| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
По разделу |
362346 | 1738 |
61 |
122 |
105 |
101 |
105 |
102 |
128 |
128 |
417 |
185 |
197 |
87 |
1 |
4 |
5 |
2 |
3 |
5 |
3 |
2 |
4 |
3 |
4 |
4 |
5 |
5 |
6 |
5 |
6 |
3 |
4 |
6 |
5 |
3 |
5 |
3 |
3 |
5 |
5 |
3 |
5 |
2 |
2 |
5 |
3 |
5 |
3 |
4 |
3 |
4 |
2 |
3 |
6 |
4 |
3 |
4 |
5 |
5 |
3 |
4 |
2 |
2 |
3 |
3 |
2 |
4 |
5 |
4 |
3 |
4 |
5 |
9 |
3 |
4 |
|
Графики Самары |
2569 | 647 |
27 |
83 |
58 |
50 |
46 |
47 |
63 |
56 |
56 |
51 |
52 |
58 |
0 |
1 |
5 |
0 |
3 |
1 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
4 |
1 |
2 |
3 |
3 |
0 |
6 |
4 |
2 |
5 |
1 |
2 |
5 |
4 |
0 |
5 |
0 |
1 |
5 |
2 |
5 |
3 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
4 |
3 |
5 |
1 |
4 |
0 |
1 |
3 |
3 |
0 |
1 |
5 |
0 |
0 |
1 |
5 |
9 |
2 |
0 |
|
Елена Титова.пленница красоты |
582 | 582 |
20 |
24 |
14 |
24 |
25 |
11 |
20 |
28 |
350 |
66 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Дина Богусонова. Амазонка неоабстракционизма |
3073 | 484 |
20 |
54 |
36 |
42 |
41 |
48 |
49 |
58 |
45 |
39 |
29 |
23 |
0 |
1 |
4 |
0 |
0 |
4 |
0 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
3 |
0 |
4 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
3 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
4 |
0 |
3 |
1 |
5 |
2 |
2 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
|
Кутяков Сергей. Династия Кутяковых. Простая история |
2185 | 439 |
29 |
40 |
33 |
31 |
36 |
31 |
51 |
46 |
45 |
42 |
31 |
24 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
0 |
3 |
1 |
2 |
3 |
3 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
|
Бакумов Вячеслав летописец нашей жизни |
399 | 399 |
17 |
20 |
12 |
20 |
23 |
10 |
30 |
26 |
33 |
69 |
139 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Артур Фонвизин |
1277 | 319 |
19 |
33 |
25 |
28 |
24 |
19 |
34 |
31 |
37 |
27 |
26 |
16 |
1 |
1 |
0 |
1 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
2 |
3 |
0 |
|
Портрет семьи в советской живописи.20век |
1283 | 310 |
24 |
30 |
27 |
27 |
23 |
22 |
53 |
23 |
27 |
22 |
20 |
12 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
3 |
0 |
1 |
1 |
3 |
4 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
2 |
3 |
0 |
|
Самаринкина Алиса. Из чего же вырастают художники? |
2609 | 304 |
18 |
27 |
22 |
23 |
25 |
13 |
28 |
20 |
32 |
34 |
37 |
25 |
0 |
3 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Горовых Ксения.Большая и малая жизнь в творчестве |
2144 | 302 |
21 |
33 |
23 |
25 |
21 |
17 |
27 |
40 |
29 |
27 |
26 |
13 |
0 |
3 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
3 |
3 |
3 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
5 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
|
Наталья Сюзева. Девичьи игры |
2548 | 285 |
18 |
34 |
27 |
24 |
25 |
22 |
27 |
19 |
27 |
28 |
20 |
14 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
|
Самарские графики. Живое наследие |
1419 | 285 |
7 |
30 |
17 |
20 |
15 |
9 |
36 |
25 |
40 |
30 |
37 |
19 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Художник Вадим Петрович Свешников |
675 | 284 |
11 |
29 |
30 |
27 |
20 |
21 |
23 |
23 |
30 |
25 |
28 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
|
Рудольф Баранов и академическая живопись России |
2941 | 282 |
17 |
31 |
19 |
22 |
25 |
16 |
21 |
18 |
25 |
48 |
24 |
16 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
|
Виноградова Анна. Блеск национальной романтики |
1720 | 281 |
17 |
26 |
22 |
26 |
19 |
15 |
31 |
22 |
39 |
28 |
24 |
12 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
|
Марко Грасси и его Персонажи |
3067 | 280 |
12 |
34 |
36 |
20 |
20 |
15 |
30 |
18 |
37 |
22 |
21 |
15 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
2 |
2 |
3 |
1 |
0 |
|
Городу модерна - Музей Модерна |
2430 | 279 |
19 |
29 |
21 |
19 |
22 |
15 |
27 |
24 |
33 |
34 |
25 |
11 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
5 |
2 |
1 |
1 |
0 |
1 |
2 |
5 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
0 |
|
Юрий Скачков |
1300 | 277 |
16 |
21 |
21 |
29 |
24 |
15 |
37 |
16 |
28 |
27 |
25 |
18 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
1 |
|
Карпунов Иван. Я всегда хотел быть художником |
2656 | 275 |
30 |
34 |
23 |
18 |
24 |
16 |
31 |
22 |
26 |
19 |
21 |
11 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
4 |
1 |
6 |
3 |
2 |
1 |
1 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
|
Маковские. Братья |
980 | 274 |
17 |
27 |
17 |
33 |
31 |
13 |
32 |
19 |
27 |
25 |
18 |
15 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
5 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Георгий Кикин.Женщины,подруги и ню |
1192 | 271 |
9 |
32 |
25 |
25 |
16 |
22 |
19 |
20 |
19 |
29 |
36 |
19 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Дубровин Игорь Викторович |
271 | 271 |
8 |
29 |
27 |
18 |
12 |
16 |
18 |
66 |
77 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
3 |
3 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
|
Западоевропейское искусство в собрании Сохм |
2436 | 270 |
8 |
26 |
14 |
20 |
26 |
18 |
31 |
20 |
38 |
27 |
22 |
20 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Альфред фон Вакано. Египетская и античная коллекции. Новые открытия |
832 | 270 |
10 |
30 |
12 |
26 |
21 |
19 |
38 |
17 |
28 |
27 |
28 |
14 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
|
Константин Коровин. Моцарт русской живописи |
2295 | 268 |
20 |
25 |
13 |
26 |
16 |
17 |
23 |
35 |
29 |
26 |
27 |
11 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
|
Станислав Щеглов |
805 | 262 |
18 |
35 |
20 |
27 |
19 |
16 |
18 |
20 |
27 |
28 |
18 |
16 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
4 |
1 |
2 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
|
Евгений Чертыковцев. На тропе к образу |
1598 | 262 |
9 |
25 |
20 |
23 |
19 |
18 |
26 |
26 |
25 |
38 |
28 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
0 |
0 |
|
Карл Брюллов - наследие из Петербурга |
2001 | 261 |
16 |
22 |
11 |
21 |
26 |
14 |
30 |
17 |
33 |
35 |
26 |
10 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Свечников Владимир |
817 | 258 |
21 |
24 |
11 |
20 |
20 |
20 |
24 |
21 |
29 |
28 |
24 |
16 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Валентин Пурыгин. Мифы о художнике |
1911 | 258 |
11 |
21 |
19 |
19 |
28 |
8 |
22 |
22 |
41 |
32 |
22 |
13 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Образ и время в советской живописи 30-х годов |
1567 | 258 |
17 |
24 |
14 |
19 |
21 |
19 |
27 |
22 |
26 |
19 |
33 |
17 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Панкратов Василий - портретист |
924 | 254 |
12 |
33 |
29 |
19 |
17 |
12 |
24 |
21 |
30 |
26 |
17 |
14 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
2 |
|
Карэн Саркисов |
2375 | 254 |
17 |
30 |
40 |
21 |
19 |
11 |
23 |
11 |
26 |
26 |
20 |
10 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
4 |
|
Портрет семьи в русской живописи 18-19вв |
888 | 248 |
18 |
30 |
19 |
18 |
18 |
16 |
20 |
22 |
28 |
23 |
21 |
15 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
3 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Сергей Цедилов - мастер книги |
1567 | 247 |
9 |
20 |
10 |
15 |
17 |
20 |
15 |
20 |
38 |
33 |
30 |
20 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Мария Бабич.Молодые голоса в стиле фьюжн |
1863 | 247 |
13 |
30 |
23 |
22 |
18 |
14 |
27 |
17 |
26 |
28 |
19 |
10 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
2 |
0 |
3 |
2 |
1 |
0 |
4 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
3 |
1 |
0 |
|
5.Людмила Петтоки. Рассказы музейного человечка |
848 | 246 |
8 |
32 |
19 |
20 |
14 |
14 |
25 |
22 |
25 |
27 |
24 |
16 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
|
Японская гравюра |
1342 | 246 |
16 |
36 |
16 |
23 |
22 |
16 |
21 |
19 |
22 |
24 |
18 |
13 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
6 |
1 |
4 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
|
Дневник влюбленного предпринимателя |
2894 | 245 |
19 |
28 |
18 |
21 |
15 |
16 |
32 |
21 |
21 |
25 |
20 |
9 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
|
Левитан и его современники |
1260 | 244 |
7 |
24 |
17 |
21 |
19 |
19 |
29 |
17 |
31 |
23 |
29 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Южанин Сергей |
336 | 233 |
8 |
28 |
18 |
10 |
16 |
14 |
19 |
22 |
40 |
21 |
27 |
10 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Станислав Федоров. Графика |
1272 | 233 |
13 |
30 |
25 |
19 |
20 |
10 |
31 |
18 |
22 |
21 |
14 |
10 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
|
Время волшебников, кукольники |
2456 | 232 |
9 |
29 |
16 |
18 |
19 |
10 |
29 |
21 |
25 |
26 |
23 |
7 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
4 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
0 |
|
Татьяна Пудова. Новые технологии в творчестве художников |
1818 | 232 |
15 |
16 |
13 |
23 |
20 |
12 |
23 |
17 |
28 |
28 |
23 |
14 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
|
Валентин Белоусов. Творчество |
3209 | 231 |
9 |
25 |
10 |
19 |
18 |
13 |
28 |
20 |
23 |
31 |
19 |
16 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Арон Бух. главное его достижение - свобода |
1150 | 231 |
21 |
20 |
16 |
21 |
26 |
11 |
17 |
13 |
31 |
26 |
21 |
8 |
0 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
|
Игорь Петров Гений места |
1702 | 230 |
19 |
24 |
16 |
22 |
19 |
13 |
29 |
15 |
21 |
24 |
18 |
10 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
5 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
1 |
|
Женя Бабушкин.Пыльные цветы |
2218 | 229 |
13 |
32 |
25 |
20 |
21 |
12 |
20 |
17 |
19 |
23 |
15 |
12 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
|
6. Василий Ващенко. Рассказы музейного человечка |
916 | 228 |
17 |
24 |
16 |
17 |
20 |
12 |
20 |
19 |
23 |
21 |
22 |
17 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Заметки о романе. Эрих Мария Ремарк. Ночь в Лиссабоне |
2125 | 227 |
8 |
29 |
21 |
21 |
21 |
14 |
20 |
22 |
21 |
23 |
21 |
6 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
|
Виктор Норкин и его Вантастическая живопись |
2239 | 227 |
12 |
25 |
16 |
21 |
18 |
12 |
24 |
19 |
26 |
21 |
21 |
12 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Коновалов Ген Гри -художник 20 века |
1883 | 225 |
16 |
24 |
14 |
20 |
22 |
11 |
19 |
17 |
21 |
24 |
24 |
13 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
5 |
1 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
|
Нижегородский художественный музей и его шедевры |
777 | 225 |
14 |
22 |
20 |
18 |
14 |
9 |
25 |
16 |
21 |
27 |
20 |
19 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
|
Борис Иевлев.Живопись мазками |
1487 | 225 |
9 |
24 |
16 |
22 |
16 |
12 |
22 |
19 |
23 |
25 |
22 |
15 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
|
Острецов Анатолий -художник наблюдатель |
2159 | 225 |
17 |
25 |
20 |
21 |
20 |
12 |
17 |
16 |
20 |
26 |
20 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
6 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
Запечатленное время в мировоззрении поколения семидесятых |
2079 | 224 |
8 |
21 |
10 |
12 |
23 |
12 |
24 |
19 |
24 |
37 |
22 |
12 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Лариса Кондратова. Валяние не Валенков |
2432 | 223 |
18 |
26 |
23 |
21 |
18 |
10 |
19 |
16 |
22 |
26 |
14 |
10 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
3 |
4 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
3 |
2 |
1 |
0 |
|
Андреев Юрий. Найди себе учителя и приобрети друга |
2166 | 223 |
9 |
23 |
15 |
14 |
18 |
16 |
29 |
23 |
25 |
20 |
19 |
12 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
|
Оттепель 60х в искусстве.Все оттенки оттепели |
1743 | 223 |
13 |
23 |
15 |
16 |
13 |
18 |
31 |
17 |
26 |
21 |
21 |
9 |
0 |
1 |
2 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
|
Сон в осеннюю ночь |
2392 | 223 |
10 |
32 |
18 |
28 |
19 |
12 |
30 |
13 |
17 |
23 |
14 |
7 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
5 |
3 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Ковалева Дина и ее теория Красоты |
823 | 223 |
20 |
31 |
15 |
17 |
12 |
16 |
21 |
17 |
24 |
24 |
17 |
9 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
4 |
2 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
|
Рецензия на книгу Вудхауса "Любовь со взломом |
1973 | 222 |
15 |
32 |
24 |
17 |
17 |
8 |
34 |
16 |
18 |
22 |
15 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
3 |
2 |
0 |
2 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
5 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Шульпин Михаил. Образ Венеции для России |
2201 | 222 |
10 |
21 |
16 |
17 |
19 |
17 |
18 |
22 |
26 |
28 |
20 |
8 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Самаринкин,панидов,щеглов,андреев.Четыре поколения |
1477 | 222 |
15 |
19 |
13 |
20 |
23 |
13 |
18 |
17 |
23 |
35 |
15 |
11 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
|
Рецензия на книгу Эдуарда Кочергина "Ангелова кукла" |
2186 | 222 |
11 |
20 |
15 |
23 |
20 |
17 |
16 |
17 |
33 |
22 |
21 |
7 |
0 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Анна Голубкина - русский гений |
765 | 222 |
17 |
28 |
19 |
22 |
13 |
12 |
24 |
16 |
23 |
20 |
19 |
9 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
4 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
|
Рассказы из прошлого века |
2511 | 221 |
16 |
18 |
10 |
29 |
25 |
14 |
24 |
18 |
24 |
21 |
13 |
9 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Дмитрий Кондратьев |
1287 | 221 |
8 |
27 |
17 |
24 |
16 |
14 |
22 |
15 |
24 |
28 |
16 |
10 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
|
2. Рассказы музейного человечка. А.Я.Басс.Портрет в музейном интерьере |
2181 | 221 |
21 |
27 |
15 |
19 |
20 |
10 |
15 |
24 |
22 |
30 |
11 |
7 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
3 |
4 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
|
Солдат Победы. История жизни |
2565 | 221 |
8 |
22 |
14 |
22 |
21 |
11 |
26 |
17 |
21 |
24 |
24 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Эрбштейн Борис. Часть первая |
725 | 220 |
10 |
32 |
15 |
17 |
23 |
12 |
26 |
16 |
20 |
20 |
20 |
9 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
3 |
1 |
1 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
|
Геннадий Филатов.Мастер видового пейзажа |
1287 | 220 |
20 |
25 |
13 |
18 |
14 |
12 |
12 |
19 |
27 |
23 |
22 |
15 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
|
Вадим Сушко.Я люблю судьбу свою |
2669 | 220 |
16 |
34 |
8 |
15 |
19 |
11 |
19 |
15 |
34 |
17 |
21 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
5 |
2 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Художники Казахстана.Лицо невесты из Великой степи |
1949 | 220 |
17 |
33 |
19 |
21 |
16 |
17 |
16 |
18 |
17 |
18 |
19 |
9 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
4 |
5 |
0 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
|
Юлия Кузнецова ее пленэрная живопись |
1880 | 220 |
13 |
15 |
12 |
21 |
14 |
12 |
28 |
17 |
31 |
29 |
20 |
8 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
|
Выставка.Лицо старого дома.Самара |
1669 | 219 |
14 |
30 |
17 |
17 |
15 |
10 |
12 |
17 |
29 |
36 |
13 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
1 |
4 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Олег Рамодин -творец сказочной вселенной |
2159 | 219 |
9 |
25 |
17 |
21 |
17 |
7 |
15 |
19 |
29 |
31 |
20 |
9 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
|
Народное искусство и его новая жизнь |
1385 | 219 |
9 |
32 |
17 |
21 |
20 |
10 |
24 |
17 |
27 |
20 |
17 |
5 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
1 |
5 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Лариса и Валерий Блохины. Запад и Восток в творчестве |
1628 | 219 |
6 |
26 |
13 |
27 |
22 |
16 |
17 |
16 |
23 |
23 |
19 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Вилковы.На нашей маленькой земле |
2299 | 218 |
10 |
26 |
18 |
24 |
14 |
9 |
19 |
21 |
23 |
24 |
17 |
13 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Рецензии на книги Карлоса Руиса Сафона "Тень ветра" и " Игра Ангела" |
2554 | 218 |
14 |
25 |
15 |
26 |
18 |
16 |
19 |
13 |
24 |
20 |
15 |
13 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
4 |
2 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Валентина Крушинина.Своя тема |
1702 | 218 |
13 |
30 |
18 |
25 |
15 |
10 |
18 |
15 |
27 |
22 |
17 |
8 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
|
Наталья Шепелева. Мастер детского портрета |
1941 | 217 |
17 |
33 |
29 |
14 |
20 |
9 |
11 |
13 |
24 |
18 |
20 |
9 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
3 |
0 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
|
Концептуалисты. Увидели и живем,или повидали и оживились |
1801 | 217 |
12 |
31 |
22 |
20 |
17 |
12 |
16 |
19 |
21 |
20 |
19 |
8 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
|
Любовь Пархоменко."Вдохновение" Из Москвы в Самару |
1835 | 217 |
16 |
26 |
20 |
23 |
14 |
10 |
16 |
18 |
22 |
23 |
21 |
8 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
|
О чем молчат куклы. Третья кукольная выставка |
1851 | 217 |
17 |
20 |
15 |
14 |
19 |
10 |
25 |
19 |
22 |
25 |
20 |
11 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
В Лабиринте книжной иллюстрации |
2052 | 216 |
16 |
21 |
15 |
21 |
17 |
11 |
24 |
18 |
19 |
26 |
17 |
11 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Передвижники и портретный жанр |
705 | 216 |
10 |
28 |
15 |
12 |
17 |
11 |
29 |
15 |
20 |
17 |
30 |
12 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
|
Маргарита Бортникова. Кружево |
2140 | 216 |
14 |
25 |
15 |
23 |
21 |
7 |
28 |
16 |
19 |
22 |
20 |
6 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
0 |
1 |
2 |
2 |
0 |
0 |
|
Восток в Сохм |
1704 | 214 |
11 |
18 |
13 |
24 |
25 |
14 |
19 |
17 |
25 |
22 |
15 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Андрей Бодров -мастер сухой иглы |
1744 | 214 |
10 |
29 |
21 |
20 |
18 |
7 |
19 |
10 |
32 |
25 |
13 |
10 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
|
Самарские мечтатели или новое на Арт-рынке Самары |
2272 | 214 |
10 |
24 |
14 |
13 |
23 |
13 |
21 |
15 |
29 |
19 |
22 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
1 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Три рассказа о грустном Фане |
2077 | 213 |
11 |
30 |
20 |
22 |
16 |
13 |
23 |
20 |
16 |
17 |
17 |
8 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
|
Иван Карпунов.Как я позировала художнику |
995 | 213 |
15 |
25 |
21 |
16 |
17 |
22 |
9 |
31 |
15 |
17 |
19 |
6 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
|
Интерьерно - предметная среда первой половины 20 века в прозе Алексея Толстого, как образ времени |
2028 | 213 |
21 |
17 |
13 |
22 |
15 |
15 |
18 |
15 |
25 |
24 |
18 |
10 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Е.Поленова и М.Якунчикова творительницы красоты |
541 | 212 |
14 |
21 |
14 |
20 |
22 |
10 |
16 |
19 |
21 |
23 |
23 |
9 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
6 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
|
1. Чернова Валентина.Пленники искусства |
2630 | 212 |
14 |
24 |
16 |
16 |
18 |
15 |
17 |
18 |
24 |
25 |
17 |
8 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
|
Михаил Нестеров.Внутренняя жизнь и красота духа |
2129 | 212 |
7 |
19 |
21 |
19 |
15 |
8 |
33 |
17 |
29 |
21 |
13 |
10 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
|
В.Башкиров. Нестареющая Природа в его живописи |
1908 | 212 |
15 |
18 |
11 |
18 |
17 |
12 |
20 |
22 |
27 |
22 |
19 |
11 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Владимир Романов.Портреты и акварели |
1194 | 211 |
13 |
20 |
12 |
19 |
21 |
10 |
20 |
15 |
26 |
26 |
19 |
10 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Выставка Ильи Репина.Удовольствие для просвещенного зрителя |
2079 | 211 |
10 |
24 |
18 |
19 |
17 |
11 |
28 |
22 |
17 |
20 |
16 |
9 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
|
Дхш им Марка Шагала -30 лет |
793 | 210 |
8 |
23 |
17 |
15 |
17 |
15 |
18 |
18 |
26 |
27 |
16 |
10 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Альфред фон Вакано. Его музей |
628 | 210 |
17 |
24 |
16 |
13 |
18 |
13 |
18 |
16 |
28 |
22 |
15 |
10 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
4 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Летние вернисажи |
1754 | 209 |
7 |
28 |
19 |
20 |
19 |
14 |
15 |
19 |
24 |
21 |
16 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
|
По закону племени |
2141 | 209 |
10 |
30 |
13 |
18 |
20 |
12 |
18 |
18 |
23 |
23 |
18 |
6 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
0 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Альфред фон Вакано.Путешествие в Японию начинается |
559 | 209 |
11 |
23 |
14 |
18 |
16 |
10 |
25 |
20 |
19 |
22 |
22 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Тольятти.Союз художников |
551 | 209 |
15 |
22 |
22 |
14 |
21 |
14 |
18 |
16 |
20 |
19 |
18 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
|
Обзор выставок ноября 2016 |
1549 | 209 |
12 |
17 |
12 |
19 |
19 |
10 |
34 |
17 |
20 |
24 |
18 |
7 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
|
1. Рассказы музейного человечка. Дом, где прирастают сердцем |
1768 | 208 |
9 |
25 |
13 |
21 |
18 |
11 |
14 |
18 |
20 |
27 |
19 |
13 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
Корнелия Функе.Волшебные сказки для взрослых" |
2342 | 208 |
10 |
21 |
16 |
21 |
19 |
9 |
11 |
18 |
28 |
24 |
25 |
6 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
0 |
1 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
|
Передвижники и бытовой жанр |
616 | 208 |
9 |
26 |
13 |
12 |
17 |
12 |
15 |
17 |
26 |
25 |
23 |
13 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Егорова Любовь. Творчество под знаком воздуха и потока |
1013 | 208 |
12 |
23 |
20 |
21 |
16 |
7 |
17 |
18 |
25 |
21 |
17 |
11 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
|
Гобелены - славное ремесло из старого Парижа |
2807 | 208 |
10 |
29 |
15 |
17 |
16 |
11 |
22 |
22 |
21 |
18 |
17 |
10 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
4 |
2 |
0 |
1 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
|
Станислав Федоров |
1496 | 207 |
13 |
19 |
19 |
18 |
25 |
10 |
17 |
15 |
23 |
23 |
18 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
|
Юферев Геннадий |
583 | 207 |
11 |
25 |
15 |
14 |
19 |
11 |
13 |
17 |
23 |
23 |
22 |
14 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
2 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
|
Валерий Самаринкин.Дорога к храму |
591 | 206 |
6 |
18 |
15 |
15 |
20 |
9 |
26 |
18 |
25 |
23 |
20 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Тумпуров Александр. Пейзаж как основная тема в русской живописи |
2008 | 205 |
16 |
20 |
16 |
17 |
17 |
9 |
17 |
15 |
27 |
20 |
21 |
10 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
|
3. Рассказы музейного человечка. Музейные служители - музейные домовые,вахтенные матросы |
2520 | 205 |
13 |
21 |
16 |
19 |
21 |
11 |
25 |
16 |
16 |
23 |
15 |
9 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
5 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
|
Обзор выставок в Самаре. Экспозиция это? |
2019 | 204 |
7 |
25 |
15 |
23 |
16 |
14 |
22 |
20 |
22 |
19 |
13 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
|
Портретная галерея "Сыны Отечества" |
2354 | 204 |
14 |
21 |
11 |
19 |
17 |
13 |
20 |
15 |
26 |
25 |
17 |
6 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
4 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Самара в творчестве семидесятников |
2464 | 204 |
9 |
25 |
13 |
13 |
19 |
16 |
28 |
14 |
22 |
19 |
18 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
|
Дина Богусонова мастер эмали |
500 | 204 |
10 |
28 |
21 |
18 |
15 |
13 |
16 |
17 |
19 |
25 |
14 |
8 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
|
Любить жизнь глазами Виктора Новокрещенова |
2942 | 204 |
9 |
19 |
15 |
19 |
23 |
10 |
15 |
13 |
24 |
23 |
21 |
13 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Выставка к 100 -летию революции |
1289 | 204 |
15 |
24 |
11 |
20 |
20 |
12 |
13 |
17 |
22 |
23 |
15 |
12 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
3 |
0 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Соцреализм. Долой тихие пейзажики,уснувшие прудики |
2296 | 203 |
13 |
28 |
25 |
13 |
12 |
10 |
20 |
13 |
23 |
21 |
13 |
12 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
|
Бородачев Юрий Петрович. Вспоминая современника |
1074 | 202 |
15 |
18 |
15 |
18 |
14 |
13 |
14 |
23 |
21 |
23 |
17 |
11 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
1 |
4 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
|
Гений ар- деко. Эрте |
1070 | 202 |
11 |
28 |
15 |
21 |
18 |
10 |
16 |
18 |
22 |
18 |
18 |
7 |
0 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
1 |
1 |
0 |
0 |
5 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Альфред фон Вакано. Саркофаг из египетской коллекции |
575 | 202 |
9 |
24 |
19 |
15 |
17 |
13 |
16 |
15 |
21 |
27 |
17 |
9 |
0 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
|
Сергей Шнуров про брендреализм |
1198 | 202 |
6 |
23 |
9 |
17 |
14 |
16 |
24 |
14 |
29 |
22 |
17 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Что собирают в Самаре |
2207 | 202 |
14 |
25 |
11 |
19 |
17 |
11 |
24 |
15 |
19 |
24 |
14 |
9 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
Европейские фаянсы 18 века в собрании Сохм |
1840 | 202 |
13 |
18 |
17 |
21 |
21 |
12 |
18 |
19 |
21 |
21 |
14 |
7 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
|
Владимир Булеков.Экспрессивный портрет художника |
481 | 202 |
11 |
22 |
18 |
22 |
24 |
9 |
20 |
9 |
19 |
20 |
17 |
11 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
|
Бойчукисты в Самаре |
2341 | 201 |
7 |
28 |
19 |
16 |
14 |
9 |
11 |
16 |
30 |
22 |
20 |
9 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
0 |
|
Рецензия на книгу Анны Коростелевой. "Цветы корицы и аромат сливы" |
1701 | 201 |
16 |
23 |
13 |
20 |
17 |
11 |
25 |
16 |
17 |
22 |
13 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
4 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
|
Информация о владельце раздела |
2126 | 201 |
5 |
25 |
16 |
22 |
20 |
11 |
11 |
16 |
22 |
19 |
23 |
11 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
4 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Выставка.Краски Солнцеворота |
1760 | 201 |
17 |
20 |
10 |
20 |
17 |
15 |
18 |
15 |
23 |
21 |
19 |
6 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
|
Самарский художественный музей. Дары |
1142 | 200 |
16 |
23 |
17 |
19 |
15 |
12 |
14 |
20 |
20 |
17 |
17 |
10 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
|
Туман Жумабаев. Свет старой Самары |
2133 | 200 |
20 |
22 |
12 |
16 |
15 |
14 |
16 |
16 |
23 |
20 |
18 |
8 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
3 |
0 |
3 |
3 |
2 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
3 |
0 |
1 |
0 |
|
Хохлова Наталья |
461 | 199 |
11 |
26 |
18 |
17 |
16 |
6 |
23 |
20 |
21 |
18 |
15 |
8 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
|
Рецензия на книгу Дэниэля Пеннака "Почти роман" |
1751 | 199 |
6 |
22 |
19 |
23 |
13 |
14 |
11 |
19 |
18 |
23 |
21 |
10 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
2. Чернова Валентина. В мастерской художника |
2233 | 199 |
9 |
32 |
25 |
16 |
14 |
11 |
13 |
16 |
24 |
17 |
14 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
5 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
4 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
|
Юлия Кузнецова.Игры Солнца и теней |
1603 | 199 |
12 |
18 |
11 |
16 |
17 |
9 |
15 |
15 |
26 |
26 |
18 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Юрий Филиппов. Паломники в Древнюю Русь |
1721 | 199 |
14 |
16 |
19 |
16 |
13 |
10 |
26 |
15 |
23 |
21 |
18 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
|
Елена Макеева. Стремительная живопись |
2233 | 199 |
8 |
27 |
19 |
17 |
16 |
10 |
14 |
14 |
23 |
24 |
21 |
6 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
3 |
|
Мальвы самарского кэмпа |
2748 | 198 |
17 |
25 |
14 |
16 |
21 |
11 |
14 |
15 |
21 |
22 |
16 |
6 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
3 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Самарские амазонки в интерьере цветущего папорпотника |
1524 | 197 |
11 |
20 |
18 |
14 |
17 |
9 |
22 |
17 |
19 |
25 |
17 |
8 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
|
Счастливый мир детства в зеркале русской живописи |
3651 | 196 |
13 |
24 |
14 |
15 |
12 |
15 |
22 |
16 |
23 |
19 |
15 |
8 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
Цыганская рапсодия |
1969 | 196 |
7 |
28 |
19 |
21 |
15 |
12 |
13 |
15 |
22 |
22 |
16 |
6 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
3 |
3 |
2 |
0 |
1 |
1 |
1 |
0 |
5 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
|
3.Чернова Валентина.Еще три портрета |
1899 | 195 |
11 |
21 |
21 |
16 |
19 |
5 |
25 |
15 |
19 |
16 |
15 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
|
Евгений Штыров.По дорогам Древней Руси |
965 | 195 |
9 |
29 |
18 |
14 |
13 |
10 |
11 |
24 |
18 |
22 |
17 |
10 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Рецензия на серию книг Артема Каменистого - "Девятый" |
1859 | 195 |
17 |
19 |
11 |
13 |
15 |
12 |
13 |
28 |
19 |
21 |
18 |
9 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
Виктор Новокрещенов. Гуляй, Ванюша! О живописно-эстетическом кредо |
2194 | 194 |
11 |
26 |
16 |
19 |
17 |
8 |
12 |
11 |
25 |
24 |
17 |
8 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
4 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
|
Кукольный марш |
2159 | 194 |
10 |
24 |
11 |
21 |
17 |
11 |
15 |
13 |
23 |
19 |
18 |
12 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
|
Три выставки. Вернисажи ноября 2019 |
870 | 193 |
23 |
22 |
7 |
14 |
13 |
14 |
23 |
18 |
21 |
14 |
13 |
11 |
0 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
2 |
4 |
1 |
5 |
2 |
2 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Рецензия на книгу Артуро Переса-Реверте "Осада,или Шахматы со смертью" |
1740 | 193 |
7 |
29 |
17 |
17 |
19 |
11 |
8 |
20 |
21 |
18 |
18 |
8 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
|
Николай Вдовкин и Ирина Елизарова.Эмали |
1971 | 193 |
13 |
23 |
12 |
20 |
15 |
9 |
15 |
14 |
29 |
17 |
17 |
9 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Рецензия на книгу Аркадия Ипполитова "Вчера,сегодня,навсегда" |
2048 | 193 |
12 |
27 |
11 |
15 |
20 |
10 |
14 |
15 |
25 |
18 |
19 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
3 |
4 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
|
Зураб Церетели. Мелодии Грузии |
1598 | 193 |
7 |
28 |
18 |
15 |
17 |
7 |
11 |
17 |
20 |
27 |
18 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
3 |
1 |
2 |
1 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
|
Многообразие фактур и таинство стиля |
2126 | 192 |
6 |
28 |
15 |
16 |
20 |
11 |
12 |
17 |
19 |
25 |
15 |
8 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
|
Грани 20 века |
1456 | 191 |
14 |
25 |
15 |
15 |
13 |
10 |
22 |
12 |
19 |
23 |
11 |
12 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Мысли вслух в технике гобелена |
1335 | 191 |
18 |
21 |
15 |
17 |
12 |
8 |
20 |
19 |
19 |
21 |
15 |
6 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Осенние вернисажи 2016 |
1585 | 190 |
14 |
27 |
9 |
17 |
13 |
8 |
24 |
15 |
21 |
19 |
17 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
2 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
|
С любовью из Крыма". Выставка |
1959 | 190 |
16 |
22 |
11 |
15 |
16 |
7 |
17 |
17 |
27 |
19 |
16 |
7 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
5 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Все краски весенней выставки |
1333 | 189 |
9 |
24 |
15 |
17 |
15 |
16 |
22 |
12 |
20 |
18 |
13 |
8 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
|
В.Герасимов -монументалист,живописец,график |
1554 | 189 |
5 |
20 |
13 |
18 |
17 |
14 |
13 |
23 |
19 |
24 |
15 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
|
Елена Макеева,наталья Суботина. Жизнь и жизнеподобие в произведениях живописи |
2041 | 189 |
7 |
19 |
11 |
14 |
19 |
13 |
11 |
18 |
26 |
21 |
20 |
10 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
|
Акварель -хорошая девка |
2130 | 189 |
14 |
22 |
17 |
14 |
14 |
11 |
14 |
16 |
17 |
27 |
15 |
8 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
1 |
3 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
|
За кулисами театра |
1695 | 189 |
6 |
24 |
31 |
15 |
16 |
6 |
10 |
16 |
22 |
21 |
16 |
6 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
|
4. Рассказы музейного человечка. Похищение Курильщиков |
2021 | 188 |
9 |
23 |
14 |
18 |
15 |
11 |
22 |
18 |
15 |
22 |
13 |
8 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Мужская гостиная в Музее Модерна |
1878 | 187 |
11 |
18 |
14 |
18 |
19 |
11 |
17 |
14 |
18 |
20 |
17 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
|
Карнавал в искусстве. Посвящение |
1369 | 186 |
7 |
23 |
12 |
23 |
13 |
8 |
16 |
18 |
21 |
22 |
15 |
8 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Чернова Валентина. Итоги |
1832 | 186 |
8 |
34 |
15 |
19 |
17 |
6 |
14 |
16 |
16 |
16 |
19 |
6 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
4 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
|
Посвящается Франции |
1951 | 186 |
8 |
28 |
21 |
15 |
20 |
7 |
13 |
14 |
27 |
12 |
13 |
8 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
0 |
0 |
|
Иван Айвазовский. Среди стихий |
2117 | 184 |
14 |
19 |
15 |
16 |
13 |
11 |
13 |
17 |
24 |
22 |
14 |
6 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
Виктор Новокрещенов,музыка,воплощенная в красках |
671 | 184 |
5 |
24 |
11 |
13 |
18 |
12 |
22 |
18 |
20 |
21 |
14 |
6 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
|
Степан Эрьзя - русский Роден ? |
2794 | 183 |
7 |
21 |
23 |
16 |
16 |
6 |
10 |
19 |
20 |
19 |
19 |
7 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
|
Дина Богусонова.Эмали |
794 | 183 |
8 |
25 |
11 |
14 |
20 |
9 |
15 |
15 |
19 |
21 |
16 |
10 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Аромат сластей над садами |
2123 | 183 |
8 |
23 |
16 |
19 |
17 |
11 |
12 |
15 |
20 |
19 |
15 |
8 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
|
Художественное образование в Самаре |
824 | 182 |
5 |
26 |
8 |
16 |
18 |
6 |
19 |
15 |
22 |
15 |
21 |
11 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
4 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
|
100 картин из Оренбурга для Самары |
2081 | 181 |
15 |
17 |
14 |
13 |
12 |
6 |
15 |
17 |
19 |
19 |
26 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 |
|
Илья Репин, наше все? |
1895 | 180 |
11 |
21 |
14 |
19 |
14 |
8 |
12 |
17 |
19 |
19 |
20 |
6 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
|
Восточный десерт |
2175 | 180 |
18 |
23 |
18 |
13 |
16 |
11 |
11 |
14 |
21 |
16 |
13 |
6 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
3 |
3 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
|
Шепелева Наталья.Цели и грезы |
527 | 179 |
14 |
20 |
11 |
15 |
14 |
8 |
20 |
14 |
19 |
20 |
16 |
8 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
4 |
2 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
|
25 лет Дкг. Для взрослых, которые были детьми, и для детей, которые обязательно будут взрослыми |
1688 | 178 |
14 |
20 |
11 |
14 |
13 |
6 |
23 |
16 |
22 |
20 |
13 |
6 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Эрбштейн Борис.Часть вторая |
576 | 178 |
7 |
25 |
12 |
10 |
12 |
9 |
13 |
13 |
27 |
18 |
20 |
12 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
|
Передвижники |
588 | 177 |
6 |
24 |
16 |
12 |
16 |
10 |
16 |
12 |
26 |
20 |
12 |
7 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
|
Рецензия на книгу Хайнлайна "Неприятная профессия Джонатана Хогана" |
1627 | 176 |
14 |
19 |
11 |
8 |
17 |
11 |
11 |
17 |
31 |
15 |
16 |
6 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
Великие модернисты. Взгляд Artmedia Plei |
1695 | 172 |
7 |
21 |
16 |
19 |
18 |
8 |
13 |
13 |
17 |
19 |
16 |
5 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
|
Сад ее глазами ,и сад тот -райская страна |
1780 | 171 |
8 |
19 |
16 |
14 |
14 |
9 |
20 |
13 |
17 |
18 |
17 |
6 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
Кукольная страна |
2614 | 168 |
15 |
25 |
11 |
11 |
17 |
7 |
7 |
17 |
19 |
19 |
14 |
6 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Волжский самовар в экзистенциальных поисках |
1030 | 168 |
12 |
17 |
19 |
11 |
12 |
6 |
10 |
13 |
21 |
21 |
18 |
8 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
|
Куклы из особняка Клодта. Самара |
1646 | 167 |
14 |
21 |
13 |
14 |
16 |
7 |
9 |
14 |
19 |
16 |
17 |
7 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
|
Свет живописи старых мастеров |
1337 | 165 |
5 |
25 |
7 |
17 |
15 |
7 |
10 |
18 |
23 |
18 |
13 |
7 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Евгений Казнин |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Сливкова Анна |
0 | 0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |