| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 |
По разделу |
34290 | 1490 |
227 |
150 |
160 |
198 |
104 |
120 |
128 |
82 |
64 |
63 |
85 |
109 |
0 |
4 |
3 |
6 |
4 |
2 |
6 |
4 |
4 |
3 |
4 |
4 |
4 |
5 |
3 |
5 |
5 |
10 |
13 |
8 |
6 |
10 |
8 |
26 |
43 |
37 |
3 |
4 |
3 |
5 |
4 |
4 |
5 |
3 |
4 |
5 |
5 |
6 |
3 |
6 |
4 |
7 |
7 |
3 |
4 |
2 |
5 |
4 |
8 |
4 |
9 |
9 |
12 |
12 |
14 |
3 |
3 |
1 |
4 |
4 |
4 |
3 |
Происхождение боли |
9027 | 934 |
72 |
111 |
87 |
55 |
90 |
117 |
123 |
69 |
32 |
38 |
58 |
82 |
0 |
1 |
2 |
6 |
2 |
2 |
4 |
3 |
2 |
3 |
4 |
4 |
2 |
3 |
1 |
3 |
4 |
5 |
3 |
2 |
3 |
3 |
3 |
6 |
1 |
0 |
3 |
4 |
3 |
4 |
3 |
4 |
5 |
3 |
4 |
4 |
5 |
6 |
3 |
6 |
4 |
7 |
7 |
3 |
4 |
2 |
5 |
4 |
0 |
3 |
3 |
7 |
3 |
2 |
5 |
3 |
0 |
1 |
3 |
4 |
2 |
2 |
Земля и снег А.Блока |
2422 | 471 |
32 |
52 |
66 |
43 |
39 |
37 |
35 |
30 |
36 |
34 |
35 |
32 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
2 |
1 |
3 |
3 |
1 |
3 |
1 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
5 |
3 |
3 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
3 |
4 |
0 |
3 |
0 |
4 |
1 |
0 |
2 |
Фильм "Город Зеро" и роман "Замок" |
3117 | 365 |
42 |
59 |
39 |
32 |
32 |
22 |
21 |
21 |
25 |
17 |
27 |
28 |
0 |
0 |
1 |
5 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
3 |
0 |
5 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
3 |
3 |
1 |
3 |
4 |
3 |
2 |
2 |
0 |
3 |
0 |
2 |
5 |
3 |
3 |
3 |
1 |
4 |
3 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
3 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
Эпос о Гильгамеше |
1063 | 279 |
27 |
44 |
37 |
21 |
21 |
19 |
14 |
8 |
10 |
13 |
29 |
36 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
4 |
1 |
1 |
1 |
4 |
1 |
5 |
2 |
2 |
2 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
Ревизор и Самозванец в русской классике |
328 | 277 |
22 |
36 |
23 |
19 |
29 |
7 |
11 |
10 |
8 |
13 |
34 |
65 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
4 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
М.Булгаков и Л.Толстой |
484 | 242 |
27 |
41 |
28 |
18 |
21 |
8 |
24 |
14 |
10 |
17 |
24 |
10 |
0 |
0 |
3 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
3 |
1 |
2 |
5 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
5 |
6 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
Тема эксплуатации природы в произведениях Э.Т.А. Гофмана |
733 | 240 |
22 |
34 |
33 |
21 |
22 |
7 |
5 |
8 |
15 |
11 |
32 |
30 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
2 |
0 |
2 |
1 |
3 |
4 |
4 |
0 |
5 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
Буревестник |
525 | 225 |
37 |
33 |
27 |
28 |
18 |
11 |
7 |
7 |
7 |
10 |
28 |
12 |
0 |
4 |
0 |
3 |
4 |
2 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
0 |
3 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
Карнавальные архетипы в фильме "Асса" |
2500 | 215 |
27 |
29 |
25 |
15 |
19 |
10 |
12 |
14 |
11 |
18 |
18 |
17 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
3 |
2 |
1 |
4 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
3 |
0 |
1 |
0 |
0 |
1 |
1. Закваска |
204 | 204 |
25 |
29 |
26 |
124 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
5. Пределы упования |
204 | 204 |
204 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
6 |
3 |
4 |
1 |
2 |
1 |
1 |
5 |
3 |
4 |
5 |
10 |
13 |
8 |
6 |
10 |
8 |
26 |
43 |
37 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Шекспировские реминисценции в фильме "Меланхолия" |
2137 | 174 |
23 |
26 |
26 |
16 |
17 |
9 |
2 |
4 |
14 |
5 |
13 |
19 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
3. Монстры во Флоренции |
170 | 170 |
25 |
36 |
109 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
3 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
0 |
4 |
0 |
2 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
4 |
1 |
4 |
1 |
1 |
1 |
2 |
2 |
4 |
1 |
Два фильма о Льве Толстом |
1414 | 169 |
17 |
32 |
19 |
13 |
12 |
9 |
7 |
6 |
17 |
8 |
15 |
14 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
3 |
4 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
Материалы к альтернативной биографии |
4482 | 168 |
27 |
30 |
31 |
14 |
13 |
9 |
4 |
1 |
7 |
4 |
15 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
5 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4. Знакомство с Деограсиасами |
160 | 160 |
31 |
115 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
3 |
3 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
5 |
4 |
1 |
3 |
3 |
4 |
1 |
2 |
1 |
3 |
2 |
3 |
3 |
3 |
3 |
4 |
3 |
5 |
2 |
3 |
1 |
2 |
5 |
4 |
8 |
4 |
9 |
9 |
12 |
12 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Г.Флобер "Госпожа Бовари" |
414 | 159 |
19 |
29 |
26 |
18 |
14 |
8 |
2 |
5 |
8 |
3 |
16 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
2 |
2 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
2. Метод Чилтона |
156 | 156 |
20 |
28 |
28 |
80 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
"Бесы" В. Хотиненко |
1688 | 156 |
19 |
24 |
18 |
13 |
12 |
8 |
5 |
2 |
14 |
8 |
19 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |