| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
По разделу |
515475 | 1558 |
95 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
88 |
1 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
5 |
5 |
6 |
5 |
4 |
6 |
5 |
5 |
4 |
4 |
5 |
5 |
3 |
3 |
4 |
3 |
3 |
4 |
3 |
5 |
4 |
4 |
4 |
4 |
4 |
4 |
|
7. О символизации насилия. Песочный Человек |
3557 | 714 |
37 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
36 |
0 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
2 |
4 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
5 |
3 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
|
Художественные описания механизмов психологической защиты |
13373 | 645 |
37 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
33 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
4 |
0 |
0 |
3 |
1 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4011 | 542 |
42 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
28 |
0 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
2 |
2 |
4 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
3 |
1 |
5 |
2 |
0 |
3 |
1 |
4 |
4 |
|
1. Расставание брата и сестры |
3906 | 532 |
23 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
26 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
3 |
0 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1939 | 512 |
39 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
32 |
0 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
0 |
4 |
3 |
3 |
2 |
2 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
|
7. Интерпретация эпоса об Урал-Батыре |
2088 | 481 |
45 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
16 |
0 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
5 |
3 |
6 |
3 |
4 |
0 |
1 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
3 |
2 |
2 |
3 |
2 |
0 |
3 |
0 |
3 |
1 |
1 |
1 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9692 | 451 |
24 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
25 |
0 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
2 |
2 |
0 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
1 |
1 |
3 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2576 | 430 |
42 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
18 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
4 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
2 |
4 |
1 |
3 |
2 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
|
Мотив Города |
3394 | 345 |
20 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
33 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
3 |
1 |
|
26. Динамика развития психики по оси Самость-Эго |
2039 | 344 |
21 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
20 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
|
6. Насилие и интеграция психики в архаической сказке |
1513 | 321 |
18 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
12 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
|
4. О символизации насилия в эддической поэзии |
2455 | 316 |
32 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
17 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Психосоматика наизнанку |
5169 | 314 |
19 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
18 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
6 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
|
12. Интеграция и Анимы, и Анимуса |
1985 | 310 |
23 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
19 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
|
5. Особенности архаической сказки |
1885 | 300 |
25 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
15 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
2 |
0 |
3 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
|
14. Мастера и шарлатаны Гофмана |
2202 | 298 |
20 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
17 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
1 |
0 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Графоманские стихи |
3615 | 296 |
28 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
13 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
|
Совершая труд |
4867 | 293 |
17 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
18 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
3 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
0 |
0 |
|
Упражнение Бог |
3817 | 292 |
16 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
6 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1791 | 290 |
23 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
10 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
|
2. Андрогинность в сказке и мифе |
1818 | 290 |
15 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
19 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
|
Симбиоз гештальта и символдрамы |
3340 | 288 |
18 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
15 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
|
8. Запутанная история Джона Ди |
1726 | 288 |
18 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
16 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
10. Об Аниме женщины |
2020 | 284 |
15 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
16 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
Клеменс Брентано. Лоре Лай |
1595 | 277 |
23 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
12 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
5 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2412 | 275 |
12 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
14 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1961 | 274 |
20 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
|
16. Список литературы |
1362 | 274 |
21 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
10 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2342 | 272 |
32 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
18 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2843 | 272 |
24 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
19 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
1 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2575 | 272 |
14 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
13. Аида: комментарии к либретто |
1941 | 271 |
21 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
16 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
|
4. Ад без жала |
1692 | 270 |
23 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
21 |
25 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
|
2. Представления об Анимусе мужчины |
2112 | 270 |
17 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
19 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
1 |
|
Эмоциональное выгорание, травма и нарциссизм |
5839 | 268 |
19 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
18 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
|
6. О символизации насилия. Значимые персонажи |
2121 | 267 |
22 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
15 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
|
13. Внутрениие вредители в произведениях Гофмана |
1796 | 266 |
17 |
26 |
27 |
17 |
24 |
22 |
27 |
28 |
28 |
18 |
13 |
19 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
4 |
1 |
0 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1775 | 266 |
26 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
22 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
|
5. Сказка о Персоне, что учится самосознанию |
1793 | 264 |
17 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
19 |
15 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
3 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
О книге Матрица и потенциал характера |
1645 | 264 |
18 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
3 |
0 |
|
Оценка эффективности работы психолога с клиентами |
3013 | 262 |
23 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
3. О символизации насилия в поэзии скальдов |
3353 | 261 |
21 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
16 |
0 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
0 |
5 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Отношения врача и пациента с точки зрения созависимости |
6600 | 259 |
13 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
15 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2103 | 257 |
14 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
21 |
24 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
Двойные ловушки Плоского мира |
1785 | 257 |
19 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
10 |
17 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1737 | 257 |
22 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
13 |
11 |
0 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
3 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
|
3. Как мужчины обращаются с Анимой |
3531 | 257 |
16 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
17 |
16 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
|
Графоманские стихи |
2519 | 256 |
14 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
10 |
11 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
|
13. Женщина перед расстрелом |
1334 | 256 |
15 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
11 |
15 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
Непрожитая старость |
10457 | 255 |
20 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
17 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
|
3. Сказочные злодеи: Консолидатор Тени |
1647 | 254 |
24 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
20 |
11 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
0 |
0 |
1 |
3 |
2 |
|
15. Николай Ставрогин и его адепты |
1967 | 253 |
17 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
19 |
15 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1646 | 253 |
16 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
18 |
16 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1771 | 251 |
18 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
14 |
11 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
|
9. Лихтенберг - мыслящее тело |
1228 | 251 |
17 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
15 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
9. Персона и Тень |
1793 | 250 |
22 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
14 |
10 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
4 |
3 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
|
7 Заклинатели |
1808 | 250 |
21 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
13 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2281 | 249 |
19 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
15 |
13 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
1. Преамбула: феминное и маскулинное |
1888 | 249 |
18 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1709 | 238 |
17 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
11 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
4 |
0 |
1 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3069 | 238 |
19 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
13 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
2. Конец истории о Крысолове |
2067 | 237 |
16 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
11 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
|
3. Молитвенная мельница |
1583 | 237 |
12 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
|
12. Песочник и его жертва |
1430 | 237 |
17 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
16 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1435 | 236 |
21 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
13 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
|
Перстень, яблоко, собор |
1792 | 236 |
23 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
16 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
|
О старости |
2248 | 236 |
23 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
11 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
3 |
0 |
|
11. Миры и зло Средиземья и Валинора |
1640 | 235 |
16 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
13 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Роковой треугольник - 1 |
1926 | 235 |
18 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
|
7. Верховное полутело |
1124 | 235 |
18 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
14 |
0 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
2 |
0 |
1 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
|
2. О преображении в полете |
852 | 234 |
16 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
12 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Кошачья подсистема в семье |
1073 | 234 |
15 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
15 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
|
7. О проекции переживаний травмы на Аниму |
1532 | 233 |
21 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
10 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
4 |
1 |
2 |
|
16. Миры и образы зла, связанные с Темной Башней |
2183 | 233 |
17 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
11 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Из плена профессиональной Персоны? |
1573 | 233 |
27 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
14 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
|
Дворянин Фаланд или владыка альвов? |
1063 | 232 |
14 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
14 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
0 |
2 |
4 |
3 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
|
11. Пространство лагеря |
1164 | 232 |
16 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
14 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
1 |
0 |
1 |
|
Три бестселлера |
1473 | 232 |
21 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
10 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
|
6. Насколько опасен Анимус мужчины |
1493 | 231 |
19 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
18 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
27. О различении Я и Эго-комплекса |
1348 | 231 |
20 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
15 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
|
Особенности структуры семьи учащихся техникума |
2129 | 230 |
18 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
16 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
|
10. Большая женщина. Начало возрождения |
1112 | 229 |
16 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
12 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
|
3 консультации в гештальт-подходе |
2368 | 229 |
19 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
6 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1701 | 228 |
32 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
13 |
0 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
5 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
|
8. Как остаться инфантильной |
1403 | 228 |
14 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2582 | 228 |
19 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
11 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
|
Начальство развлекается |
1469 | 228 |
14 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
16 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
|
Телесный симптом в роли символа |
2002 | 228 |
13 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
14 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
4. Погребальные дроги |
1459 | 228 |
20 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
8 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1158 | 228 |
13 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
|
4. Архаичные материнские образы |
1460 | 227 |
17 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
15 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
|
Г. Гессе. Стихотворение о Степном Волке |
1896 | 227 |
25 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
10 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1648 | 227 |
22 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
15 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
4. Ранние пьесы М. Цветаевой |
1995 | 227 |
16 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
15 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
|
11. Кое-что об Анимусе женщины |
1581 | 227 |
21 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
11 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Звездный ворон и ядовитый волк |
1184 | 226 |
22 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
7 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
15. Типичные протагонисты произведений Гофмана |
1523 | 225 |
14 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
23 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
|
12. Мир и зло "Властелина Колец" |
1986 | 225 |
18 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
10 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
5. Заместитель |
1439 | 225 |
21 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
9 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
11. Ничего не кончается |
1110 | 225 |
15 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
10 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
|
28. О символике эволюции |
1345 | 225 |
15 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
16 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1752 | 225 |
21 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
8 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
|
3. Произведения молодости М. Цветаевой |
1463 | 225 |
19 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
12 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
1 |
|
Роковой треугольник -2 |
1829 | 223 |
19 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
12 |
0 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
|
5. Сравнение прогностической ценности разных факторов |
1722 | 223 |
16 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
9 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
5 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
|
3. Выбор художника - Анима или Анимус? |
1622 | 223 |
16 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
16 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
|
1. Тело и мир персонажей Андрея Платонова |
1455 | 223 |
17 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
9 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Хороший начальник Емеля |
1078 | 222 |
19 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
11 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
|
1. Явление Крысолова |
1479 | 222 |
18 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
12 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1621 | 222 |
14 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1321 | 222 |
23 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
7 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
|
5. Идущий следом |
1529 | 222 |
18 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
13 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
3 |
1 |
0 |
|
Шекспир, сонет 146 |
1419 | 221 |
15 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
10 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
|
15. Деревня изнутри. Во дворах |
1127 | 221 |
14 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
13 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
|
О способности понять душевнобольного |
2265 | 220 |
16 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
6 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
|
Тум-балалайка |
1955 | 220 |
15 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1740 | 220 |
19 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
|
Ангел |
1691 | 220 |
16 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
9 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1646 | 220 |
14 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
Ответ Земли (другой вариант) |
1680 | 219 |
13 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1726 | 219 |
17 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
12 |
0 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
|
Юнгианское стихотворение о сказках |
1537 | 219 |
17 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
7 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
4 |
3 |
2 |
1 |
1 |
0 |
|
8. Поглощенное время |
1525 | 219 |
19 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
12 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
1. Маленький рыцарский роман |
1549 | 219 |
19 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
|
16. Медведь |
1254 | 219 |
17 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
8 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1535 | 219 |
17 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
12 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Мир на костылях |
1503 | 218 |
27 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
11 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
4 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
|
1. Введение |
1639 | 218 |
19 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
13 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
|
5. Женщина в плаще цвета Времени |
1359 | 218 |
12 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
23. Настя заболела |
1304 | 218 |
18 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
|
Senex - Puer |
1368 | 217 |
15 |
23 |
24 |
17 |
19 |
10 |
19 |
17 |
24 |
20 |
11 |
18 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
|
9. Начало перехода |
1104 | 217 |
18 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
14 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
|
30. Сказочный персонаж: форма и содержимое |
1416 | 217 |
19 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
13 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
Коммуникации сотрудников "скорой помощи" и кадровых служб в Интернет-сообществах |
2113 | 217 |
14 |
20 |
17 |
26 |
17 |
11 |
23 |
17 |
25 |
17 |
13 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
|
2. Шаманское странствие |
1309 | 217 |
14 |
21 |
19 |
26 |
19 |
9 |
18 |
33 |
20 |
16 |
8 |
14 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Алгоритм сортировки клиентов социального центра |
2104 | 217 |
14 |
25 |
24 |
19 |
16 |
12 |
21 |
16 |
27 |
19 |
11 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
5 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
1 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
2 |
|
Мы и Они |
1867 | 217 |
21 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
8 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
2 |
4 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
|
10. Модели интеграции психики в героическом эпосе |
1577 | 216 |
18 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
11 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
|
4. Блуждания невоплощенного |
1186 | 216 |
19 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
13 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
762 | 216 |
22 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
12 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
|
26. Настина смерть |
1144 | 216 |
20 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
16 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
0 |
|
Г. Гессе. Ступени |
1756 | 215 |
14 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
7 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
|
Типы семей, получающих помощь в социальном центре |
1714 | 215 |
14 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
8 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
Мотив Цветка и регуляция позы |
894 | 215 |
15 |
24 |
23 |
16 |
14 |
8 |
24 |
17 |
27 |
19 |
11 |
17 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
4 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
|
Венок сонетов Ваське |
1941 | 215 |
12 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
6 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
4 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1620 | 215 |
18 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
8 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2316 | 215 |
16 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
11 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
19. Множественные и парные миры авторской сказки и фэнтези |
1351 | 214 |
14 |
24 |
19 |
19 |
12 |
18 |
17 |
19 |
27 |
14 |
15 |
16 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Бестиарий |
1437 | 214 |
22 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
12 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
|
18. Ночные пляски |
1120 | 214 |
17 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
12 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
|
Реквием Ваське |
1627 | 213 |
17 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
13 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
|
27. Безвременье котлована |
1102 | 213 |
17 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
10 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1669 | 213 |
14 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
8 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
1 Дитя в мирах Психеи и Ананке |
1771 | 213 |
14 |
25 |
24 |
16 |
20 |
11 |
19 |
22 |
21 |
16 |
13 |
12 |
0 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
|
13. Колхоз идет навстречу |
1097 | 213 |
15 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
12 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
|
25. Об особенностях травматической интеграции психики |
1470 | 212 |
13 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
10 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1251 | 212 |
12 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
|
Из У. Блейка. Ответ Земли |
1859 | 212 |
16 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
9 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
|
Как растет Бог |
1732 | 212 |
17 |
26 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
9 |
13 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug |
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 |
|
14. Мертвая мать и ее дети |
1149 | 212 |
21 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
12 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1899 | 212 |
17 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
|
20. Нвстя заболевает |
1179 | 212 |
16 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
|
21. Властные хитрецы |
1426 | 212 |
14 |
19 |
22 |
18 |
13 |
16 |
18 |
23 |
27 |
18 |
12 |
12 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1176 | 212 |
20 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
10 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
|
6. Скорбная земля |
1636 | 212 |
21 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1434 | 212 |
18 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
13 |
7 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
|
5. Рядом с общим телом |
1229 | 211 |
15 |
25 |
22 |
12 |
17 |
10 |
21 |
18 |
27 |
20 |
12 |
12 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
|
1. Прогнозирование выгорания у сотрудников "скорой медицинской помощи" по метафорическим высказываниям |
2246 | 211 |
13 |
34 |
23 |
20 |
11 |
10 |
21 |
21 |
24 |
15 |
11 |
8 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
7 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
|
Информация о владельце раздела |
1462 | 211 |
16 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
7 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
4 |
4 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
|
7. Мужское и женское в произведениях Т. Манна |
1649 | 211 |
12 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
11 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Кости |
1084 | 211 |
20 |
27 |
22 |
21 |
14 |
13 |
15 |
17 |
25 |
15 |
10 |
12 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
3 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
|
9. Расщепление Эго и Персоны в отношениях с Анимой |
1402 | 211 |
15 |
25 |
22 |
19 |
13 |
15 |
20 |
17 |
27 |
14 |
11 |
13 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1552 | 211 |
18 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
9 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
|
Визит Аристокла |
1534 | 210 |
18 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
10 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1495 | 210 |
19 |
19 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
12 |
16 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
32. Для чего нужен символ? |
1278 | 210 |
13 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
13 |
16 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
|
Милая жизнь |
1274 | 210 |
24 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
11 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
4 |
1 |
2 |
0 |
0 |
1 |
|
Прогнозирование эффективности психологической помощи семьям |
1726 | 210 |
23 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
10 |
10 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
|
5. Погибшее братство и Лихтенберг |
1043 | 209 |
15 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
11 |
15 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |