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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
| По разделу | 31646 | 627 | 64 | 75 | 68 | 46 | 35 | 45 | 45 | 73 | 44 | 55 | 37 | 40 | 0 | 3 | 2 | 4 | 4 | 2 | 2 | 2 | 2 | 1 | 2 | 1 | 3 | 2 | 1 | 2 | 1 | 2 | 3 | 4 | 2 | 7 | 2 | 5 | 5 | 2 | 4 | 1 | 2 | 5 | 2 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 2 | 2 | 2 | 2 | 3 | 1 | 2 | 2 | 2 | 2 | 3 | 2 | 2 | 4 | 6 | 4 | 4 | 5 | 4 | 2 | 2 | 4 | 2 | 2 |
| Что такое постмодернизм? | 5807 | 208 | 18 | 23 | 22 | 16 | 16 | 16 | 16 | 21 | 12 | 19 | 13 | 16 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 2 | 1 | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
| Обзор конкурса "вампиров" | 2992 | 204 | 21 | 17 | 24 | 18 | 8 | 15 | 18 | 20 | 17 | 18 | 12 | 16 | 0 | 3 | 0 | 4 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 2 |
| Об Искусстве, о Твари внутри, о Голоде и немного критики | 2086 | 203 | 24 | 28 | 23 | 17 | 9 | 12 | 19 | 17 | 13 | 18 | 13 | 10 | 0 | 1 | 1 | 2 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 3 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 4 | 3 | 3 | 0 | 1 | 0 | 2 | 2 | 2 | 2 | 1 |
| Ключи или стилизация? О рассказе "Ключи от сумерек" | 1741 | 196 | 21 | 29 | 19 | 14 | 13 | 14 | 17 | 18 | 13 | 17 | 7 | 14 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 7 | 0 | 0 | 3 | 0 | 4 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 3 | 2 | 2 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 1 | 2 | 0 |
| Продолжение разговоров, начатых и оборванных в гостевых конкурса Современной Нереалистической прозы | 1576 | 191 | 25 | 26 | 22 | 8 | 4 | 10 | 8 | 28 | 14 | 26 | 12 | 8 | 0 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 3 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 5 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 0 | 0 | 3 | 0 | 0 | 2 | 1 | 1 |
| Сетевой Опарыш | 1767 | 184 | 18 | 34 | 19 | 9 | 8 | 10 | 11 | 16 | 12 | 18 | 15 | 14 | 0 | 2 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 4 | 1 | 0 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 3 | 0 | 0 | 1 | 2 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 3 | 6 | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 |
| Сюрреализм и изыскания "неконструкторов" | 2433 | 184 | 20 | 23 | 18 | 10 | 10 | 15 | 10 | 18 | 14 | 20 | 15 | 11 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 |
| Решение группы Тысячелистник по поводу проведения конкурса | 1894 | 175 | 20 | 24 | 16 | 13 | 6 | 6 | 9 | 36 | 12 | 16 | 8 | 9 | 0 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 2 | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 2 | 0 |
| Благодарность устроителям Конкурса Современной Нереалистической Прозы | 1670 | 174 | 21 | 20 | 23 | 10 | 6 | 6 | 9 | 22 | 11 | 23 | 11 | 12 | 0 | 1 | 1 | 2 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 3 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 |
| Обсуждение правил и концепции конкурса | 1544 | 172 | 24 | 23 | 30 | 9 | 2 | 8 | 9 | 9 | 13 | 15 | 10 | 20 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 | 2 | 5 | 0 | 3 | 4 | 0 | 0 | 0 | 2 | 4 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 4 | 5 | 1 | 0 | 1 | 2 | 1 | 0 |
| Нужен ли новый конкурс Нереалистической прозы? | 1868 | 168 | 16 | 20 | 18 | 11 | 7 | 8 | 15 | 21 | 11 | 17 | 12 | 12 | 0 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 4 | 2 | 4 | 0 | 1 | 0 | 0 | 0 |
| Отчего термин "нереалистическая" - крив? | 1720 | 168 | 26 | 28 | 23 | 6 | 2 | 11 | 13 | 10 | 12 | 17 | 10 | 10 | 0 | 1 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 3 | 0 | 2 | 2 | 5 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 3 | 4 | 4 | 1 | 0 | 2 | 0 | 2 | 1 | 0 |
| Отзыв на статью "Смена парадигм: миф или реальность?" одного из устроителей Снп | 1491 | 152 | 20 | 21 | 16 | 8 | 5 | 10 | 9 | 18 | 8 | 18 | 9 | 10 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 1 | 1 | 5 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 0 | 0 |
| Критическая заметка по поводу произведения Хищной Птицы _Легенда о юной Весне_ | 1510 | 150 | 23 | 20 | 18 | 7 | 6 | 10 | 7 | 18 | 13 | 13 | 7 | 8 | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 4 | 1 | 3 | 1 | 0 | 3 | 0 | 3 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 |
| Замечание о форуме Жанр Фэнтези Как Опиум Для Народа, Или Немного О Ветряных Мельницах и об агрессии | 1547 | 144 | 20 | 26 | 15 | 7 | 6 | 6 | 12 | 7 | 11 | 14 | 11 | 9 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 3 | 2 | 0 | 1 | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 |