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Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | |
По разделу | 276925 | 2075 | 144 | 187 | 199 | 186 | 163 | 213 | 173 | 184 | 163 | 135 | 162 | 166 | 0 | 12 | 15 | 19 | 16 | 15 | 15 | 10 | 15 | 11 | 8 | 5 | 3 | 3 | 4 | 4 | 2 | 5 | 6 | 5 | 9 | 9 | 10 | 8 | 4 | 6 | 7 | 9 | 9 | 4 | 3 | 5 | 4 | 6 | 4 | 6 | 6 | 11 | 5 | 7 | 8 | 7 | 7 | 4 | 4 | 6 | 4 | 7 | 6 | 5 | 8 | 10 | 7 | 7 | 9 | 6 | 9 | 13 | 7 | 5 | 8 | 6 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 23546 | 1957 | 143 | 164 | 184 | 162 | 157 | 206 | 156 | 180 | 159 | 127 | 157 | 162 | 0 | 12 | 15 | 19 | 16 | 15 | 15 | 9 | 15 | 11 | 8 | 5 | 3 | 1 | 3 | 4 | 2 | 5 | 6 | 5 | 9 | 9 | 6 | 8 | 4 | 6 | 4 | 8 | 5 | 3 | 3 | 4 | 1 | 6 | 4 | 6 | 6 | 11 | 5 | 7 | 8 | 7 | 7 | 1 | 4 | 6 | 4 | 7 | 6 | 4 | 8 | 10 | 7 | 5 | 5 | 6 | 9 | 13 | 7 | 5 | 8 | 6 |
Демон против люфтваффе | 16677 | 694 | 15 | 66 | 91 | 62 | 74 | 62 | 57 | 45 | 48 | 62 | 52 | 60 | 0 | 1 | 1 | 0 | 3 | 1 | 1 | 2 | 0 | 2 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 1 | 5 | 2 | 3 | 2 | 2 | 3 | 4 | 3 | 2 | 1 | 2 | 2 | 4 | 5 | 2 | 1 | 1 | 3 | 3 | 4 | 1 | 3 | 2 | 3 | 3 | 1 | 5 | 7 | 1 | 4 | 7 | 5 | 4 | 1 | 4 | 3 | 3 | 1 | 4 |
Истории про ментов и обычных людей | 6650 | 584 | 20 | 88 | 77 | 75 | 57 | 57 | 23 | 35 | 42 | 36 | 40 | 34 | 0 | 0 | 2 | 1 | 3 | 2 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 0 | 4 | 0 | 0 | 1 | 0 | 4 | 5 | 3 | 10 | 3 | 2 | 1 | 3 | 5 | 1 | 1 | 1 | 5 | 4 | 6 | 2 | 2 | 1 | 4 | 2 | 5 | 8 | 1 | 2 | 2 | 2 | 1 | 4 | 1 | 1 | 5 | 2 | 2 | 6 | 1 | 9 | 4 | 1 | 6 | 4 | 2 | 3 | 1 |
Израиль глазами нееврея и атеиста | 6897 | 354 | 95 | 28 | 41 | 26 | 32 | 29 | 30 | 21 | 24 | 8 | 6 | 14 | 0 | 9 | 7 | 9 | 11 | 11 | 11 | 10 | 6 | 10 | 7 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 3 | 2 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 2 | 1 | 3 | 2 | 5 | 1 | 0 | 0 | 4 |
Силиконовая женщина доктора Купитмана | 3567 | 302 | 19 | 25 | 29 | 53 | 34 | 34 | 34 | 11 | 12 | 18 | 12 | 21 | 0 | 2 | 2 | 4 | 1 | 3 | 1 | 0 | 0 | 1 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 2 | 2 | 0 | 1 | 0 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3756 | 278 | 8 | 48 | 41 | 42 | 29 | 35 | 16 | 20 | 11 | 10 | 5 | 13 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 3 | 0 | 2 | 9 | 0 | 4 | 2 | 2 | 2 | 6 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 4 | 2 | 1 | 3 | 1 | 1 | 4 | 1 | 3 | 1 | 2 | 0 | 1 | 0 | 1 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3596 | 275 | 8 | 50 | 42 | 32 | 35 | 28 | 15 | 20 | 12 | 12 | 6 | 15 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 5 | 5 | 9 | 4 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 3 | 2 | 2 | 2 | 1 | 4 | 1 | 2 | 2 | 1 | 3 | 2 | 0 | 0 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 5954 | 274 | 8 | 35 | 40 | 28 | 32 | 31 | 13 | 13 | 22 | 9 | 17 | 26 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 4 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 4 | 2 | 2 | 2 | 2 | 2 | 2 | 1 | 3 | 2 | 4 | 1 | 3 | 0 | 3 | 2 | 0 | 0 | 2 |
Ахтунг! Микки-маус | 4355 | 267 | 7 | 23 | 36 | 33 | 33 | 38 | 16 | 16 | 17 | 18 | 10 | 20 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 | 1 | 2 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 4 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 1 |
Попаданец - Учитель Сталина | 8771 | 266 | 6 | 41 | 48 | 33 | 27 | 20 | 24 | 20 | 24 | 8 | 6 | 9 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 3 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 2 | 3 | 3 | 2 | 1 | 2 | 1 | 2 | 1 | 3 | 2 | 2 | 2 | 3 | 2 | 3 | 3 | 4 | 4 | 3 | 3 | 2 | 1 | 1 | 0 |
Жуткая тайна Кгб | 3415 | 254 | 10 | 38 | 40 | 29 | 21 | 32 | 19 | 14 | 12 | 15 | 8 | 16 | 0 | 2 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 3 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 5 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 2 | 4 | 1 | 1 | 2 | 3 | 2 | 0 | 1 | 0 |
Убейте фюрера, Теодор | 2535 | 251 | 7 | 18 | 36 | 36 | 34 | 40 | 19 | 17 | 15 | 10 | 7 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 4 | 2 | 3 | 1 | 2 | 2 | 0 | 4 | 3 | 0 | 2 | 1 |
Небо империи-1. Шпага, честь и любовь | 8682 | 244 | 6 | 37 | 36 | 24 | 36 | 27 | 21 | 15 | 10 | 8 | 6 | 18 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 3 | 3 | 2 | 3 | 1 | 1 | 1 | 2 | 1 | 4 | 3 | 2 | 3 | 2 | 3 | 2 | 0 | 4 | 0 | 0 | 1 | 0 |
С Михаилом Задорновым на Гору Святого Моисея | 3022 | 233 | 10 | 22 | 46 | 39 | 25 | 30 | 16 | 9 | 8 | 10 | 9 | 9 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 6 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 3 | 3 | 3 | 4 | 4 | 5 | 0 | 2 | 3 | 0 | 1 | 1 |
История Хх века. Новая хронология | 5845 | 229 | 4 | 41 | 35 | 24 | 27 | 28 | 11 | 10 | 11 | 14 | 10 | 14 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 3 | 6 | 2 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 2 | 4 | 0 | 0 | 1 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 3059 | 224 | 7 | 40 | 53 | 25 | 19 | 23 | 11 | 9 | 8 | 11 | 7 | 11 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 4 | 8 | 1 | 3 | 0 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 4 | 3 | 2 | 1 | 1 | 1 | 3 | 1 | 4 | 1 | 1 | 5 | 2 | 2 | 0 | 0 | 3 | 0 |
Марсианская гонка | 2568 | 222 | 5 | 35 | 28 | 28 | 26 | 27 | 12 | 15 | 8 | 14 | 12 | 12 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 2 | 1 | 4 | 1 | 1 | 1 | 2 | 3 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 3 | 3 | 1 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 2911 | 218 | 12 | 15 | 37 | 27 | 31 | 25 | 13 | 16 | 13 | 9 | 10 | 10 | 0 | 4 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 2 | 1 | 4 | 3 | 2 | 2 | 1 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 2884 | 217 | 8 | 25 | 35 | 35 | 28 | 21 | 13 | 10 | 13 | 8 | 6 | 15 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 2 | 4 | 1 | 3 | 0 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | |
Кровь на броне | 2060 | 215 | 9 | 37 | 29 | 32 | 22 | 34 | 12 | 11 | 10 | 7 | 3 | 9 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 3 | 0 | 1 | 1 | 3 | 3 | 5 | 1 | 2 | 2 | 2 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 1 | 0 | 0 |
Электрическое бессмертие (фрагмент) | 7366 | 209 | 7 | 21 | 35 | 25 | 24 | 23 | 17 | 17 | 10 | 10 | 8 | 12 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 2 | 1 | 5 | 2 | 4 | 1 | 5 | 0 | 0 | 2 | 0 |
Антарктическая Гиперборея | 4471 | 205 | 11 | 31 | 39 | 21 | 26 | 18 | 16 | 13 | 10 | 3 | 5 | 12 | 0 | 0 | 2 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 2937 | 204 | 5 | 20 | 27 | 27 | 32 | 32 | 8 | 13 | 10 | 11 | 5 | 14 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 4 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 1 |
Небо империи 2. Князь без княжества | 4954 | 200 | 9 | 28 | 29 | 26 | 24 | 23 | 13 | 14 | 8 | 7 | 3 | 16 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 3 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 1 | 0 |
Дирижабль "Россия" | 2680 | 197 | 4 | 32 | 39 | 24 | 24 | 17 | 10 | 13 | 8 | 11 | 5 | 10 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 1 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 3 | 2 | 1 | 1 | 2 | 2 | 3 | 0 | 2 | 1 | 0 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2273 | 196 | 6 | 40 | 30 | 22 | 26 | 17 | 17 | 10 | 6 | 10 | 8 | 4 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 4 | 7 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 0 | 0 | 0 | 0 |
Тотальный контроль | 2385 | 195 | 3 | 24 | 36 | 31 | 24 | 30 | 6 | 13 | 10 | 7 | 5 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 4 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 1 | 4 | 1 | 2 | 1 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3815 | 195 | 5 | 41 | 29 | 21 | 19 | 19 | 11 | 13 | 9 | 11 | 6 | 11 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 9 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2518 | 194 | 8 | 29 | 26 | 22 | 21 | 24 | 13 | 10 | 11 | 9 | 9 | 12 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 0 | 0 | 0 |
Иномарка | 2694 | 194 | 11 | 19 | 40 | 22 | 25 | 21 | 11 | 10 | 10 | 10 | 6 | 9 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 4 | 2 | 1 | 3 | 5 | 0 | 2 | 0 | 0 |
Жуткая тайна Кгб киносценарий | 2598 | 194 | 7 | 44 | 30 | 22 | 24 | 22 | 9 | 10 | 8 | 3 | 4 | 11 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 5 | 8 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 2 | 1 | 2 | 3 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2127 | 193 | 5 | 47 | 33 | 16 | 31 | 18 | 9 | 9 | 7 | 5 | 2 | 11 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 7 | 8 | 8 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 3 | 3 | 0 | 0 | 0 |
Кто есть кто в белорусской фантастике | 2955 | 193 | 5 | 18 | 26 | 28 | 26 | 27 | 15 | 9 | 9 | 11 | 8 | 11 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 4 | 1 | 3 | 1 | 0 | 1 | 0 |
Второй этаж | 2333 | 191 | 7 | 41 | 31 | 19 | 20 | 22 | 10 | 15 | 9 | 6 | 4 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 5 | 7 | 2 | 3 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 3 | 2 | 3 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2459 | 189 | 7 | 45 | 32 | 19 | 25 | 16 | 14 | 8 | 7 | 6 | 4 | 6 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 7 | 7 | 1 | 2 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 2 | 3 | 1 | 4 | 0 | 2 | 0 | 0 | 0 | 0 |
Русские за рубежом | 2828 | 188 | 8 | 38 | 33 | 22 | 24 | 19 | 10 | 4 | 8 | 9 | 3 | 10 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 6 | 6 | 1 | 1 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 4 | 1 | 3 | 1 | 3 | 1 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2466 | 184 | 8 | 18 | 28 | 33 | 20 | 22 | 11 | 9 | 10 | 8 | 9 | 8 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 3 | 0 | 3 | 0 | 1 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2516 | 183 | 6 | 29 | 27 | 23 | 23 | 20 | 10 | 9 | 8 | 11 | 4 | 13 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2797 | 183 | 5 | 27 | 29 | 22 | 21 | 21 | 15 | 13 | 11 | 4 | 3 | 12 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 4 | 1 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 1 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3103 | 183 | 7 | 14 | 43 | 25 | 21 | 27 | 8 | 12 | 7 | 7 | 7 | 5 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 4 | 1 | 2 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2642 | 183 | 6 | 28 | 33 | 23 | 20 | 20 | 12 | 7 | 10 | 10 | 5 | 9 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 3 | 2 | 6 | 2 | 1 | 0 | 0 | 0 | 1 |
Цена имени | 2024 | 182 | 12 | 38 | 31 | 22 | 18 | 18 | 8 | 9 | 7 | 11 | 3 | 5 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 6 | 7 | 1 | 1 | 0 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 6 | 1 | 1 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2256 | 180 | 5 | 32 | 27 | 27 | 19 | 23 | 8 | 13 | 6 | 5 | 7 | 8 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 3 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 1 |
Ваенга эир | 1994 | 179 | 7 | 13 | 27 | 26 | 22 | 29 | 14 | 9 | 12 | 7 | 5 | 8 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 0 | 2 | 0 |
Друг, который не предаст | 2382 | 178 | 7 | 29 | 31 | 23 | 21 | 24 | 5 | 12 | 8 | 5 | 4 | 9 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 3 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 2 |
Эпоха героев и перегретого пара | 9797 | 178 | 5 | 15 | 23 | 25 | 25 | 20 | 10 | 20 | 9 | 10 | 8 | 8 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2286 | 178 | 6 | 14 | 23 | 27 | 27 | 27 | 9 | 10 | 10 | 11 | 6 | 8 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 4 | 0 | 0 | 0 | 0 |
Огневой дракон | 2343 | 177 | 5 | 14 | 36 | 20 | 27 | 23 | 13 | 11 | 12 | 3 | 6 | 7 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 2 | 0 | 4 | 1 | 0 | 0 | 0 |
Увлечение доктора Арендта | 2343 | 177 | 6 | 14 | 18 | 28 | 30 | 19 | 11 | 15 | 10 | 8 | 5 | 13 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 4 | 3 | 0 | 1 | 0 |
Поможем Одесской киностудии! | 1846 | 175 | 4 | 36 | 27 | 20 | 23 | 21 | 7 | 12 | 8 | 7 | 5 | 5 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 7 | 3 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 0 |
Теодор | 2161 | 173 | 5 | 28 | 27 | 21 | 26 | 18 | 10 | 9 | 11 | 8 | 5 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 2 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 0 | 0 |
Информация о владельце раздела | 2382 | 172 | 4 | 23 | 27 | 27 | 19 | 28 | 12 | 6 | 9 | 7 | 3 | 7 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 1 | 4 | 0 | 2 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2382 | 169 | 3 | 19 | 23 | 24 | 22 | 25 | 10 | 13 | 9 | 9 | 7 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 3 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2509 | 168 | 10 | 18 | 25 | 26 | 22 | 17 | 10 | 9 | 8 | 7 | 9 | 7 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 5 | 1 | 3 | 0 | 0 | 1 | 0 |
Ричард Длинные Руки - вицеимператор галактики | 9808 | 167 | 5 | 18 | 24 | 29 | 24 | 21 | 11 | 10 | 6 | 8 | 5 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 4 | 1 | 2 | 1 | 0 | 1 | 0 |
Наличные | 2500 | 167 | 7 | 11 | 30 | 23 | 19 | 25 | 10 | 10 | 12 | 5 | 7 | 8 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 3 | 1 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 0 | 1 | 0 |
Утомлённые солнцем - 3 | 2944 | 166 | 4 | 16 | 21 | 28 | 23 | 22 | 9 | 8 | 14 | 7 | 6 | 8 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 3 | 2 | 1 | 2 | 0 | 0 | 1 | 0 |
Молитва | 2526 | 165 | 3 | 28 | 31 | 18 | 19 | 22 | 9 | 11 | 10 | 7 | 3 | 4 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 2 | 2 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 |
Письмо редактору | 2055 | 165 | 6 | 29 | 28 | 18 | 23 | 19 | 9 | 9 | 7 | 6 | 2 | 9 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 3 | 2 | 2 | 3 | 2 | 2 | 0 | 0 | 0 | 0 |
Итого | За последние 12 месяцев | Jun | May | Apr | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | |
Ответные санкции | 3580 | 164 | 4 | 18 | 23 | 26 | 19 | 24 | 9 | 12 | 9 | 6 | 5 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 4 | 1 | 0 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2547 | 159 | 6 | 17 | 14 | 24 | 19 | 19 | 8 | 14 | 11 | 9 | 7 | 11 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 |
Счастье лимитед | 1831 | 159 | 7 | 17 | 22 | 25 | 28 | 21 | 9 | 9 | 8 | 5 | 3 | 5 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2670 | 158 | 10 | 19 | 18 | 21 | 17 | 24 | 8 | 9 | 5 | 11 | 5 | 11 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 0 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2381 | 157 | 6 | 13 | 31 | 20 | 21 | 15 | 20 | 7 | 7 | 8 | 4 | 5 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 1 | 3 | 1 | 1 | 2 | 3 | 3 | 0 | 2 | 0 | 0 | 2 | 0 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2523 | 157 | 4 | 19 | 22 | 20 | 18 | 25 | 8 | 9 | 7 | 11 | 4 | 10 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 1 | 3 | 0 | 0 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2354 | 157 | 4 | 14 | 24 | 20 | 23 | 22 | 14 | 8 | 5 | 10 | 7 | 6 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 2 | 3 | 1 | 3 | 0 | 0 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2098 | 150 | 6 | 15 | 26 | 23 | 23 | 17 | 10 | 6 | 6 | 6 | 7 | 5 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2848 | 148 | 8 | 11 | 24 | 17 | 18 | 16 | 13 | 11 | 7 | 4 | 4 | 15 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 0 | 1 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2272 | 148 | 10 | 11 | 21 | 22 | 20 | 19 | 12 | 10 | 7 | 5 | 5 | 6 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 0 | 0 | 2 |
Спираль сингулярности | 2426 | 147 | 6 | 16 | 20 | 19 | 21 | 19 | 10 | 12 | 7 | 7 | 3 | 7 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 3 | 0 | 4 | 0 | 0 | 0 | 0 |
Не все мечты сбываются | 2223 | 146 | 7 | 10 | 15 | 28 | 23 | 20 | 10 | 8 | 7 | 8 | 3 | 7 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2440 | 143 | 2 | 16 | 26 | 18 | 15 | 22 | 9 | 9 | 8 | 7 | 6 | 5 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 3 | 0 | 0 | 1 | 1 |
Леди-босс и зомби | 2527 | 134 | 6 | 9 | 18 | 18 | 23 | 20 | 6 | 9 | 8 | 5 | 4 | 8 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 3 | 0 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"