| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
По разделу |
208349 | 1024 |
53 |
139 |
97 |
107 |
101 |
78 |
78 |
79 |
73 |
65 |
69 |
85 |
0 |
4 |
4 |
6 |
4 |
4 |
3 |
4 |
4 |
5 |
4 |
4 |
3 |
4 |
6 |
3 |
3 |
4 |
4 |
6 |
6 |
4 |
4 |
5 |
5 |
5 |
4 |
5 |
3 |
3 |
6 |
4 |
5 |
5 |
4 |
5 |
4 |
6 |
10 |
3 |
4 |
5 |
4 |
4 |
2 |
4 |
2 |
3 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
3 |
3 |
2 |
3 |
4 |
4 |
3 |
Почему Ференц Шанта назвал роман "пятая печать"? |
8565 | 581 |
21 |
71 |
67 |
73 |
66 |
39 |
32 |
48 |
45 |
36 |
39 |
44 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
4 |
2 |
5 |
0 |
0 |
1 |
2 |
3 |
1 |
3 |
1 |
2 |
6 |
3 |
2 |
4 |
1 |
4 |
1 |
4 |
1 |
2 |
2 |
4 |
3 |
0 |
3 |
0 |
5 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
4 |
1 |
Человек рессентимента как социальный тип. Проблема рессентимента |
11871 | 458 |
20 |
48 |
46 |
49 |
61 |
38 |
43 |
29 |
34 |
33 |
27 |
30 |
0 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
4 |
0 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
3 |
4 |
3 |
2 |
0 |
3 |
1 |
1 |
0 |
1 |
6 |
0 |
0 |
3 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
2 |
2 |
2 |
2 |
0 |
3 |
2 |
0 |
Мировоззрение Достоевского |
11886 | 415 |
22 |
54 |
32 |
38 |
46 |
36 |
31 |
35 |
37 |
28 |
30 |
26 |
0 |
3 |
1 |
0 |
4 |
0 |
0 |
3 |
0 |
3 |
0 |
3 |
1 |
4 |
2 |
0 |
2 |
1 |
2 |
3 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
0 |
1 |
2 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
4 |
2 |
4 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
Будущее одной иллюзии Фрейда |
18239 | 346 |
38 |
75 |
46 |
31 |
39 |
18 |
21 |
27 |
12 |
10 |
10 |
19 |
0 |
4 |
2 |
6 |
1 |
4 |
3 |
0 |
2 |
3 |
4 |
3 |
3 |
3 |
6 |
2 |
2 |
2 |
3 |
2 |
6 |
1 |
0 |
5 |
1 |
1 |
3 |
5 |
2 |
1 |
6 |
0 |
2 |
3 |
1 |
3 |
4 |
4 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
3 |
3 |
Нигилизм Хайдеггера: ћчеловеческое, слишком человеческоеЋ на обломках метафизики |
3643 | 322 |
14 |
53 |
26 |
31 |
36 |
28 |
21 |
22 |
27 |
17 |
22 |
25 |
0 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
4 |
1 |
1 |
5 |
8 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
Воля к Власти |
13424 | 322 |
22 |
55 |
30 |
25 |
31 |
23 |
23 |
24 |
23 |
19 |
17 |
30 |
0 |
1 |
4 |
4 |
1 |
3 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
4 |
0 |
3 |
0 |
1 |
3 |
0 |
5 |
0 |
0 |
3 |
0 |
1 |
2 |
4 |
0 |
5 |
2 |
2 |
0 |
5 |
4 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
Достоевский и Ницше |
10208 | 292 |
17 |
40 |
25 |
23 |
31 |
26 |
21 |
28 |
24 |
17 |
20 |
20 |
0 |
4 |
0 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
4 |
1 |
2 |
0 |
1 |
4 |
1 |
5 |
0 |
0 |
1 |
0 |
5 |
0 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
3 |
0 |
1 |
Актуальность Достоевского |
4365 | 231 |
8 |
41 |
25 |
24 |
27 |
15 |
11 |
12 |
17 |
9 |
17 |
25 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
4 |
1 |
0 |
2 |
3 |
10 |
2 |
2 |
0 |
4 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
Этика Достоевского |
9940 | 224 |
7 |
41 |
35 |
25 |
30 |
14 |
20 |
8 |
15 |
5 |
13 |
11 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
2 |
2 |
4 |
1 |
1 |
5 |
4 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
Викторианская мораль в Новейшее Время |
5963 | 209 |
6 |
17 |
24 |
20 |
22 |
25 |
22 |
26 |
12 |
10 |
13 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
0 |
1 |
Постчеловеческое, слишком постчеловеческое Или Почему Я пишу такие Книги |
4953 | 203 |
6 |
19 |
25 |
18 |
27 |
18 |
15 |
12 |
12 |
16 |
14 |
21 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
Оракул информационного общества |
3034 | 189 |
6 |
35 |
20 |
25 |
23 |
18 |
11 |
6 |
8 |
5 |
12 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
3 |
2 |
1 |
1 |
5 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
Опыт человеческой интроспекции: Ингмар Бергман |
3755 | 184 |
8 |
45 |
19 |
32 |
15 |
15 |
9 |
7 |
10 |
8 |
7 |
9 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
4 |
2 |
5 |
2 |
3 |
1 |
0 |
3 |
5 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
0 |
Достоевский-философ |
9718 | 181 |
7 |
36 |
22 |
21 |
23 |
9 |
13 |
9 |
12 |
7 |
7 |
15 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
2 |
1 |
4 |
1 |
0 |
3 |
4 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
Будущее одной иллюзии по ту сторону Добра и Зла |
4906 | 179 |
6 |
25 |
24 |
15 |
26 |
12 |
19 |
19 |
12 |
6 |
5 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
3 |
9 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
Эстетические искания А. Куприна (на примере Ямы) |
3433 | 179 |
8 |
27 |
19 |
12 |
25 |
16 |
14 |
8 |
17 |
7 |
14 |
12 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
2 |
0 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
Ницше и прагматисты |
3023 | 178 |
9 |
39 |
19 |
21 |
25 |
17 |
6 |
7 |
8 |
8 |
7 |
12 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
4 |
3 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
Вечное возвращение Великого |
4908 | 173 |
6 |
35 |
18 |
17 |
17 |
11 |
10 |
7 |
16 |
7 |
16 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
2 |
2 |
2 |
1 |
2 |
5 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Гарри Поттер - принц - полудурок. кризис Роулинг |
4174 | 172 |
6 |
22 |
28 |
20 |
27 |
11 |
12 |
5 |
13 |
8 |
7 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
Почему глючат программы? |
5809 | 171 |
11 |
19 |
31 |
20 |
23 |
6 |
14 |
7 |
12 |
9 |
7 |
12 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
Новая наука логики Или Как философствуют тупым предметом |
2658 | 164 |
5 |
36 |
17 |
18 |
24 |
10 |
9 |
6 |
10 |
6 |
10 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
0 |
4 |
4 |
1 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
Романтическая иллюзия |
2199 | 163 |
3 |
34 |
24 |
9 |
27 |
12 |
13 |
7 |
11 |
5 |
8 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
3 |
1 |
0 |
4 |
5 |
1 |
1 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
Мертвый постмодернист |
2327 | 148 |
4 |
33 |
12 |
22 |
16 |
13 |
13 |
5 |
10 |
3 |
9 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
9 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
Мой Шен Би Де Бао |
2384 | 147 |
3 |
25 |
18 |
19 |
20 |
15 |
10 |
10 |
10 |
6 |
1 |
10 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
Развитие философии от Декарта к Спинозе |
3593 | 144 |
4 |
18 |
24 |
18 |
23 |
12 |
11 |
6 |
10 |
5 |
6 |
7 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
Сценарий лучшего игрового кино. Русская версия |
2444 | 143 |
5 |
33 |
18 |
22 |
19 |
8 |
7 |
4 |
10 |
4 |
6 |
7 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
3 |
1 |
1 |
3 |
5 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
Сценарий лучшего игрового фильма на сегодня |
2420 | 137 |
6 |
31 |
19 |
17 |
17 |
13 |
5 |
4 |
8 |
2 |
6 |
9 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
1 |
3 |
2 |
1 |
5 |
4 |
0 |
0 |
1 |
0 |
3 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
Боже, храни дуче Викторию |
2897 | 137 |
4 |
30 |
18 |
9 |
20 |
10 |
8 |
6 |
10 |
5 |
9 |
8 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
3 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Романтическая иллюзия |
2137 | 135 |
6 |
25 |
15 |
13 |
15 |
9 |
14 |
14 |
9 |
6 |
3 |
6 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
5 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Злое Добро |
2900 | 134 |
5 |
32 |
12 |
11 |
17 |
16 |
7 |
10 |
9 |
4 |
4 |
7 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
3 |
1 |
0 |
5 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
Петербург 2 |
2098 | 133 |
3 |
36 |
18 |
16 |
15 |
6 |
12 |
5 |
7 |
5 |
5 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
1 |
4 |
0 |
1 |
3 |
1 |
4 |
0 |
1 |
1 |
4 |
1 |
0 |
6 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
Мысли о России |
2572 | 132 |
4 |
28 |
13 |
11 |
14 |
13 |
5 |
9 |
16 |
3 |
2 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
3 |
1 |
1 |
5 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Олигархи всех стран, объединяйтесь! |
2018 | 130 |
5 |
30 |
15 |
11 |
18 |
11 |
8 |
6 |
11 |
4 |
1 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
6 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
Сумерки себя |
2137 | 130 |
2 |
27 |
21 |
13 |
16 |
10 |
6 |
7 |
8 |
3 |
8 |
9 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
1 |
1 |
2 |
2 |
1 |
0 |
4 |
4 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
Techi И Geek - Герои Нашего Времени |
2036 | 129 |
5 |
13 |
16 |
11 |
15 |
12 |
8 |
7 |
12 |
4 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
Проблематика образов человека у Достоевского |
4635 | 129 |
4 |
14 |
21 |
17 |
16 |
13 |
8 |
7 |
7 |
7 |
4 |
11 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
Разговор в метро |
2150 | 125 |
4 |
26 |
17 |
11 |
18 |
9 |
10 |
8 |
7 |
3 |
3 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
ћбаллада переменЋ Франсуа Вийона в контексте позиции ренессансного антропоцентризма |
2681 | 124 |
5 |
30 |
16 |
15 |
15 |
7 |
7 |
4 |
11 |
3 |
4 |
7 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
2 |
1 |
0 |
4 |
4 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
Лекция профессора Фредерика Тчертовски |
2330 | 121 |
5 |
31 |
11 |
16 |
17 |
9 |
11 |
7 |
5 |
1 |
2 |
6 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
4 |
3 |
1 |
1 |
4 |
1 |
0 |
4 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |