| Итого | За последние 12 месяцев | Mar | Feb | Jan |
| Всего | 12мес | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | 04 | 03 | 02 | 01 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 |
По разделу |
73495 | 704 |
9 |
86 |
76 |
80 |
64 |
74 |
47 |
31 |
42 |
53 |
64 |
78 |
0 |
2 |
4 |
3 |
2 |
4 |
2 |
3 |
3 |
2 |
8 |
3 |
2 |
3 |
3 |
5 |
5 |
1 |
3 |
4 |
3 |
2 |
2 |
3 |
2 |
3 |
5 |
3 |
1 |
4 |
2 |
3 |
4 |
2 |
3 |
2 |
2 |
3 |
3 |
1 |
4 |
2 |
2 |
4 |
3 |
2 |
2 |
2 |
3 |
2 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
4 |
4 |
Вдогонку |
11181 | 485 |
9 |
69 |
48 |
63 |
41 |
58 |
29 |
12 |
14 |
28 |
49 |
65 |
0 |
2 |
4 |
3 |
1 |
4 |
2 |
3 |
1 |
2 |
8 |
3 |
0 |
3 |
1 |
5 |
5 |
0 |
3 |
4 |
1 |
2 |
1 |
0 |
2 |
3 |
5 |
0 |
1 |
4 |
2 |
3 |
3 |
2 |
3 |
2 |
2 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
3 |
2 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
0 |
3 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
Сопрано, рок и верность мечте |
5346 | 180 |
3 |
38 |
27 |
16 |
20 |
9 |
10 |
4 |
14 |
8 |
14 |
17 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
1 |
4 |
4 |
Несколько глав из книги Джорджа Майкса "Как быть чужим" : 1.Как стать лицемером. 2.Секс. 3.Душа и преуменьшение. 4.Погода |
7198 | 163 |
3 |
28 |
22 |
9 |
16 |
11 |
14 |
7 |
11 |
21 |
11 |
10 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
3 |
3 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
Интервью с Кейтом Муном. Журнал The Rolling Stone |
2799 | 149 |
3 |
20 |
25 |
15 |
19 |
11 |
8 |
4 |
10 |
16 |
9 |
9 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
0 |
Singing The Dolphin Through |
1396 | 130 |
3 |
16 |
17 |
8 |
15 |
12 |
21 |
6 |
7 |
7 |
7 |
11 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
Интервью с Джимом Моррисоном |
5399 | 122 |
2 |
19 |
20 |
10 |
14 |
9 |
9 |
3 |
8 |
12 |
9 |
7 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
Oh Well (Fleetwood Mac) |
1147 | 119 |
2 |
14 |
19 |
7 |
10 |
6 |
9 |
4 |
10 |
10 |
16 |
12 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
Как правильно п(е)редать джаз в кино |
1430 | 115 |
4 |
18 |
18 |
9 |
12 |
8 |
9 |
4 |
7 |
4 |
14 |
8 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
Стена. Пинк Флойд |
5548 | 114 |
4 |
16 |
20 |
7 |
15 |
12 |
8 |
1 |
5 |
5 |
10 |
11 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
Пригласим Риту Райт в Америку! |
2334 | 111 |
2 |
16 |
17 |
12 |
13 |
4 |
8 |
4 |
9 |
9 |
12 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
При Дворе Алого Короля |
2278 | 105 |
2 |
16 |
19 |
8 |
12 |
6 |
7 |
1 |
5 |
10 |
12 |
7 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
Да, с нирванами у нас туговато |
3942 | 101 |
2 |
12 |
17 |
9 |
9 |
10 |
6 |
2 |
6 |
11 |
10 |
7 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
Пол Маккартни и Хезэр Миллз - оригинал |
2139 | 101 |
1 |
13 |
18 |
9 |
13 |
8 |
7 |
2 |
7 |
9 |
9 |
5 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
Повесть о Зайце, посеявшем Очки |
2294 | 100 |
2 |
14 |
12 |
16 |
13 |
9 |
6 |
2 |
5 |
5 |
11 |
5 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Желающим натурализоваться |
2798 | 100 |
2 |
17 |
14 |
9 |
12 |
9 |
6 |
2 |
5 |
6 |
9 |
9 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
Abbey Road - Конец Пути |
3427 | 99 |
3 |
12 |
23 |
6 |
10 |
8 |
7 |
1 |
8 |
5 |
7 |
9 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
Ловкость Хвоста (Как Зверь обвел нас вокруг...) |
1155 | 97 |
3 |
10 |
19 |
7 |
18 |
5 |
8 |
0 |
3 |
7 |
10 |
7 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
Осенний кадр |
1827 | 94 |
2 |
16 |
17 |
12 |
10 |
5 |
6 |
2 |
1 |
3 |
10 |
10 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
Strawberry Fields Revisited |
1662 | 93 |
1 |
16 |
20 |
7 |
10 |
6 |
6 |
2 |
7 |
2 |
9 |
7 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |