
"Шиповник цветет" - не сжигай |
543 | 118 |
1 |
18 |
16 |
14 |
17 |
15 |
14 |
5 |
5 |
1 |
5 |
7 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
Пушкину миллиарды лет |
791 | 118 |
0 |
17 |
17 |
17 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
Бы да кабы |
722 | 117 |
0 |
19 |
15 |
18 |
18 |
11 |
11 |
4 |
5 |
4 |
7 |
5 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2256 | 117 |
2 |
14 |
12 |
16 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
День 7 ноября |
792 | 115 |
1 |
17 |
18 |
10 |
22 |
12 |
11 |
6 |
3 |
1 |
9 |
5 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
Удача и капуста |
2269 | 115 |
0 |
16 |
17 |
11 |
19 |
8 |
15 |
4 |
4 |
1 |
8 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
Преодоление расы |
1283 | 115 |
0 |
15 |
16 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
1 |
1 |
Деление на невозможность |
1948 | 114 |
0 |
14 |
16 |
13 |
23 |
13 |
12 |
5 |
3 |
3 |
7 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
К проблеме Израиля |
1209 | 114 |
0 |
14 |
16 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
Радио Свобода, Цру и великая русская литература |
2309 | 112 |
1 |
21 |
12 |
17 |
17 |
7 |
12 |
4 |
4 |
2 |
9 |
6 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Литературоведение, рабство и пенсионная реформа |
936 | 111 |
0 |
21 |
15 |
15 |
17 |
10 |
9 |
4 |
4 |
2 |
7 |
7 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
Незабудки |
80 | 80 |
3 |
77 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
4 |
1 |
1 |
3 |
2 |
5 |
8 |
1 |
5 |
4 |
6 |
3 |
6 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |