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Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
По разделу | 284606 | 2147 | 8 | 164 | 191 | 206 | 273 | 187 | 199 | 186 | 163 | 213 | 173 | 184 | 1 | 7 | 13 | 3 | 6 | 3 | 5 | 4 | 8 | 3 | 5 | 3 | 5 | 5 | 5 | 8 | 4 | 4 | 5 | 4 | 5 | 4 | 5 | 6 | 8 | 6 | 5 | 9 | 3 | 8 | 7 | 5 | 9 | 3 | 4 | 6 | 8 | 4 | 3 | 3 | 5 | 8 | 11 | 6 | 4 | 5 | 4 | 5 | 9 | 6 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 6 | 9 | 5 |
Акустическое оформление динамических головок в виде щитов с групповым излучаетем | 24212 | 2018 | 7 | 158 | 178 | 194 | 272 | 164 | 184 | 162 | 157 | 206 | 156 | 180 | 0 | 7 | 13 | 3 | 6 | 3 | 5 | 4 | 8 | 3 | 5 | 2 | 5 | 4 | 5 | 8 | 4 | 4 | 5 | 4 | 5 | 4 | 2 | 6 | 8 | 6 | 5 | 9 | 3 | 8 | 7 | 4 | 9 | 3 | 3 | 6 | 8 | 4 | 3 | 1 | 4 | 8 | 11 | 6 | 3 | 5 | 3 | 5 | 9 | 4 | 7 | 6 | 5 | 8 | 4 | 6 | 8 | 10 | 5 | 3 | 9 | 3 |
Демон против люфтваффе | 16905 | 700 | 1 | 58 | 60 | 74 | 50 | 66 | 91 | 62 | 74 | 62 | 57 | 45 | 0 | 1 | 2 | 3 | 2 | 1 | 2 | 3 | 2 | 1 | 0 | 1 | 2 | 1 | 5 | 3 | 4 | 2 | 2 | 1 | 1 | 0 | 1 | 3 | 3 | 1 | 1 | 0 | 1 | 4 | 3 | 3 | 2 | 0 | 1 | 1 | 5 | 2 | 2 | 2 | 1 | 1 | 0 | 2 | 4 | 4 | 1 | 1 | 0 | 0 | 2 | 3 | 3 | 1 | 1 | 4 | 6 | 1 | 3 | 2 | 4 | 1 |
Истории про ментов и обычных людей | 6817 | 599 | 1 | 39 | 52 | 51 | 44 | 88 | 77 | 75 | 57 | 57 | 23 | 35 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 5 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 2 | 4 | 0 | 0 | 0 | 1 | 2 | 4 | 2 | 0 | 2 | 0 | 4 | 0 | 1 | 3 | 2 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 3 | 3 | 4 | 2 | 0 | 1 | 2 | 3 | 1 | 2 | 2 | 3 | 0 | 2 |
Израиль глазами нееврея и атеиста | 7037 | 442 | 0 | 20 | 46 | 25 | 144 | 28 | 41 | 26 | 32 | 29 | 30 | 21 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 0 | 3 | 1 | 1 | 4 | 4 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 0 | 3 | 1 | 0 | 1 | 3 | 0 | 3 |
Сергей Лукьяненко. Разноцветный дозор. Пародия | 3903 | 386 | 0 | 40 | 45 | 45 | 25 | 48 | 41 | 42 | 29 | 35 | 16 | 20 | 0 | 0 | 4 | 3 | 1 | 1 | 1 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 3 | 0 | 4 | 0 | 5 | 3 | 2 | 0 | 0 | 3 | 0 | 1 | 2 | 1 | 3 | 0 | 0 | 1 | 2 | 3 | 2 | 5 | 1 | 0 | 2 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 5 | 0 |
Силиконовая женщина доктора Купитмана | 3711 | 383 | 3 | 41 | 40 | 37 | 42 | 25 | 29 | 53 | 34 | 34 | 34 | 11 | 0 | 3 | 1 | 2 | 1 | 1 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 4 | 1 | 4 | 0 | 0 | 3 | 1 | 1 | 2 | 1 | 2 | 1 | 3 | 1 | 1 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 2 | 3 | 0 |
Новая работа о писательском мастерстве - Елена Хаецкая "Как Писать Книги" | 3695 | 329 | 0 | 22 | 29 | 39 | 17 | 50 | 42 | 32 | 35 | 28 | 15 | 20 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 4 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 4 | 2 |
Попаданец - Учитель Сталина | 8872 | 320 | 0 | 21 | 36 | 27 | 23 | 41 | 48 | 33 | 27 | 20 | 24 | 20 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 5 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 2 |
Разгром. Альтернативный вариант истории Отечественной войны 1812 года | 6070 | 316 | 1 | 34 | 30 | 39 | 20 | 35 | 40 | 28 | 32 | 31 | 13 | 13 | 0 | 1 | 4 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 4 | 1 | 3 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 1 |
Ахтунг! Микки-маус | 4462 | 309 | 1 | 25 | 29 | 41 | 18 | 23 | 36 | 33 | 33 | 38 | 16 | 16 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 2 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 |
С Михаилом Задорновым на Гору Святого Моисея | 3133 | 308 | 1 | 32 | 30 | 32 | 26 | 22 | 46 | 39 | 25 | 30 | 16 | 9 | 0 | 1 | 4 | 3 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 4 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 1 |
Убейте фюрера, Теодор | 2635 | 307 | 1 | 28 | 32 | 30 | 16 | 18 | 36 | 36 | 34 | 40 | 19 | 17 | 0 | 1 | 3 | 0 | 1 | 1 | 4 | 2 | 1 | 1 | 1 | 0 | 3 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 1 | 2 | 0 | 2 | 0 | 1 | 1 | 5 | 1 | 0 |
Жуткая тайна Кгб | 3516 | 304 | 1 | 23 | 37 | 23 | 27 | 38 | 40 | 29 | 21 | 32 | 19 | 14 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 2 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 6 | 0 | 1 |
Небо империи-1. Шпага, честь и любовь | 8783 | 303 | 0 | 24 | 30 | 32 | 21 | 37 | 36 | 24 | 36 | 27 | 21 | 15 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 2 | 0 | 1 | 2 | 0 | 1 | 2 | 2 | 0 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 1 |
Электрическое бессмертие (фрагмент) | 7492 | 295 | 1 | 29 | 36 | 42 | 25 | 21 | 35 | 25 | 24 | 23 | 17 | 17 | 0 | 1 | 3 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 5 | 1 | 0 | 0 | 3 | 1 | 2 | 2 | 0 | 1 | 3 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 15. Самиздат | 3000 | 291 | 0 | 32 | 41 | 33 | 18 | 25 | 35 | 35 | 28 | 21 | 13 | 10 | 0 | 0 | 3 | 0 | 0 | 1 | 1 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 2 | 1 | 0 | 1 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 2 | 0 | 2 | 2 | 2 | 0 | 0 | 3 | 1 | 5 |
Белорусская литература в средней школе - инструмент убийства национальной культуры | 3159 | 287 | 2 | 22 | 39 | 26 | 18 | 40 | 53 | 25 | 19 | 23 | 11 | 9 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 3 | 2 | 3 | 2 | 0 | 1 | 5 | 3 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 2 |
История Хх века. Новая хронология | 5951 | 286 | 0 | 26 | 34 | 30 | 20 | 41 | 35 | 24 | 27 | 28 | 11 | 10 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 3 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 3 | 1 | 2 | 0 | 1 | 1 | 1 | 2 | 1 | 1 |
Антарктическая Гиперборея | 4574 | 278 | 1 | 30 | 32 | 28 | 23 | 31 | 39 | 21 | 26 | 18 | 16 | 13 | 0 | 1 | 1 | 1 | 0 | 0 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 4 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 14. Редактирование произведения на мове | 3009 | 274 | 0 | 25 | 25 | 36 | 24 | 15 | 37 | 27 | 31 | 25 | 13 | 16 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 4 | 3 | 1 |
Марсианская гонка | 2661 | 269 | 0 | 20 | 32 | 31 | 15 | 35 | 28 | 28 | 26 | 27 | 12 | 15 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 2 | 2 | 1 | 0 | 4 | 1 | 0 | 1 | 3 | 2 | 2 |
Кровь на броне | 2142 | 268 | 0 | 22 | 25 | 25 | 19 | 37 | 29 | 32 | 22 | 34 | 12 | 11 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 2 | 2 | 3 | 0 | 2 |
Кто есть кто в белорусской фантастике | 3069 | 268 | 0 | 25 | 41 | 38 | 15 | 18 | 26 | 28 | 26 | 27 | 15 | 9 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 3 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 2 | 1 | 2 | 2 | 1 | 1 | 2 | 1 | 0 | 6 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко. Ошибка при конструировании конфликта. Учимся у Джеймса Бонда | 2224 | 265 | 0 | 25 | 35 | 28 | 14 | 47 | 33 | 16 | 31 | 18 | 9 | 9 | 0 | 0 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 1 | 3 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 2 | 0 | 1 | 2 | 2 | 2 | 3 | 0 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 20. Мифы Второй Мировой войны и писательские штампы | 2908 | 264 | 3 | 27 | 34 | 34 | 18 | 27 | 29 | 22 | 21 | 21 | 15 | 13 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 4 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 4 | 0 | 2 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 6 | 1 | 0 | 3 | 2 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 2 |
Дирижабль "Россия" | 2776 | 259 | 0 | 31 | 35 | 18 | 16 | 32 | 39 | 24 | 24 | 17 | 10 | 13 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 4 | 3 | 1 | 0 | 2 | 1 | 1 | 3 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 1 | 2 | 2 | 4 | 2 | 0 |
Второй этаж | 2426 | 258 | 1 | 24 | 25 | 32 | 18 | 41 | 31 | 19 | 20 | 22 | 10 | 15 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 |
Небо империи 2. Князь без княжества | 5046 | 258 | 1 | 21 | 32 | 27 | 20 | 28 | 29 | 26 | 24 | 23 | 13 | 14 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 2 | 2 | 1 | 1 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 2 |
Жуткая тайна Кгб киносценарий | 2685 | 255 | 0 | 21 | 25 | 31 | 17 | 44 | 30 | 22 | 24 | 22 | 9 | 10 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 3 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 4, внеплановая. Не подражайте Некляеву! | 2359 | 254 | 0 | 23 | 30 | 23 | 16 | 40 | 30 | 22 | 26 | 17 | 17 | 10 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 0 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 2 | 2 | 3 | 0 |
Русские за рубежом | 2923 | 253 | 0 | 26 | 37 | 23 | 17 | 38 | 33 | 22 | 24 | 19 | 10 | 4 | 0 | 0 | 2 | 1 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 5 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 3 | 0 | 0 | 1 | 2 | 0 | 1 | 1 | 3 | 2 | 0 | 0 | 7 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 18. Pov и фокальный персонаж | 2569 | 252 | 0 | 27 | 36 | 29 | 19 | 18 | 28 | 33 | 20 | 22 | 11 | 9 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 3 | 1 | 1 | 4 | 3 | 1 |
Ваенга эир | 2099 | 252 | 1 | 23 | 36 | 30 | 22 | 13 | 27 | 26 | 22 | 29 | 14 | 9 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 3 | 0 | 0 | 1 | 2 | 7 | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 1 | 1 | 1 | 1 |
Тотальный контроль | 2469 | 251 | 0 | 20 | 30 | 25 | 12 | 24 | 36 | 31 | 24 | 30 | 6 | 13 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 3 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 3 | 0 | 2 | 1 | 1 | 0 | 0 | 4 | 0 | 2 |
Эпоха героев и перегретого пара | 9904 | 250 | 0 | 28 | 30 | 32 | 22 | 15 | 23 | 25 | 25 | 20 | 10 | 20 | 0 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 4 | 0 | 2 | 1 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 2 | 2 | 1 | 2 | 0 | 0 | 2 |
Иномарка | 2783 | 248 | 1 | 27 | 29 | 24 | 19 | 19 | 40 | 22 | 25 | 21 | 11 | 10 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 5 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 1 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 1 | 3 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Остросюжетный роман. Учимся у Сергея Трахимёнка | 2350 | 248 | 0 | 28 | 26 | 31 | 14 | 32 | 27 | 27 | 19 | 23 | 8 | 13 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 2 | 0 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 3 | 2 | 4 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 1. О книгах "как писать романы" | 3020 | 247 | 1 | 27 | 24 | 23 | 13 | 20 | 27 | 27 | 32 | 32 | 8 | 13 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 4 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 6 | 0 | 1 |
Огневой дракон | 2439 | 245 | 0 | 21 | 32 | 34 | 14 | 14 | 36 | 20 | 27 | 23 | 13 | 11 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 3 | 1 | 1 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Письмо редактору | 2157 | 243 | 0 | 28 | 33 | 29 | 18 | 29 | 28 | 18 | 23 | 19 | 9 | 9 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 4 | 1 | 1 |
Ричард Длинные Руки - вицеимператор галактики | 9907 | 241 | 3 | 24 | 37 | 24 | 16 | 18 | 24 | 29 | 24 | 21 | 11 | 10 | 0 | 3 | 3 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 3 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 1 | 4 | 0 | 0 | 3 | 0 | 1 | 3 | 1 | 4 | 2 | 4 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 2 | 1 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 5. Российские издательства | 3896 | 239 | 1 | 19 | 33 | 21 | 12 | 41 | 29 | 21 | 19 | 19 | 11 | 13 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 4 | 3 | 0 |
Поможем Одесской киностудии! | 1935 | 239 | 1 | 23 | 27 | 27 | 15 | 36 | 27 | 20 | 23 | 21 | 7 | 12 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 4 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 3 | 1 | 0 | 2 |
Литературная мастерская Анатолия Матвиенко. Образ жизни писателя | 2730 | 237 | 1 | 19 | 34 | 22 | 18 | 28 | 33 | 23 | 20 | 20 | 12 | 7 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 2 | 3 | 3 | 2 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 3 | 0 | 4 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 9. Трудный опыт Андрея Ангелова | 2529 | 236 | 1 | 19 | 28 | 17 | 12 | 45 | 32 | 19 | 25 | 16 | 14 | 8 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 2 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 2 | 2 |
Литературная мастерская Анатолия Матвиенко. Стилизация русского языка в исторических остросюжетных произведениях | 3182 | 236 | 0 | 20 | 30 | 22 | 14 | 14 | 43 | 25 | 21 | 27 | 8 | 12 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 4 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 7. О литературных штампах | 2600 | 235 | 2 | 23 | 26 | 24 | 15 | 29 | 26 | 22 | 21 | 24 | 13 | 10 | 1 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 4 | 1 | 1 |
Цена имени | 2103 | 235 | 0 | 23 | 25 | 22 | 21 | 38 | 31 | 22 | 18 | 18 | 8 | 9 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 19. Требования к мужскому и женскому роману | 2479 | 231 | 1 | 24 | 36 | 23 | 20 | 13 | 31 | 20 | 21 | 15 | 20 | 7 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 2 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 1 | 4 | 3 | 0 |
Молитва | 2616 | 231 | 0 | 22 | 30 | 28 | 13 | 28 | 31 | 18 | 19 | 22 | 9 | 11 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 2 | 2 | 2 | 1 | 1 | 0 | 3 | 0 | 2 |
Увлечение доктора Арендта | 2432 | 230 | 0 | 29 | 27 | 23 | 16 | 14 | 18 | 28 | 30 | 19 | 11 | 15 | 0 | 0 | 1 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 0 | 2 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 3 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 0 | 1 | 2 | 2 | 3 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 10. Авторитетные мнения | 2372 | 229 | 0 | 28 | 29 | 22 | 13 | 14 | 23 | 27 | 27 | 27 | 9 | 10 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 3 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 0 | 0 | 4 | 1 | 1 |
Друг, который не предаст | 2458 | 228 | 0 | 16 | 25 | 27 | 15 | 29 | 31 | 23 | 21 | 24 | 5 | 12 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 2 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 13. Время прошедшее, время настоящее | 2598 | 226 | 1 | 24 | 31 | 21 | 22 | 18 | 25 | 26 | 22 | 17 | 10 | 9 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 4 | 3 | 2 |
Счастье лимитед | 1919 | 226 | 2 | 18 | 27 | 29 | 19 | 17 | 22 | 25 | 28 | 21 | 9 | 9 | 0 | 2 | 3 | 0 | 1 | 0 | 3 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 3. Обращаемся в издательство | 2594 | 225 | 0 | 22 | 29 | 21 | 12 | 29 | 27 | 23 | 23 | 20 | 10 | 9 | 0 | 0 | 1 | 1 | 2 | 1 | 1 | 3 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 3 | 0 | 2 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 4 | 1 | 2 |
Ответные санкции | 3670 | 225 | 0 | 21 | 30 | 29 | 14 | 18 | 23 | 26 | 19 | 24 | 9 | 12 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 |
Информация о владельце раздела | 2461 | 225 | 1 | 17 | 25 | 28 | 12 | 23 | 27 | 27 | 19 | 28 | 12 | 6 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 3 | 1 | 1 | 4 | 0 | 1 |
Утомлённые солнцем - 3 | 3037 | 224 | 1 | 22 | 25 | 30 | 19 | 16 | 21 | 28 | 23 | 22 | 9 | 8 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 2 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 3 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 3 | 1 | 0 | 1 | 0 |
Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | |
Теодор | 2241 | 224 | 1 | 23 | 22 | 27 | 12 | 28 | 27 | 21 | 26 | 18 | 10 | 9 | 0 | 1 | 3 | 0 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 11. Другие авторитеты | 2465 | 222 | 1 | 22 | 28 | 17 | 18 | 19 | 23 | 24 | 22 | 25 | 10 | 13 | 0 | 1 | 2 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 4 | 2 |
Литературная мастерская Анатолия Матвиенко. Часть 16. Компьютерное редактирование | 2194 | 222 | 0 | 33 | 32 | 20 | 17 | 15 | 26 | 23 | 23 | 17 | 10 | 6 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 2 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 6 | 0 | 1 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 | 2 | 1 | 2 | 5 | 2 | 2 | 0 | 2 |
Наличные | 2584 | 219 | 0 | 26 | 28 | 23 | 14 | 11 | 30 | 23 | 19 | 25 | 10 | 10 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 2 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 2 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 21. Об экранизации романов и сценарной работе вообще | 2363 | 216 | 1 | 25 | 32 | 26 | 17 | 11 | 21 | 22 | 20 | 19 | 12 | 10 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 2 | 2 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 |
Спираль сингулярности | 2518 | 215 | 2 | 27 | 23 | 29 | 17 | 16 | 20 | 19 | 21 | 19 | 10 | 12 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 2 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 17. Пример редактирования | 2439 | 214 | 0 | 25 | 29 | 23 | 12 | 14 | 24 | 20 | 23 | 22 | 14 | 8 | 0 | 0 | 2 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 4 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 2 | 2 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 3 | 0 | 0 |
Литературная мастерская Анатолия Матвиенко.. Как не надо писать романы. Часть 2. О конкурсах и журналах | 2609 | 211 | 1 | 23 | 28 | 25 | 13 | 19 | 22 | 20 | 18 | 25 | 8 | 9 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 6. Идея фантастического произведения | 2750 | 206 | 0 | 23 | 29 | 19 | 19 | 19 | 18 | 21 | 17 | 24 | 8 | 9 | 0 | 0 | 3 | 0 | 0 | 2 | 2 | 2 | 0 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 6 | 0 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 22. Как не надо начинать | 2932 | 202 | 0 | 26 | 26 | 23 | 17 | 11 | 24 | 17 | 18 | 16 | 13 | 11 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 2 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 2 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 4 | 1 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 8. Штампы, Мери Сью и "заклёпки" | 2624 | 198 | 1 | 19 | 26 | 24 | 13 | 17 | 14 | 24 | 19 | 19 | 8 | 14 | 0 | 1 | 3 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 4 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 2 | 0 | 1 |
Литературная мастерская Анатолия Матвиенко. Как не надо писать романы. Часть 12. Редактирование | 2521 | 198 | 0 | 21 | 25 | 25 | 12 | 16 | 26 | 18 | 15 | 22 | 9 | 9 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 2 | 1 | 2 |
Леди-босс и зомби | 2615 | 197 | 1 | 21 | 30 | 26 | 16 | 9 | 18 | 18 | 23 | 20 | 6 | 9 | 0 | 1 | 2 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 4 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 4 | 1 | 1 |
Не все мечты сбываются | 2288 | 186 | 0 | 16 | 26 | 18 | 12 | 10 | 15 | 28 | 23 | 20 | 10 | 8 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 4 | 2 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 1 |
Новые книги авторов СИ, вышедшие из печати:
О.Болдырева "Крадуш. Чужие души"
М.Николаев "Вторжение на Землю"