| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
По разделу |
685325 | 1507 |
38 |
206 |
196 |
187 |
130 |
105 |
103 |
90 |
90 |
98 |
118 |
146 |
1 |
7 |
8 |
10 |
5 |
7 |
7 |
7 |
10 |
12 |
7 |
6 |
5 |
6 |
7 |
9 |
7 |
7 |
11 |
5 |
8 |
6 |
9 |
7 |
9 |
5 |
9 |
5 |
6 |
10 |
10 |
6 |
6 |
4 |
11 |
11 |
5 |
7 |
6 |
4 |
4 |
6 |
7 |
10 |
6 |
3 |
4 |
5 |
5 |
8 |
6 |
12 |
6 |
4 |
6 |
9 |
7 |
10 |
6 |
4 |
7 |
5 |
Поэтика абсурда в аспекте литературно-художественной методологии |
28823 | 916 |
31 |
138 |
116 |
94 |
67 |
70 |
73 |
53 |
52 |
69 |
77 |
76 |
0 |
7 |
5 |
10 |
3 |
6 |
6 |
7 |
7 |
7 |
2 |
4 |
3 |
2 |
7 |
6 |
7 |
7 |
4 |
2 |
8 |
4 |
7 |
6 |
4 |
5 |
6 |
4 |
3 |
3 |
4 |
4 |
6 |
3 |
3 |
5 |
2 |
3 |
3 |
0 |
2 |
6 |
6 |
3 |
5 |
3 |
4 |
1 |
5 |
0 |
6 |
3 |
2 |
2 |
6 |
3 |
7 |
10 |
6 |
4 |
7 |
4 |
Почему умирает Акакий Акакиевич в повести "Шинель" Гоголя |
2370 | 859 |
26 |
174 |
137 |
158 |
90 |
42 |
48 |
34 |
33 |
28 |
39 |
50 |
0 |
5 |
8 |
9 |
2 |
2 |
7 |
5 |
10 |
12 |
7 |
3 |
4 |
6 |
1 |
9 |
5 |
3 |
11 |
2 |
5 |
6 |
9 |
7 |
9 |
2 |
9 |
5 |
4 |
10 |
10 |
6 |
6 |
1 |
11 |
11 |
5 |
7 |
6 |
3 |
4 |
3 |
7 |
9 |
6 |
2 |
2 |
2 |
4 |
8 |
4 |
12 |
6 |
4 |
2 |
3 |
3 |
1 |
1 |
4 |
1 |
2 |
Метод приведения к абсурду в школьной классике |
1482 | 382 |
14 |
37 |
71 |
42 |
38 |
21 |
33 |
20 |
14 |
19 |
35 |
38 |
0 |
4 |
2 |
2 |
5 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
2 |
4 |
10 |
2 |
0 |
0 |
4 |
1 |
1 |
5 |
1 |
3 |
2 |
1 |
9 |
3 |
3 |
1 |
2 |
3 |
2 |
Гипербола и Гиперборея Маяковского |
727 | 374 |
11 |
43 |
61 |
37 |
32 |
25 |
27 |
25 |
23 |
31 |
29 |
30 |
0 |
4 |
2 |
3 |
0 |
2 |
2 |
2 |
3 |
5 |
4 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
4 |
4 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
6 |
3 |
1 |
1 |
5 |
1 |
2 |
3 |
0 |
3 |
Поэтика абсурда. Часть 1 |
2605 | 334 |
11 |
40 |
46 |
35 |
40 |
24 |
19 |
19 |
19 |
25 |
24 |
32 |
0 |
3 |
3 |
3 |
0 |
2 |
0 |
3 |
4 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
3 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
6 |
4 |
0 |
3 |
0 |
1 |
2 |
Интерьер в "Капитанской дочке" |
1210 | 331 |
8 |
32 |
54 |
45 |
51 |
39 |
13 |
9 |
9 |
17 |
14 |
40 |
0 |
3 |
3 |
1 |
1 |
0 |
1 |
1 |
3 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
5 |
3 |
0 |
1 |
5 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
3 |
2 |
3 |
3 |
1 |
2 |
Внутренний монолог |
704 | 329 |
7 |
40 |
53 |
30 |
28 |
25 |
25 |
14 |
20 |
23 |
33 |
31 |
0 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
3 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
3 |
4 |
1 |
1 |
1 |
1 |
2 |
5 |
2 |
1 |
1 |
3 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
Мертвые души: хозяйственная бесхозяйственность |
1838 | 329 |
12 |
41 |
45 |
32 |
26 |
28 |
19 |
23 |
24 |
22 |
23 |
34 |
0 |
4 |
3 |
1 |
1 |
3 |
1 |
2 |
0 |
3 |
3 |
0 |
3 |
0 |
0 |
5 |
0 |
0 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
2 |
1 |
В чем философский смысл фильма "Остров проклятых" |
759 | 311 |
17 |
49 |
44 |
29 |
30 |
19 |
22 |
17 |
19 |
17 |
30 |
18 |
0 |
4 |
4 |
3 |
2 |
4 |
4 |
4 |
2 |
3 |
4 |
4 |
3 |
1 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
2 |
0 |
3 |
5 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
Печорин и декабристы - бесславие героев времени |
1155 | 302 |
13 |
47 |
55 |
39 |
26 |
16 |
12 |
8 |
14 |
22 |
26 |
24 |
0 |
4 |
6 |
1 |
1 |
1 |
2 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
2 |
6 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
0 |
7 |
3 |
5 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
6 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
0 |
Полифония Блока |
1304 | 277 |
9 |
38 |
42 |
31 |
31 |
23 |
13 |
9 |
10 |
17 |
26 |
28 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
6 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
6 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
5 |
3 |
2 |
1 |
1 |
1 |
1 |
План анализа стихотворения |
420 | 275 |
9 |
23 |
34 |
28 |
25 |
21 |
20 |
22 |
19 |
19 |
37 |
18 |
0 |
2 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
Смертная казнь как эротика государственного самоубийства |
7427 | 271 |
15 |
36 |
47 |
28 |
14 |
23 |
13 |
14 |
20 |
20 |
17 |
24 |
0 |
5 |
5 |
1 |
0 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
3 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
2 |
5 |
2 |
0 |
0 |
1 |
1 |
С какой целью нарушен хронологический порядок глав в "Герое нашего времени" |
730 | 261 |
10 |
28 |
34 |
19 |
28 |
10 |
14 |
15 |
20 |
26 |
36 |
21 |
0 |
3 |
3 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
Кто убил старуху процентщицу? |
1860 | 261 |
10 |
29 |
44 |
29 |
31 |
16 |
22 |
19 |
10 |
13 |
17 |
21 |
0 |
2 |
5 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
1 |
4 |
1 |
1 |
2 |
2 |
1 |
Дуэль Онегина и Ленского |
1089 | 258 |
15 |
39 |
56 |
22 |
19 |
21 |
10 |
12 |
15 |
12 |
15 |
22 |
0 |
3 |
1 |
4 |
3 |
4 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
4 |
0 |
1 |
1 |
3 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
3 |
2 |
3 |
2 |
1 |
5 |
0 |
4 |
2 |
1 |
3 |
Антитеза |
363 | 249 |
17 |
35 |
40 |
28 |
27 |
12 |
11 |
7 |
7 |
26 |
19 |
20 |
0 |
5 |
2 |
1 |
2 |
7 |
1 |
3 |
5 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
Елена Чудинова. Мечеть Парижской Богоматери |
11558 | 248 |
10 |
19 |
35 |
18 |
23 |
34 |
15 |
17 |
17 |
24 |
19 |
17 |
0 |
4 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
0 |
2 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
Три пальмы |
1122 | 242 |
11 |
19 |
27 |
20 |
30 |
23 |
20 |
21 |
16 |
15 |
21 |
19 |
0 |
4 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Шукшин ли "Хозяин бани и огорода"? |
1810 | 239 |
8 |
23 |
30 |
19 |
21 |
12 |
18 |
14 |
13 |
11 |
23 |
47 |
0 |
3 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
Сюжет: событие, действие, мотив |
375 | 238 |
4 |
24 |
35 |
22 |
25 |
16 |
10 |
16 |
14 |
15 |
32 |
25 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
Михаил Гарцев. История внутри нас |
4258 | 234 |
8 |
27 |
45 |
29 |
24 |
18 |
10 |
8 |
12 |
16 |
17 |
20 |
0 |
1 |
0 |
1 |
5 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
4 |
1 |
3 |
1 |
4 |
2 |
2 |
Учимся мыслить логически |
3523 | 231 |
9 |
21 |
29 |
14 |
23 |
11 |
7 |
20 |
32 |
35 |
18 |
12 |
0 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
2 |
"История Рода Толстых - история России". Фоторепортаж |
5463 | 226 |
12 |
21 |
34 |
16 |
26 |
22 |
14 |
10 |
20 |
16 |
15 |
20 |
0 |
2 |
4 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
5 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
Энтропия.net |
5910 | 226 |
12 |
23 |
33 |
17 |
26 |
18 |
17 |
14 |
14 |
22 |
19 |
11 |
0 |
2 |
5 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
4 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
Я играю вместе с мамой |
9499 | 222 |
10 |
38 |
33 |
18 |
24 |
20 |
10 |
6 |
19 |
13 |
15 |
16 |
0 |
3 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
6 |
4 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
Ведение в чтение Гоголя |
950 | 219 |
10 |
17 |
29 |
23 |
31 |
11 |
9 |
5 |
4 |
19 |
45 |
16 |
0 |
2 |
2 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
1 |
Древесная лирика Хельги Ольшванг |
3573 | 216 |
17 |
30 |
40 |
28 |
13 |
17 |
8 |
5 |
11 |
11 |
16 |
20 |
0 |
6 |
4 |
1 |
3 |
3 |
0 |
3 |
0 |
3 |
1 |
4 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
5 |
2 |
1 |
2 |
0 |
1 |
"Волшебная самоволка" Сергея Панарина сквозь призму Войновича |
5560 | 210 |
3 |
32 |
32 |
17 |
18 |
17 |
12 |
11 |
18 |
9 |
25 |
16 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
5 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
Пестрый дятел |
4477 | 210 |
9 |
22 |
23 |
14 |
19 |
11 |
12 |
6 |
21 |
14 |
36 |
23 |
0 |
2 |
3 |
3 |
1 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
Автобиографизм и автопсихологизм |
494 | 208 |
12 |
30 |
30 |
30 |
23 |
11 |
9 |
8 |
8 |
9 |
17 |
21 |
0 |
4 |
1 |
1 |
3 |
3 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
0 |
Кто как кричит |
4323 | 207 |
11 |
26 |
29 |
15 |
19 |
13 |
8 |
9 |
12 |
18 |
26 |
21 |
0 |
5 |
3 |
2 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
5 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
Можно ли назвать Печорина фаталистом |
603 | 205 |
10 |
34 |
32 |
24 |
16 |
14 |
10 |
6 |
12 |
12 |
15 |
20 |
0 |
4 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
5 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
Кто на самом деле ввходит в комнату к Юрию Живаго |
782 | 205 |
10 |
18 |
41 |
25 |
25 |
7 |
12 |
5 |
9 |
8 |
21 |
24 |
0 |
2 |
1 |
1 |
2 |
4 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
5 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
Кот Васька в своей квартире |
7679 | 198 |
5 |
25 |
29 |
16 |
31 |
11 |
9 |
12 |
15 |
16 |
16 |
13 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
Почему Некрасов сказал о своей поэме: "Ей не суждено закончиться"? |
652 | 195 |
6 |
17 |
29 |
15 |
19 |
8 |
6 |
7 |
10 |
16 |
20 |
42 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
Анализ прозы |
326 | 195 |
5 |
16 |
23 |
18 |
22 |
18 |
8 |
8 |
11 |
9 |
36 |
21 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
Интервью с Аланом Эбботом, взятое на берегах Невы во время встречи Си-Петербург |
2629 | 194 |
8 |
26 |
35 |
12 |
24 |
15 |
5 |
13 |
12 |
9 |
19 |
16 |
0 |
3 |
2 |
0 |
0 |
3 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
Ослик |
8196 | 192 |
5 |
22 |
35 |
12 |
18 |
17 |
14 |
8 |
10 |
12 |
27 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Медвежонок |
8821 | 190 |
7 |
25 |
27 |
24 |
17 |
17 |
8 |
11 |
10 |
12 |
21 |
11 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
Александр Кушнер. Аполлон в траве |
4415 | 189 |
9 |
27 |
23 |
23 |
23 |
9 |
10 |
5 |
11 |
12 |
14 |
23 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
К вопросу о Фрейде и православии |
2936 | 188 |
10 |
18 |
34 |
17 |
25 |
14 |
7 |
11 |
13 |
14 |
15 |
10 |
0 |
3 |
2 |
1 |
0 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
Образ России в арт-среде Интернета |
2408 | 188 |
14 |
24 |
33 |
18 |
19 |
16 |
14 |
3 |
12 |
9 |
13 |
13 |
0 |
2 |
4 |
1 |
3 |
4 |
1 |
2 |
6 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
4 |
2 |
1 |
0 |
0 |
2 |
Что на небе |
7924 | 187 |
7 |
31 |
36 |
11 |
20 |
11 |
8 |
7 |
9 |
10 |
20 |
17 |
0 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
3 |
4 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
4 |
Волчонок |
4040 | 181 |
5 |
22 |
38 |
14 |
25 |
11 |
9 |
3 |
7 |
12 |
17 |
18 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
Сказка о гейзере на Стихире |
2812 | 179 |
8 |
20 |
38 |
21 |
27 |
9 |
8 |
8 |
7 |
5 |
16 |
12 |
0 |
4 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
4 |
Поэтика абсурда Маяковского |
1352 | 178 |
5 |
20 |
31 |
19 |
15 |
17 |
14 |
5 |
13 |
10 |
17 |
12 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
2 |
Поэтика абсурда и образ Святой Земли |
3352 | 178 |
7 |
22 |
27 |
23 |
22 |
9 |
7 |
3 |
16 |
12 |
19 |
11 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
Карнавал и декарнавализация |
3942 | 177 |
9 |
25 |
22 |
19 |
15 |
15 |
9 |
2 |
10 |
6 |
32 |
13 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
5 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
Сальери как образец |
1038 | 177 |
7 |
13 |
27 |
17 |
20 |
13 |
8 |
6 |
7 |
17 |
21 |
21 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
Почему поэзия должна быть глуповата |
2983 | 176 |
11 |
19 |
29 |
25 |
25 |
8 |
7 |
2 |
10 |
9 |
11 |
20 |
0 |
4 |
0 |
1 |
3 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Что позволило Тынянову назвать тютческие стихи фрагментами? |
589 | 176 |
9 |
22 |
30 |
16 |
19 |
13 |
9 |
5 |
10 |
15 |
14 |
14 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
Комментариии к статье А.Виноградова о сетевой литературе |
3852 | 175 |
10 |
21 |
25 |
16 |
23 |
16 |
9 |
6 |
7 |
13 |
17 |
12 |
0 |
4 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
4 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
Почему легенду о Данко можно назвать сказкой-обманкой? |
490 | 175 |
11 |
15 |
26 |
19 |
15 |
10 |
6 |
5 |
12 |
10 |
11 |
35 |
0 |
4 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
Язык и генетика |
4321 | 175 |
8 |
19 |
28 |
18 |
21 |
12 |
9 |
4 |
14 |
14 |
15 |
13 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
5 |
Натюрморт (Гоголь, Бродский, Есенин) |
748 | 175 |
8 |
21 |
30 |
25 |
16 |
9 |
15 |
4 |
8 |
11 |
16 |
12 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
Маяковский и его философия |
1240 | 174 |
6 |
18 |
29 |
14 |
17 |
17 |
9 |
8 |
10 |
11 |
20 |
15 |
0 |
0 |
3 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
Самосознание сетевой литературы |
3821 | 173 |
6 |
22 |
24 |
11 |
19 |
14 |
13 |
7 |
13 |
14 |
12 |
18 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
О "Медном всаднике" |
965 | 172 |
5 |
24 |
21 |
23 |
22 |
15 |
6 |
5 |
7 |
7 |
15 |
22 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Юрий Поляков. Грибной царь |
3476 | 171 |
12 |
14 |
31 |
15 |
16 |
14 |
12 |
8 |
12 |
13 |
17 |
7 |
0 |
3 |
3 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
Потомки "Метрополя" |
5639 | 169 |
11 |
19 |
25 |
21 |
18 |
12 |
6 |
7 |
11 |
14 |
12 |
13 |
0 |
4 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Ии. Рецензия на роман В.Пелевина "iphuck 10" |
1432 | 169 |
13 |
21 |
19 |
19 |
23 |
7 |
6 |
7 |
10 |
10 |
12 |
22 |
0 |
3 |
1 |
6 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
Михаил Гарцев и сетевое письмо |
4327 | 169 |
8 |
20 |
32 |
17 |
16 |
14 |
6 |
5 |
9 |
10 |
19 |
13 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
Зеркало |
2746 | 169 |
5 |
23 |
35 |
14 |
19 |
9 |
7 |
3 |
15 |
11 |
14 |
14 |
0 |
0 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
Достоевский и конец истории |
3317 | 168 |
10 |
19 |
29 |
12 |
19 |
9 |
5 |
8 |
13 |
16 |
18 |
10 |
0 |
3 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
Жанр фантастики сегодня: С.Лукьяненко, С.Алексеев, А.Виноградов |
5499 | 167 |
8 |
15 |
34 |
18 |
19 |
11 |
9 |
6 |
13 |
10 |
11 |
13 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
1 |
Ботинок |
3867 | 166 |
5 |
21 |
26 |
16 |
28 |
9 |
8 |
9 |
7 |
5 |
20 |
12 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
6 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
Беженки белки в "Центральном парке" Хельги Ольшванг |
1273 | 165 |
9 |
17 |
33 |
14 |
22 |
6 |
10 |
4 |
11 |
12 |
18 |
9 |
0 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
Каждый знает |
6504 | 165 |
9 |
16 |
32 |
15 |
22 |
8 |
7 |
10 |
6 |
6 |
14 |
20 |
0 |
2 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
Anti-Dan |
3065 | 165 |
8 |
19 |
27 |
17 |
19 |
9 |
8 |
4 |
11 |
11 |
13 |
19 |
0 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Информация о владельце раздела |
3144 | 165 |
9 |
25 |
27 |
17 |
18 |
8 |
4 |
4 |
8 |
12 |
18 |
15 |
0 |
4 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
Пейзаж в поэме Лермонтова |
614 | 165 |
4 |
21 |
31 |
17 |
20 |
8 |
9 |
3 |
10 |
15 |
14 |
13 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
Замятин "Мы". Конспект урока |
757 | 165 |
6 |
19 |
28 |
25 |
20 |
13 |
7 |
3 |
9 |
6 |
17 |
12 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
Пьер и Андрей |
1018 | 165 |
11 |
15 |
32 |
15 |
21 |
8 |
4 |
7 |
16 |
10 |
14 |
12 |
0 |
4 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
Об одном фильме |
1200 | 164 |
6 |
19 |
24 |
16 |
20 |
12 |
8 |
8 |
6 |
14 |
10 |
21 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
Расширит ли виртуальная реальность возможности познания истины |
3133 | 164 |
7 |
19 |
24 |
15 |
22 |
9 |
10 |
5 |
10 |
10 |
16 |
17 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
3 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
Эмоции |
908 | 164 |
8 |
24 |
38 |
17 |
22 |
3 |
8 |
4 |
7 |
7 |
14 |
12 |
0 |
2 |
3 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
2 |
0 |
1 |
Монтажная композиция |
392 | 163 |
8 |
20 |
19 |
23 |
22 |
14 |
7 |
4 |
5 |
6 |
14 |
21 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
Как в романе Достоевского "Преступление и наказание" раскрывается тема нищеты |
726 | 163 |
6 |
21 |
33 |
15 |
15 |
7 |
11 |
5 |
9 |
12 |
12 |
17 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
2 |
2 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
В защиту массовой литературы |
5463 | 163 |
12 |
17 |
33 |
8 |
23 |
8 |
7 |
4 |
10 |
11 |
18 |
12 |
0 |
1 |
1 |
4 |
3 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
Права ли Цветаева, утверждая, что в стихах Маяковского "ошеломляющая физика"? |
555 | 163 |
8 |
19 |
26 |
19 |
28 |
5 |
5 |
5 |
11 |
12 |
13 |
12 |
0 |
4 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
Рифма к городу |
3380 | 163 |
9 |
19 |
27 |
12 |
18 |
11 |
8 |
8 |
9 |
10 |
19 |
13 |
0 |
1 |
4 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
Фотомастерская Вадима Месяца |
2778 | 163 |
8 |
21 |
25 |
15 |
25 |
17 |
8 |
5 |
5 |
11 |
8 |
15 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
Вмешиваясь в разговор с богом |
3160 | 163 |
11 |
17 |
21 |
14 |
15 |
11 |
10 |
11 |
11 |
9 |
9 |
24 |
0 |
4 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
Дискуссия о гениальности, Достоевском и социальном запросе |
899 | 162 |
7 |
24 |
29 |
7 |
23 |
9 |
8 |
6 |
7 |
16 |
17 |
9 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
Евгений Водолазкин и поэтика абсурда |
1066 | 162 |
9 |
23 |
29 |
24 |
16 |
9 |
11 |
4 |
9 |
7 |
10 |
11 |
0 |
2 |
1 |
0 |
3 |
3 |
2 |
3 |
0 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
То было двух бесов изображенье |
365 | 161 |
8 |
20 |
31 |
18 |
16 |
10 |
9 |
6 |
8 |
9 |
12 |
14 |
0 |
3 |
1 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
Психология - наука рабов |
6570 | 161 |
5 |
17 |
31 |
10 |
15 |
15 |
8 |
6 |
9 |
14 |
18 |
13 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
2 |
О любви к правителям и поэтам |
1035 | 161 |
7 |
18 |
29 |
8 |
25 |
10 |
10 |
5 |
10 |
11 |
15 |
13 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Письмо Ольги Пушкину |
1039 | 161 |
12 |
15 |
28 |
15 |
21 |
9 |
5 |
7 |
10 |
13 |
16 |
10 |
0 |
2 |
4 |
4 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
Иду, а к ногам моим падает вдруг кипятильник |
2218 | 160 |
9 |
20 |
29 |
18 |
16 |
9 |
6 |
6 |
8 |
7 |
17 |
15 |
0 |
3 |
3 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
В поисках смысла сетевой литературы |
2523 | 160 |
11 |
16 |
29 |
18 |
21 |
10 |
7 |
7 |
8 |
9 |
14 |
10 |
0 |
1 |
5 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
Реминисценция |
398 | 159 |
5 |
18 |
31 |
13 |
19 |
12 |
13 |
7 |
9 |
9 |
15 |
8 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
Абсурдизм |
3553 | 159 |
5 |
22 |
20 |
13 |
15 |
13 |
15 |
6 |
9 |
11 |
14 |
16 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
Гегельянство в России |
907 | 159 |
10 |
20 |
24 |
17 |
22 |
7 |
6 |
4 |
11 |
16 |
11 |
11 |
0 |
2 |
2 |
4 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Памятник Румянцеву в "Капитанской дочке" |
654 | 159 |
10 |
21 |
24 |
15 |
17 |
14 |
12 |
6 |
6 |
8 |
11 |
15 |
0 |
2 |
3 |
2 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
Возвращение |
3160 | 159 |
4 |
23 |
29 |
16 |
18 |
10 |
4 |
5 |
10 |
11 |
14 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
4 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
Почему А. И. Солженицын в рассказе "Один день Ивана Денисовича" не идеализирует "даже тех лиц, которых он любит"? (В. Я. Лакшин) |
493 | 159 |
10 |
16 |
25 |
16 |
18 |
8 |
6 |
4 |
10 |
13 |
15 |
18 |
0 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Воспитание гениев |
835 | 158 |
10 |
19 |
29 |
12 |
24 |
8 |
8 |
4 |
6 |
11 |
18 |
9 |
0 |
1 |
1 |
1 |
2 |
5 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Автометафора |
477 | 158 |
8 |
24 |
28 |
16 |
14 |
7 |
4 |
6 |
6 |
15 |
14 |
16 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
Поэтика абсурда при свете совести |
2596 | 158 |
8 |
21 |
29 |
18 |
18 |
7 |
5 |
5 |
10 |
9 |
16 |
12 |
1 |
2 |
3 |
2 |
0 |
0 |
2 |
4 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
Стихи для детей |
5277 | 158 |
5 |
17 |
22 |
12 |
18 |
9 |
10 |
9 |
13 |
10 |
21 |
12 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
Ирония и автоирония |
309 | 157 |
10 |
24 |
28 |
24 |
21 |
7 |
6 |
2 |
6 |
5 |
13 |
11 |
0 |
2 |
5 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
Кирилл Юрьевич отбывает в Канаду |
2977 | 155 |
8 |
22 |
25 |
13 |
21 |
11 |
5 |
5 |
8 |
10 |
10 |
17 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
Достоевский как оптимальная точка видения |
2822 | 154 |
9 |
21 |
30 |
12 |
21 |
8 |
8 |
7 |
5 |
5 |
16 |
12 |
0 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
5 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
Какой плод у дерева |
2863 | 154 |
6 |
22 |
27 |
10 |
16 |
9 |
6 |
10 |
8 |
9 |
14 |
17 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
Про что поэзия Барто? - да все про то! |
5654 | 154 |
8 |
21 |
24 |
15 |
19 |
8 |
11 |
3 |
11 |
14 |
9 |
11 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
Манифест |
2487 | 153 |
9 |
21 |
27 |
15 |
18 |
8 |
7 |
6 |
8 |
9 |
14 |
11 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
Самоубийство разума |
2933 | 153 |
8 |
14 |
23 |
16 |
21 |
10 |
6 |
7 |
10 |
11 |
14 |
13 |
0 |
1 |
5 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
Почему критики-революционеры выбрали Катерину, а не Варвару лучом света? |
453 | 152 |
5 |
18 |
28 |
22 |
14 |
10 |
14 |
4 |
6 |
5 |
15 |
11 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
1 |
1 |
Пушкинские и лермонтовские мотивы у Некрасова |
650 | 152 |
8 |
12 |
26 |
16 |
20 |
8 |
12 |
6 |
11 |
7 |
12 |
14 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
2 |
Ницше, ценности и Гегель |
2936 | 152 |
11 |
14 |
36 |
11 |
17 |
5 |
9 |
5 |
10 |
11 |
11 |
12 |
0 |
2 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
Автопортрет, оксюморон |
577 | 152 |
12 |
24 |
24 |
20 |
22 |
5 |
4 |
4 |
7 |
4 |
12 |
14 |
0 |
4 |
2 |
2 |
1 |
3 |
1 |
2 |
1 |
4 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
Образы русской природы в лирике Рубцова |
503 | 152 |
8 |
17 |
26 |
19 |
17 |
7 |
6 |
4 |
15 |
9 |
11 |
13 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
4 |
0 |
0 |
0 |
2 |
1 |
Чудачество и донкихотство. Шукшин и Сервантес |
1227 | 152 |
6 |
19 |
24 |
13 |
18 |
9 |
10 |
4 |
8 |
16 |
11 |
14 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
3 |
Символизм |
332 | 152 |
11 |
15 |
30 |
12 |
20 |
12 |
15 |
4 |
8 |
3 |
14 |
8 |
0 |
4 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
Кто в окошке. Сказочные звери |
3666 | 152 |
5 |
18 |
33 |
11 |
21 |
11 |
4 |
5 |
9 |
7 |
10 |
18 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
4 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
Этапы эволюции вируса абсурда в России |
3136 | 151 |
5 |
17 |
30 |
18 |
17 |
8 |
6 |
2 |
8 |
16 |
13 |
11 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
0 |
0 |
2 |
0 |
0 |
Мысль изреченная |
2455 | 150 |
9 |
22 |
21 |
14 |
15 |
9 |
6 |
8 |
10 |
7 |
15 |
14 |
0 |
2 |
6 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Лирика |
3019 | 150 |
11 |
15 |
27 |
24 |
16 |
8 |
2 |
6 |
8 |
9 |
13 |
11 |
0 |
1 |
6 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
С кем я познакомилась на Си |
3304 | 149 |
7 |
15 |
22 |
12 |
26 |
17 |
7 |
6 |
4 |
11 |
12 |
10 |
0 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
Паломничество убогой |
2572 | 149 |
11 |
14 |
24 |
9 |
15 |
5 |
2 |
22 |
13 |
11 |
11 |
12 |
0 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
Трагический герой |
363 | 149 |
7 |
15 |
28 |
15 |
18 |
7 |
9 |
6 |
12 |
11 |
13 |
8 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
Печорин как писатель |
832 | 149 |
9 |
21 |
27 |
12 |
14 |
10 |
6 |
4 |
10 |
11 |
10 |
15 |
0 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
Сон как нонсенс в "Войне и мире" |
463 | 148 |
12 |
17 |
26 |
17 |
18 |
6 |
8 |
5 |
6 |
9 |
10 |
14 |
0 |
4 |
1 |
3 |
1 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
Избранница народного слова |
2267 | 148 |
12 |
17 |
27 |
16 |
20 |
8 |
5 |
4 |
8 |
6 |
13 |
12 |
0 |
3 |
2 |
1 |
3 |
3 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
Вирус абсурда в истории человеческой культуры |
2153 | 148 |
5 |
15 |
39 |
15 |
19 |
7 |
9 |
4 |
6 |
9 |
11 |
9 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
5 |
3 |
2 |
2 |
1 |
0 |
3 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
К слову о Законе и Благодати: Юрий Кузнецов, Юрий Кублановский |
3940 | 148 |
11 |
18 |
23 |
18 |
19 |
14 |
7 |
3 |
7 |
9 |
14 |
5 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
Липки |
2643 | 147 |
6 |
17 |
30 |
13 |
21 |
10 |
6 |
5 |
6 |
9 |
11 |
13 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
3 |
0 |
0 |
0 |
0 |
0 |
Ферапонтово. Коллекция |
1826 | 146 |
7 |
17 |
28 |
17 |
22 |
5 |
4 |
6 |
5 |
13 |
15 |
7 |
0 |
0 |
3 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Лампа Мафусаила |
1472 | 146 |
8 |
19 |
25 |
15 |
16 |
7 |
8 |
3 |
9 |
10 |
13 |
13 |
0 |
2 |
4 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
Как в "Превращении" Кафки выражена идея торжества разума |
694 | 146 |
8 |
15 |
21 |
19 |
18 |
4 |
7 |
11 |
8 |
10 |
11 |
14 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
Рецензия на "Лампу Мафусаила...." Пелевина |
1455 | 146 |
10 |
18 |
31 |
11 |
14 |
8 |
15 |
5 |
5 |
6 |
10 |
13 |
0 |
3 |
5 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
Что в имени мне твоем |
2809 | 146 |
14 |
13 |
24 |
15 |
20 |
10 |
7 |
5 |
7 |
9 |
10 |
12 |
0 |
6 |
3 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
Алексиевич. Чернобыль |
953 | 145 |
8 |
19 |
23 |
15 |
16 |
10 |
5 |
11 |
4 |
10 |
17 |
7 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
Маркетинг науки, или Научный маркетинг |
2875 | 145 |
12 |
17 |
27 |
19 |
13 |
5 |
5 |
4 |
9 |
9 |
12 |
13 |
0 |
4 |
3 |
0 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Почему в Прибалтике не проходит русский бунт |
2427 | 145 |
13 |
30 |
18 |
12 |
16 |
5 |
6 |
3 |
7 |
11 |
18 |
6 |
0 |
1 |
3 |
3 |
1 |
5 |
2 |
3 |
3 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
Совенок |
3530 | 145 |
7 |
15 |
30 |
7 |
18 |
10 |
6 |
4 |
10 |
9 |
15 |
14 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
0 |
3 |
3 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
Художник у Христа за пазухой |
2522 | 144 |
8 |
13 |
29 |
15 |
19 |
8 |
6 |
4 |
11 |
8 |
14 |
9 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Образ поющей девушки: Пушкин, Лермонтов, Блок |
323 | 144 |
6 |
22 |
30 |
14 |
16 |
7 |
6 |
2 |
7 |
5 |
15 |
14 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
4 |
0 |
2 |
1 |
0 |
0 |
Горе от ума или ум от горя. Перевертыши |
704 | 144 |
9 |
19 |
22 |
15 |
16 |
6 |
8 |
4 |
13 |
12 |
10 |
10 |
0 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
Как в стихотворении М.Ю. Лермонтова продолжаются пушкинские традиции темы "родина" |
355 | 144 |
9 |
16 |
22 |
17 |
22 |
8 |
7 |
2 |
7 |
9 |
11 |
14 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
Островский о романтической ипостаси русской литературы |
1043 | 144 |
7 |
20 |
28 |
14 |
16 |
9 |
8 |
4 |
6 |
6 |
12 |
14 |
0 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
"Коршун" Тютчева - материализм и идеализм |
498 | 144 |
8 |
16 |
29 |
15 |
18 |
9 |
6 |
6 |
5 |
8 |
13 |
11 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
Герберт Уэллс - гений эпохи. Анализ на основе "Каинова болота" |
1486 | 143 |
11 |
14 |
25 |
17 |
19 |
6 |
8 |
4 |
6 |
6 |
13 |
14 |
0 |
4 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
По поводу некоторых неточностей Евгения Клюева |
2243 | 143 |
11 |
24 |
26 |
16 |
18 |
6 |
9 |
2 |
5 |
4 |
15 |
7 |
0 |
3 |
4 |
0 |
0 |
4 |
2 |
4 |
2 |
2 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Искушение как психологический прием |
2714 | 143 |
7 |
16 |
23 |
10 |
15 |
10 |
9 |
7 |
10 |
12 |
13 |
11 |
0 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
Все по Салтыкову-Щедрину! |
4141 | 142 |
11 |
16 |
26 |
7 |
20 |
7 |
5 |
8 |
6 |
8 |
13 |
15 |
0 |
1 |
3 |
2 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
Что общего между не любящими друг друга Раскольниковым и Лужиным |
888 | 141 |
6 |
15 |
25 |
18 |
14 |
10 |
8 |
5 |
8 |
10 |
13 |
9 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
Белая ворона |
2215 | 141 |
7 |
15 |
28 |
11 |
16 |
2 |
6 |
4 |
12 |
11 |
15 |
14 |
0 |
1 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
1 |
Вот и обсудили! |
2487 | 141 |
9 |
16 |
21 |
14 |
17 |
13 |
10 |
6 |
7 |
9 |
10 |
9 |
0 |
4 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
Был ли влюблен Иван Васильевич в Вареньку? |
424 | 141 |
7 |
16 |
21 |
19 |
16 |
9 |
7 |
2 |
9 |
8 |
16 |
11 |
0 |
3 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
Ушки, ножки, рожки |
6329 | 140 |
6 |
19 |
28 |
10 |
15 |
7 |
6 |
8 |
6 |
9 |
16 |
10 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
Собрание обратных цитат о любви |
2826 | 140 |
7 |
12 |
32 |
15 |
15 |
7 |
3 |
4 |
7 |
10 |
15 |
13 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
Советы |
2243 | 140 |
10 |
15 |
25 |
14 |
16 |
7 |
6 |
4 |
7 |
12 |
10 |
14 |
0 |
3 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
4 |
Дан прислал |
781 | 140 |
12 |
15 |
20 |
17 |
18 |
9 |
4 |
6 |
7 |
10 |
11 |
11 |
0 |
3 |
3 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
Символика цвета |
231 | 140 |
11 |
19 |
24 |
16 |
18 |
7 |
7 |
6 |
5 |
5 |
12 |
10 |
0 |
3 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
Хлестаков и Печорин |
1181 | 140 |
8 |
21 |
25 |
14 |
17 |
4 |
6 |
3 |
4 |
6 |
14 |
18 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
Монтажная композиция |
300 | 140 |
7 |
12 |
29 |
20 |
16 |
4 |
5 |
4 |
13 |
9 |
12 |
9 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Классицизм |
342 | 139 |
7 |
18 |
27 |
14 |
17 |
8 |
4 |
4 |
9 |
8 |
15 |
8 |
0 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
1 |
5 |
0 |
0 |
1 |
1 |
0 |
Андрей Болконский - Дон Кихот |
537 | 139 |
6 |
20 |
28 |
19 |
13 |
7 |
4 |
3 |
13 |
7 |
11 |
8 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
Атрибуты беса |
2937 | 138 |
9 |
18 |
24 |
6 |
17 |
5 |
9 |
3 |
9 |
8 |
15 |
15 |
0 |
2 |
3 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
5 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
0 |
1 |
Введение в чтение Гоголя. Хлестаков |
498 | 138 |
8 |
16 |
30 |
19 |
13 |
7 |
5 |
3 |
7 |
6 |
14 |
10 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
4 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
Буддистский колобок |
2608 | 138 |
7 |
19 |
30 |
14 |
20 |
7 |
7 |
1 |
6 |
6 |
10 |
11 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Социальные болезни Стихи.ру |
6855 | 138 |
8 |
14 |
26 |
9 |
19 |
9 |
5 |
3 |
9 |
11 |
15 |
10 |
0 |
3 |
3 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
2 |
Как работает поэтика абсурда |
4277 | 138 |
9 |
18 |
22 |
16 |
10 |
12 |
7 |
4 |
8 |
8 |
15 |
9 |
0 |
2 |
3 |
1 |
0 |
3 |
2 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
Отражение. Две рецензии на стихи Феликса Когана |
3248 | 138 |
11 |
19 |
23 |
17 |
13 |
6 |
6 |
4 |
10 |
7 |
14 |
8 |
1 |
2 |
2 |
1 |
3 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
Достоевский и риторические вопросы (диатриба) |
489 | 137 |
6 |
20 |
25 |
18 |
17 |
5 |
8 |
3 |
5 |
4 |
13 |
13 |
0 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
Страсть и поэзия |
1767 | 137 |
9 |
21 |
24 |
15 |
15 |
7 |
6 |
4 |
7 |
8 |
11 |
10 |
0 |
3 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
Галич и Мандельштам вокруг образа вождя |
320 | 137 |
8 |
19 |
23 |
19 |
17 |
8 |
4 |
3 |
8 |
7 |
12 |
9 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
Ведьмостиший больше не будет |
2824 | 137 |
8 |
18 |
25 |
12 |
17 |
8 |
5 |
4 |
4 |
13 |
11 |
12 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
Возвращение блудного Чацкого |
706 | 137 |
11 |
17 |
19 |
10 |
17 |
9 |
10 |
4 |
8 |
6 |
19 |
7 |
0 |
3 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
Средства художественной изобразительности |
1383 | 137 |
4 |
24 |
27 |
13 |
12 |
7 |
4 |
3 |
8 |
11 |
11 |
13 |
0 |
2 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
Проблематика произведений. Богатство и бедность |
443 | 137 |
9 |
22 |
28 |
15 |
14 |
7 |
4 |
4 |
5 |
6 |
13 |
10 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
2 |
Утенок |
4382 | 137 |
6 |
15 |
32 |
10 |
18 |
8 |
6 |
5 |
5 |
8 |
13 |
11 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
Ленин как поэт Серебряного века |
1188 | 137 |
7 |
15 |
27 |
13 |
12 |
5 |
6 |
4 |
10 |
12 |
11 |
15 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
Киев старый и новый |
2158 | 136 |
7 |
16 |
28 |
10 |
20 |
6 |
6 |
7 |
4 |
11 |
7 |
14 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
Пространство в живописи текста у Гоголя |
589 | 136 |
7 |
16 |
26 |
20 |
14 |
7 |
8 |
5 |
4 |
8 |
11 |
10 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
2 |
Бессмертие и спасение |
2474 | 136 |
10 |
25 |
31 |
8 |
17 |
7 |
4 |
1 |
6 |
5 |
13 |
9 |
1 |
3 |
3 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Воинство Сергия Радонежского |
4236 | 136 |
12 |
18 |
26 |
12 |
11 |
7 |
6 |
0 |
11 |
10 |
11 |
12 |
0 |
4 |
2 |
3 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
Одиночество. Пушкин, пророчество и песни матери в стихотворении "Выхожу один я на дорогу" |
999 | 135 |
5 |
16 |
22 |
15 |
15 |
6 |
12 |
5 |
11 |
5 |
10 |
13 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
Теория диссоциаций и Булгаков |
1122 | 135 |
9 |
18 |
23 |
15 |
21 |
6 |
5 |
3 |
4 |
10 |
13 |
8 |
0 |
2 |
4 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
Снова по поводу "Тихого Дона" |
977 | 135 |
10 |
17 |
22 |
14 |
19 |
6 |
5 |
3 |
10 |
6 |
14 |
9 |
0 |
2 |
5 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
4 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
Базаров |
804 | 135 |
15 |
14 |
25 |
18 |
15 |
7 |
6 |
1 |
7 |
8 |
10 |
9 |
0 |
4 |
3 |
0 |
4 |
4 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
2 |
Легенда о великом инквизиторе |
895 | 135 |
9 |
17 |
27 |
11 |
18 |
7 |
8 |
4 |
3 |
6 |
10 |
15 |
0 |
1 |
5 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
Заголовок |
247 | 135 |
12 |
19 |
28 |
15 |
15 |
6 |
4 |
3 |
6 |
5 |
12 |
10 |
0 |
6 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
4 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
О чем умолчал в своем докладе доктор Борменталь |
521 | 134 |
9 |
15 |
18 |
13 |
19 |
7 |
7 |
5 |
7 |
10 |
12 |
12 |
0 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
Письмо Татьяны. Общие места - романтизмы |
505 | 134 |
6 |
14 |
25 |
17 |
18 |
7 |
6 |
4 |
4 |
8 |
12 |
13 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
Лисенок в курятнике Стихи.ру |
5842 | 134 |
9 |
15 |
21 |
14 |
14 |
9 |
7 |
5 |
5 |
13 |
7 |
15 |
0 |
2 |
4 |
3 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
Эпилог |
245 | 134 |
8 |
19 |
25 |
16 |
14 |
6 |
5 |
3 |
6 |
6 |
13 |
13 |
0 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
Как в "Легенде о великом инквизиторе" следует искать Р.Р.Раскольникова и С.С.Мармеладову? |
697 | 134 |
8 |
15 |
21 |
13 |
20 |
7 |
5 |
6 |
6 |
8 |
18 |
7 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
Методология работы критика над текстом |
2316 | 133 |
5 |
17 |
22 |
12 |
15 |
9 |
8 |
4 |
9 |
9 |
12 |
11 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
Мир как книга |
805 | 133 |
6 |
15 |
28 |
10 |
15 |
9 |
10 |
4 |
6 |
7 |
14 |
9 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
2 |
Теософия и поэзия |
899 | 132 |
6 |
25 |
20 |
13 |
15 |
7 |
7 |
5 |
7 |
5 |
14 |
8 |
0 |
2 |
1 |
0 |
0 |
3 |
2 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
Джулиан Барнс в защиту критики |
2504 | 132 |
14 |
21 |
23 |
10 |
14 |
8 |
7 |
4 |
10 |
3 |
10 |
8 |
0 |
3 |
4 |
1 |
1 |
5 |
2 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Паломничество убогой (2 редакция) |
359 | 132 |
10 |
13 |
25 |
8 |
20 |
5 |
6 |
3 |
7 |
12 |
9 |
14 |
0 |
1 |
3 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
Чему нужно верить: словам персонажа или читательскому сердцу? |
318 | 132 |
8 |
17 |
22 |
16 |
14 |
7 |
7 |
1 |
9 |
4 |
14 |
13 |
0 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
Сексуальность Гоголя |
573 | 132 |
7 |
15 |
20 |
14 |
19 |
7 |
5 |
2 |
8 |
9 |
14 |
12 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
О чем поют сферы Гоголя |
744 | 132 |
5 |
16 |
26 |
9 |
19 |
10 |
5 |
4 |
6 |
8 |
13 |
11 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
19 августа 1991 года |
2216 | 132 |
10 |
14 |
20 |
14 |
13 |
8 |
7 |
4 |
6 |
13 |
12 |
11 |
0 |
0 |
3 |
1 |
2 |
4 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Александр Шленский: "Художник, канонир и козни дьявола". Рецензия |
2235 | 132 |
8 |
16 |
26 |
15 |
17 |
5 |
4 |
4 |
7 |
5 |
14 |
11 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
Праздник Победы для кого-то пытаются сделать днем скорби |
3266 | 131 |
8 |
15 |
28 |
10 |
19 |
5 |
7 |
2 |
7 |
7 |
11 |
12 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
1 |
2 |
Темное вещество, абсолютный дух и человеческая цивилизация |
794 | 131 |
7 |
14 |
26 |
12 |
18 |
8 |
5 |
4 |
6 |
9 |
13 |
9 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
Смех без причины |
2499 | 131 |
7 |
20 |
31 |
5 |
13 |
6 |
3 |
7 |
6 |
7 |
15 |
11 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
3 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
Миф о времени |
2239 | 131 |
5 |
20 |
21 |
9 |
21 |
5 |
4 |
4 |
6 |
9 |
13 |
14 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
Сила детской публицистики |
1223 | 131 |
9 |
16 |
26 |
11 |
17 |
6 |
8 |
7 |
8 |
6 |
10 |
7 |
0 |
0 |
6 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
"тихий Дон" Шолохова и французская психиатрия Пьера Жане |
1189 | 131 |
4 |
22 |
21 |
13 |
15 |
11 |
4 |
1 |
9 |
9 |
10 |
12 |
0 |
1 |
3 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
Пушкин |
5859 | 131 |
8 |
13 |
22 |
15 |
15 |
9 |
6 |
2 |
9 |
6 |
12 |
14 |
0 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
Ведение в чтение Гоголя |
720 | 130 |
8 |
16 |
29 |
14 |
16 |
7 |
3 |
3 |
9 |
3 |
13 |
9 |
0 |
3 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
Совет- не любовь |
2480 | 130 |
9 |
10 |
24 |
12 |
19 |
5 |
5 |
6 |
10 |
7 |
12 |
11 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
Конек-горбунок |
840 | 129 |
10 |
15 |
27 |
16 |
16 |
9 |
3 |
4 |
5 |
5 |
13 |
6 |
1 |
2 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
+7 |
2012 | 129 |
10 |
16 |
19 |
11 |
18 |
9 |
8 |
3 |
5 |
6 |
11 |
13 |
0 |
2 |
2 |
1 |
4 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
Компьютер и сексуальная революция писателя |
2673 | 129 |
7 |
11 |
27 |
11 |
20 |
9 |
5 |
6 |
7 |
9 |
12 |
5 |
0 |
1 |
3 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
Ведение в чтение Гоголя. Шинель |
852 | 129 |
5 |
15 |
25 |
13 |
15 |
8 |
6 |
3 |
7 |
6 |
12 |
14 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
Дурное общество |
819 | 128 |
5 |
17 |
29 |
16 |
15 |
7 |
2 |
2 |
8 |
8 |
10 |
9 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
Каким должен быть правитель |
366 | 128 |
8 |
10 |
22 |
12 |
18 |
6 |
6 |
3 |
10 |
14 |
12 |
7 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
1 |
Аллегория как эпитет |
1222 | 128 |
4 |
16 |
25 |
12 |
17 |
8 |
9 |
1 |
7 |
6 |
11 |
12 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
3 |
Реформы Путина и моя им гегельянская поддержка |
2596 | 128 |
7 |
16 |
25 |
8 |
19 |
5 |
5 |
2 |
12 |
6 |
12 |
11 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
Романтизм |
344 | 128 |
7 |
20 |
26 |
14 |
15 |
5 |
8 |
3 |
7 |
4 |
11 |
8 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Литературоведение - наука или "Humanities and Arts"... |
2283 | 128 |
5 |
17 |
24 |
9 |
14 |
9 |
6 |
2 |
11 |
7 |
13 |
11 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
Демократия как искусство для искусства |
2666 | 128 |
8 |
16 |
25 |
9 |
20 |
3 |
8 |
3 |
6 |
7 |
17 |
6 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
Проклятое место, проклятые вопросы |
2963 | 128 |
8 |
16 |
22 |
8 |
20 |
9 |
5 |
3 |
7 |
6 |
14 |
10 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
"Хлыстовская богородица" Маяковского |
1170 | 127 |
5 |
18 |
21 |
13 |
16 |
9 |
7 |
0 |
5 |
11 |
10 |
12 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
Я начинаю обретать себя |
2252 | 127 |
9 |
12 |
28 |
9 |
14 |
7 |
6 |
3 |
8 |
8 |
16 |
7 |
0 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
Крочечка Хаврошечка |
581 | 127 |
8 |
11 |
31 |
12 |
17 |
8 |
3 |
3 |
6 |
8 |
10 |
10 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
5 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
Лимерик |
2147 | 127 |
13 |
13 |
25 |
14 |
14 |
5 |
4 |
4 |
5 |
5 |
13 |
12 |
0 |
5 |
3 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
Убийственная преданность. Введение в чтение Пушкина |
574 | 127 |
8 |
17 |
27 |
13 |
14 |
6 |
6 |
2 |
9 |
6 |
11 |
8 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Введение в чтение Лермонтова. "Выхожу один я на дорогу" |
744 | 127 |
9 |
16 |
24 |
17 |
15 |
6 |
4 |
2 |
8 |
6 |
12 |
8 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
2 |
Исход |
2035 | 126 |
7 |
12 |
24 |
10 |
16 |
12 |
4 |
3 |
10 |
8 |
11 |
9 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
Двуединство добра |
2652 | 126 |
3 |
23 |
21 |
11 |
21 |
6 |
5 |
3 |
7 |
6 |
10 |
10 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
Кто виноват и что делать? Проклятые вопросы в |
296 | 126 |
7 |
13 |
27 |
12 |
18 |
6 |
5 |
5 |
6 |
6 |
14 |
7 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
Где же новая поэзия |
2286 | 126 |
10 |
18 |
22 |
14 |
17 |
6 |
3 |
1 |
5 |
10 |
10 |
10 |
0 |
4 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
От финских хладных скал... |
2965 | 126 |
8 |
17 |
22 |
12 |
18 |
5 |
7 |
3 |
10 |
5 |
12 |
7 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
Мастер и Маргарита. Кто написал притчу? |
943 | 126 |
5 |
19 |
21 |
14 |
16 |
5 |
8 |
2 |
9 |
7 |
9 |
11 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
Неравный брак (лунное) |
704 | 126 |
9 |
14 |
27 |
9 |
18 |
3 |
2 |
5 |
5 |
7 |
17 |
10 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
Введение в чтение Гоголя. Нос |
537 | 126 |
9 |
13 |
28 |
16 |
16 |
7 |
5 |
0 |
6 |
6 |
11 |
9 |
0 |
0 |
2 |
2 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
5 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
Старость |
2163 | 126 |
11 |
10 |
26 |
13 |
17 |
8 |
2 |
2 |
5 |
9 |
13 |
10 |
0 |
3 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
2 |
Инструкция создателям искусственного разума |
2309 | 126 |
7 |
15 |
24 |
9 |
15 |
5 |
3 |
3 |
4 |
18 |
13 |
10 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
2 |
0 |
Молодежь и общество потребления |
3566 | 126 |
10 |
16 |
25 |
5 |
16 |
6 |
9 |
3 |
9 |
6 |
10 |
11 |
0 |
3 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
Доказательство несовершенства Бога |
2470 | 121 |
8 |
11 |
34 |
8 |
18 |
4 |
3 |
1 |
8 |
6 |
14 |
6 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
4 |
1 |
0 |
1 |
1 |
1 |
Государство Платона и Акунина |
762 | 121 |
6 |
16 |
28 |
11 |
14 |
7 |
5 |
4 |
5 |
5 |
8 |
12 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
Как семейные предания работают в произведениях Лермонтова, Толстого, Гоголя? |
420 | 120 |
9 |
12 |
25 |
17 |
10 |
5 |
5 |
3 |
6 |
7 |
12 |
9 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
Честь как главная жизненная ценность у Достоевского |
431 | 120 |
8 |
15 |
21 |
15 |
15 |
3 |
5 |
5 |
4 |
7 |
11 |
11 |
0 |
3 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
О курсе реформ и курсе литературы |
814 | 120 |
15 |
21 |
24 |
7 |
17 |
5 |
3 |
2 |
5 |
6 |
9 |
6 |
0 |
3 |
5 |
2 |
2 |
3 |
2 |
1 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
Бегемотик |
3180 | 120 |
7 |
15 |
19 |
5 |
18 |
5 |
7 |
6 |
9 |
4 |
15 |
10 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
Бог как конечное воплощение жажды славы |
1959 | 120 |
7 |
15 |
25 |
12 |
16 |
5 |
1 |
3 |
10 |
5 |
10 |
11 |
0 |
5 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
Ангел в круге десятом |
608 | 120 |
7 |
20 |
23 |
12 |
14 |
4 |
3 |
4 |
6 |
8 |
9 |
10 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
Золото партии |
1780 | 120 |
8 |
10 |
23 |
12 |
17 |
3 |
2 |
7 |
5 |
12 |
11 |
10 |
0 |
1 |
3 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
Шаров и его теодицея |
513 | 120 |
9 |
14 |
27 |
12 |
12 |
6 |
3 |
1 |
8 |
10 |
9 |
9 |
0 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
Отчуждение |
1012 | 119 |
7 |
15 |
29 |
10 |
18 |
4 |
2 |
2 |
4 |
10 |
9 |
9 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
4 |
1 |
0 |
1 |
1 |
2 |
Байрон - предтеча русского реализма |
616 | 119 |
6 |
14 |
26 |
12 |
18 |
6 |
5 |
1 |
5 |
7 |
12 |
7 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
Экфрасис "Мертвых душ" |
282 | 119 |
5 |
16 |
24 |
17 |
11 |
5 |
5 |
4 |
7 |
7 |
10 |
8 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
Быков и Навальный |
500 | 119 |
8 |
14 |
21 |
11 |
16 |
5 |
6 |
4 |
4 |
11 |
11 |
8 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
О времени |
1010 | 119 |
7 |
15 |
22 |
13 |
16 |
5 |
3 |
4 |
6 |
7 |
13 |
8 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Вирус абсурда в рамках боровской Дополнительности |
1976 | 119 |
8 |
16 |
27 |
11 |
15 |
6 |
4 |
1 |
4 |
8 |
11 |
8 |
0 |
2 |
2 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
2 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
Нам много миллионов лет. Каждому |
702 | 118 |
8 |
16 |
22 |
13 |
18 |
5 |
4 |
0 |
6 |
8 |
9 |
9 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
6 |
0 |
0 |
1 |
0 |
2 |
Рассуждения. К статье В.Шемшученко Поэт сам выбирает судьбу... (Лг Љ36) |
2017 | 118 |
8 |
15 |
23 |
9 |
11 |
7 |
5 |
2 |
14 |
4 |
7 |
13 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
Почему Путин заинтересован в развитии гражданского общества |
2448 | 117 |
6 |
14 |
25 |
11 |
13 |
5 |
4 |
3 |
9 |
9 |
9 |
9 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
Преодоление расы |
1262 | 117 |
10 |
10 |
19 |
13 |
16 |
5 |
5 |
1 |
8 |
7 |
13 |
10 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 |
"Детство" и уход из Ясной поляны |
257 | 117 |
8 |
14 |
21 |
16 |
13 |
5 |
3 |
2 |
4 |
5 |
10 |
16 |
0 |
3 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
Введение в философию сказок |
527 | 117 |
7 |
10 |
29 |
13 |
14 |
7 |
7 |
1 |
7 |
5 |
12 |
5 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
5 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
Иллич или упадок марксизма |
655 | 116 |
9 |
11 |
28 |
13 |
11 |
6 |
6 |
2 |
5 |
4 |
12 |
9 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
Необходимое или цель - искусство? |
533 | 116 |
12 |
11 |
21 |
15 |
12 |
3 |
4 |
6 |
5 |
8 |
7 |
12 |
0 |
4 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
Между прошлым и будущим |
472 | 116 |
5 |
19 |
22 |
16 |
11 |
6 |
3 |
3 |
7 |
6 |
10 |
8 |
0 |
3 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
Возможен ли герой нашего времени? |
479 | 115 |
10 |
13 |
23 |
7 |
19 |
4 |
4 |
2 |
9 |
8 |
6 |
10 |
0 |
2 |
1 |
1 |
2 |
4 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
О романе "Обратная Перспектива А.Столярова |
1231 | 115 |
6 |
16 |
25 |
11 |
16 |
6 |
4 |
1 |
6 |
6 |
10 |
8 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
О бедном Гайдаре замолвите слово... (Беседа с В.И.Глоцером) |
3003 | 115 |
9 |
11 |
20 |
9 |
13 |
5 |
6 |
4 |
7 |
5 |
19 |
7 |
0 |
3 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
Недоросль в меняющемся мире |
492 | 115 |
5 |
15 |
23 |
15 |
16 |
6 |
2 |
4 |
7 |
8 |
10 |
4 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
О Бродском - Имперский поэт? |
703 | 115 |
8 |
12 |
22 |
10 |
14 |
9 |
4 |
3 |
8 |
5 |
14 |
6 |
0 |
4 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
Эпос |
2050 | 114 |
8 |
12 |
25 |
8 |
11 |
9 |
4 |
2 |
7 |
7 |
12 |
9 |
0 |
1 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
Пушкину миллиарды лет |
764 | 114 |
7 |
17 |
18 |
12 |
13 |
4 |
4 |
4 |
5 |
7 |
14 |
9 |
0 |
0 |
4 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
Категории добра и зла |
270 | 114 |
5 |
15 |
21 |
11 |
17 |
8 |
4 |
1 |
7 |
5 |
9 |
11 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
3 |
"Добрый Филя" и проекция собеседника |
570 | 114 |
6 |
14 |
22 |
14 |
18 |
4 |
4 |
2 |
4 |
6 |
11 |
9 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
Встреча этики с эстетикой в рамках поэтики абсурда |
2229 | 114 |
1 |
16 |
22 |
8 |
18 |
6 |
5 |
3 |
6 |
5 |
16 |
8 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
Онтологическое обоснование гения эпохи |
1076 | 114 |
4 |
21 |
20 |
13 |
13 |
5 |
6 |
3 |
7 |
6 |
7 |
9 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
2 |
0 |
3 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Введение в чтение Гоголя |
708 | 113 |
4 |
19 |
18 |
15 |
13 |
4 |
5 |
5 |
8 |
8 |
8 |
6 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
Форма абсолютной сути созидаемого |
659 | 113 |
3 |
20 |
20 |
9 |
18 |
3 |
5 |
3 |
4 |
6 |
13 |
9 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
1 |
К проблеме Израиля |
1186 | 113 |
7 |
13 |
25 |
11 |
12 |
3 |
5 |
2 |
7 |
6 |
14 |
8 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
Технические болезни Стихиры |
2395 | 113 |
7 |
14 |
21 |
14 |
13 |
6 |
5 |
1 |
6 |
6 |
8 |
12 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |