| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
По разделу |
525753 | 1550 |
15 |
126 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
1 |
4 |
3 |
3 |
4 |
3 |
4 |
4 |
4 |
3 |
3 |
3 |
4 |
5 |
7 |
4 |
4 |
4 |
4 |
3 |
5 |
4 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
9 |
4 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
|
7. О символизации насилия. Песочный Человек |
3638 | 703 |
5 |
53 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
0 |
1 |
0 |
1 |
3 |
3 |
2 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
2 |
0 |
1 |
2 |
2 |
3 |
1 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
8 |
2 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
|
Художественные описания механизмов психологической защиты |
13435 | 612 |
3 |
47 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
2 |
3 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4086 | 564 |
6 |
49 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
0 |
2 |
1 |
3 |
0 |
2 |
3 |
1 |
3 |
1 |
2 |
1 |
3 |
1 |
1 |
3 |
1 |
1 |
2 |
1 |
0 |
3 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
6 |
1 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
2016 | 530 |
7 |
54 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
0 |
1 |
2 |
0 |
4 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
1 |
1 |
6 |
0 |
2 |
1 |
4 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
4 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
|
7. Интерпретация эпоса об Урал-Батыре |
2162 | 521 |
4 |
51 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
2 |
0 |
3 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
8 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
|
1. Расставание брата и сестры |
3954 | 518 |
5 |
28 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2650 | 464 |
7 |
53 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
2 |
4 |
2 |
3 |
1 |
3 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9750 | 463 |
3 |
44 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
1 |
3 |
3 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
4 |
2 |
5 |
3 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
|
26. Динамика развития психики по оси Самость-Эго |
2082 | 344 |
3 |
23 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
1 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
|
Мотив Города |
3445 | 344 |
1 |
30 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
|
4. О символизации насилия в эддической поэзии |
2507 | 335 |
2 |
31 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
8 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
|
Совершая труд |
4939 | 331 |
3 |
49 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
3 |
7 |
2 |
3 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
3 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
|
6. Насилие и интеграция психики в архаической сказке |
1554 | 328 |
1 |
28 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
|
Графоманские стихи |
3670 | 325 |
2 |
37 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
5 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
6 |
1 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
|
12. Интеграция и Анимы, и Анимуса |
2033 | 322 |
1 |
32 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
2 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
|
Психосоматика наизнанку |
5206 | 314 |
0 |
21 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
|
5. Особенности архаической сказки |
1924 | 309 |
2 |
26 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
|
8. Запутанная история Джона Ди |
1776 | 307 |
5 |
26 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
0 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
4 |
3 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
Упражнение Бог |
3851 | 304 |
3 |
18 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
13. Аида: комментарии к либретто |
1981 | 275 |
1 |
23 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
|
Графоманские стихи |
2557 | 273 |
4 |
19 |
29 |
25 |
31 |
24 |
15 |
22 |
21 |
25 |
34 |
24 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
3 |
0 |
2 |
3 |
3 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Отношения врача и пациента с точки зрения созависимости |
6639 | 272 |
1 |
24 |
27 |
27 |
27 |
24 |
21 |
23 |
21 |
24 |
36 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
2 |
1 |
5 |
0 |
3 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
2 |
|
Уходя с работы: как разобраться с травмирующими переживаниями |
1774 | 270 |
1 |
19 |
39 |
28 |
31 |
30 |
10 |
16 |
35 |
19 |
26 |
16 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
6 |
1 |
3 |
1 |
5 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
3. Сказочные злодеи: Консолидатор Тени |
1693 | 269 |
1 |
26 |
43 |
20 |
29 |
19 |
13 |
17 |
16 |
25 |
33 |
27 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
5 |
7 |
2 |
2 |
1 |
3 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
2 |
|
Двойные ловушки Плоского мира |
1822 | 267 |
1 |
22 |
33 |
26 |
33 |
17 |
16 |
13 |
17 |
28 |
32 |
29 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
4 |
2 |
3 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Из У. Блейка. Заблудшая дочь (пропавшая маленькая девочка) |
1812 | 267 |
1 |
27 |
31 |
21 |
23 |
24 |
14 |
25 |
21 |
31 |
21 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
5 |
2 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
|
9. Лихтенберг - мыслящее тело |
1267 | 267 |
2 |
21 |
33 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
8 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
|
13. Женщина перед расстрелом |
1371 | 267 |
1 |
26 |
25 |
24 |
24 |
19 |
25 |
18 |
29 |
23 |
30 |
23 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
0 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
|
17. Психологические задачи сказок на разных этапах становления человеческой психики |
1532 | 267 |
2 |
36 |
35 |
41 |
20 |
17 |
17 |
14 |
19 |
19 |
27 |
20 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
3 |
2 |
2 |
3 |
1 |
4 |
0 |
2 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
|
5. Сказка о Персоне, что учится самосознанию |
1829 | 266 |
0 |
25 |
28 |
27 |
27 |
24 |
17 |
17 |
19 |
23 |
32 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
1 |
4 |
2 |
4 |
0 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
|
8. О симолизации насилия. "Красный Смех" и "Красная корона" |
2326 | 266 |
0 |
28 |
36 |
23 |
28 |
21 |
19 |
13 |
25 |
28 |
25 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
4 |
0 |
0 |
1 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
4 |
2 |
5 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
|
9. Персона и Тень |
1833 | 266 |
1 |
29 |
32 |
25 |
22 |
21 |
19 |
16 |
30 |
22 |
28 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
4 |
4 |
2 |
0 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
2 |
|
Образ Бога и зрелость личности |
2603 | 266 |
2 |
28 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
8 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1463 | 265 |
1 |
33 |
30 |
19 |
35 |
24 |
8 |
10 |
21 |
24 |
46 |
14 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
5 |
4 |
0 |
2 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
5 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1664 | 264 |
1 |
24 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
|
7 Заклинатели |
1847 | 264 |
1 |
25 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
|
О старости |
2294 | 264 |
1 |
29 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
7 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
|
4. Ад без жала |
1731 | 263 |
3 |
21 |
38 |
20 |
25 |
18 |
16 |
18 |
23 |
21 |
28 |
32 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
3 |
3 |
5 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
|
3. Как мужчины обращаются с Анимой |
3570 | 263 |
0 |
21 |
34 |
25 |
33 |
34 |
13 |
16 |
18 |
23 |
24 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
5 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Больной Крысолов |
1590 | 262 |
0 |
32 |
33 |
22 |
25 |
24 |
13 |
15 |
17 |
24 |
30 |
27 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
4 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
3 |
3 |
5 |
2 |
0 |
3 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
|
Больница глазами гештальт-терапевта |
4166 | 261 |
1 |
24 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1735 | 258 |
1 |
21 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Юные птицы старого русского рока |
1049 | 258 |
1 |
27 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Непрожитая старость |
10492 | 257 |
0 |
20 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
|
Представления современных городских десятиклассников о мотивах вступления в интимные отношения |
2148 | 257 |
0 |
31 |
28 |
22 |
35 |
24 |
13 |
15 |
18 |
26 |
26 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
4 |
2 |
3 |
4 |
1 |
3 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
|
Из плена профессиональной Персоны? |
1625 | 257 |
1 |
38 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
|
Выгорание в социальной работе: возможные причины, связанные с профессиональной субкультурой |
3172 | 256 |
0 |
25 |
31 |
18 |
29 |
21 |
12 |
18 |
37 |
22 |
26 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
3 |
5 |
1 |
2 |
0 |
3 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
5 |
|
9. Психика как пара |
1791 | 256 |
2 |
22 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
7 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
|
15. Николай Ставрогин и его адепты |
2003 | 255 |
1 |
19 |
33 |
25 |
23 |
33 |
15 |
15 |
19 |
18 |
32 |
22 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
6 |
2 |
3 |
0 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
|
3. Убежища |
1651 | 255 |
1 |
29 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
4 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
|
2. Неюнгианские механизмы интеграции психики в сказке |
1682 | 255 |
0 |
24 |
28 |
19 |
32 |
22 |
15 |
19 |
23 |
23 |
35 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
4 |
2 |
3 |
1 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
|
20. О некоторых особенностях структуры фэнтези |
1931 | 254 |
0 |
25 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3109 | 253 |
1 |
22 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
|
7. Созидающее насилие: подвиги Геракла |
1748 | 253 |
1 |
33 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1832 | 253 |
0 |
21 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
5 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
|
7. О проекции переживаний травмы на Аниму |
1574 | 252 |
3 |
31 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
|
8. Тотем, Трикстер, Первопредки |
1612 | 252 |
1 |
18 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
2. О преображении в полете |
890 | 252 |
3 |
18 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1674 | 250 |
1 |
19 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
4 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
5 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1744 | 250 |
1 |
26 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
|
2. Конец истории о Крысолове |
2103 | 250 |
1 |
21 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
|
1. Преамбула: феминное и маскулинное |
1919 | 250 |
0 |
19 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
|
4. Зловещие магнетизеры |
2364 | 249 |
1 |
15 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
22. О героях авторских сказок и фэнтези |
1619 | 249 |
0 |
21 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
|
Перстень, яблоко, собор |
1833 | 249 |
1 |
24 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
|
Три бестселлера |
1512 | 249 |
3 |
29 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
|
33. Пространство, время, человек и божество в сказке |
1472 | 248 |
1 |
25 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
|
3. Молитвенная мельница |
1621 | 248 |
4 |
24 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
|
12. Песочник и его жертва |
1468 | 248 |
3 |
28 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
|
4. Погребальные дроги |
1498 | 248 |
1 |
31 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
|
Звездный ворон и ядовитый волк |
1221 | 246 |
2 |
19 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
|
Роковой треугольник - 1 |
1959 | 246 |
2 |
20 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
|
3 консультации в гештальт-подходе |
2401 | 246 |
3 |
16 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Кошачья подсистема в семье |
1107 | 245 |
0 |
17 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
15. Мир и образ зла в "Темных началах" |
1469 | 243 |
2 |
23 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
|
16. Миры и образы зла, связанные с Темной Башней |
2220 | 243 |
2 |
19 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Мы и Они |
1912 | 243 |
3 |
27 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
5 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2618 | 242 |
3 |
21 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
|
1. Явление Крысолова |
1518 | 241 |
2 |
24 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
8. Как остаться инфантильной |
1439 | 241 |
0 |
27 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
|
27. О различении Я и Эго-комплекса |
1389 | 241 |
0 |
30 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
|
16. Медведь |
1297 | 241 |
0 |
30 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1192 | 241 |
3 |
15 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
7. Верховное полутело |
1158 | 241 |
1 |
19 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
|
Дворянин Фаланд или владыка альвов? |
1095 | 240 |
0 |
19 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
|
О способности понять душевнобольного |
2305 | 240 |
0 |
25 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Тум-балалайка |
1996 | 240 |
3 |
24 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1463 | 240 |
1 |
24 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1787 | 240 |
2 |
23 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
|
10. Большая женщина. Начало возрождения |
1147 | 239 |
0 |
25 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
|
11. Миры и зло Средиземья и Валинора |
1672 | 239 |
0 |
23 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
|
Шекспир, сонет 146 |
1456 | 238 |
1 |
25 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
Роковой треугольник -2 |
1865 | 238 |
2 |
23 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
|
Ангел |
1730 | 238 |
1 |
27 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
|
12. Мир и зло "Властелина Колец" |
2017 | 237 |
1 |
17 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1355 | 237 |
1 |
22 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
|
8. Поглощенное время |
1565 | 237 |
4 |
26 |
29 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
0 |
0 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
|
Особенности структуры семьи учащихся техникума |
2162 | 237 |
0 |
21 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
|
5. Заместитель |
1473 | 236 |
3 |
26 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
11. Пространство лагеря |
1193 | 236 |
2 |
18 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
|
4. Архаичные материнские образы |
1494 | 235 |
0 |
25 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
|
24. Медведь и другие |
1054 | 235 |
2 |
32 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
15 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
|
Мир на костылях |
1539 | 234 |
0 |
26 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
|
1. Введение |
1680 | 234 |
1 |
26 |
33 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
5 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
|
Телесный симптом в роли символа |
2032 | 234 |
0 |
21 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
|
4. Ранние пьесы М. Цветаевой |
2029 | 234 |
3 |
17 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
|
Из У. Блейка. Ответ Земли |
1901 | 233 |
0 |
28 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
5 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
6 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
|
9. Начало перехода |
1144 | 233 |
4 |
29 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
|
30. Сказочный персонаж: форма и содержимое |
1459 | 233 |
2 |
24 |
36 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
5 |
2 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
|
Г. Гессе. Стихотворение о Степном Волке |
1925 | 233 |
0 |
16 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
|
1. Тело и мир персонажей Андрея Платонова |
1489 | 233 |
0 |
22 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
|
Путешествиепо склону |
1599 | 232 |
1 |
25 |
33 |
26 |
27 |
20 |
11 |
15 |
15 |
17 |
25 |
17 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
6 |
1 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
|
28. О символике эволюции |
1378 | 232 |
2 |
21 |
25 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
|
11. Кое-что об Анимусе женщины |
1612 | 232 |
0 |
14 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Типы семей, получающих помощь в социальном центре |
1746 | 231 |
0 |
19 |
27 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
15. Типичные протагонисты произведений Гофмана |
1563 | 231 |
1 |
25 |
28 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
3 |
6 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
|
Хороший начальник Емеля |
1115 | 231 |
2 |
26 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
0 |
0 |
0 |
2 |
0 |
0 |
4 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1653 | 231 |
0 |
15 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
7 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
|
Бестиарий |
1475 | 231 |
1 |
24 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
5. Сравнение прогностической ценности разных факторов |
1750 | 231 |
0 |
21 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
|
10. Модели интеграции психики в героическом эпосе |
1614 | 230 |
2 |
24 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
799 | 230 |
1 |
24 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
|
Огонь |
1738 | 230 |
0 |
27 |
28 |
27 |
23 |
14 |
15 |
12 |
25 |
17 |
27 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
5 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1681 | 230 |
2 |
21 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
|
5. Идущий следом |
1563 | 230 |
2 |
21 |
29 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
|
Начальство развлекается |
1496 | 229 |
0 |
16 |
25 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1570 | 229 |
0 |
24 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
3. Произведения молодости М. Цветаевой |
1494 | 229 |
2 |
15 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
|
Г. Гессе. Ступени |
1790 | 228 |
3 |
19 |
26 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
|
6. Насколько опасен Анимус мужчины |
1522 | 228 |
0 |
22 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1659 | 228 |
0 |
25 |
27 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
6 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
6 |
4 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1725 | 228 |
0 |
15 |
41 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
|
Информация о владельце раздела |
1499 | 228 |
0 |
21 |
32 |
27 |
24 |
20 |
11 |
13 |
16 |
20 |
26 |
18 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
3 |
3 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
Ответ Земли (другой вариант) |
1709 | 227 |
0 |
18 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
5 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
15. Деревня изнутри. Во дворах |
1158 | 227 |
0 |
20 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Из У. Блейка. Ангел |
1625 | 227 |
3 |
24 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
3. Выбор художника - Анима или Анимус? |
1656 | 227 |
1 |
23 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
|
Реквием Ваське |
1667 | 226 |
1 |
29 |
27 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
|
Из Цурэна. Как лист увядший падает на душу... |
1793 | 226 |
4 |
28 |
23 |
19 |
27 |
17 |
18 |
11 |
16 |
28 |
22 |
13 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
6 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
15. Ненаучное животное в мусорном ветре |
1211 | 226 |
0 |
24 |
31 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
|
11. Ничего не кончается |
1137 | 226 |
1 |
15 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Венок сонетов Ваське |
1969 | 226 |
0 |
16 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
|
26. Настина смерть |
1182 | 226 |
3 |
25 |
30 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
0 |
3 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
7 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
|
Юнгианцы и странные научные теории |
843 | 225 |
1 |
27 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
5 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
|
5. Женщина в плаще цвета Времени |
1393 | 225 |
0 |
15 |
31 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
8 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
|
Юнгианское стихотворение о сказках |
1562 | 225 |
1 |
14 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
|
4. Блуждания невоплощенного |
1223 | 225 |
2 |
24 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1700 | 225 |
0 |
23 |
22 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1768 | 225 |
0 |
20 |
27 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
|
18. Ночные пляски |
1156 | 225 |
2 |
20 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
4 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1585 | 225 |
0 |
22 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2349 | 225 |
0 |
25 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1289 | 224 |
2 |
25 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
|
27. Безвременье котлована |
1138 | 224 |
1 |
26 |
26 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1680 | 224 |
0 |
21 |
27 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
5 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
|
23. Настя заболела |
1340 | 224 |
1 |
19 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
9 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
|
Бумажная Принцесса |
1234 | 224 |
3 |
25 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
17 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
|
13. Колхоз идет навстречу |
1133 | 224 |
1 |
22 |
28 |
24 |
23 |
14 |
16 |
16 |
16 |
23 |
22 |
19 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
4 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1466 | 224 |
1 |
22 |
27 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
3 |
2 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
10. Начало контакта |
1126 | 215 |
1 |
22 |
25 |
21 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
|
32. Для чего нужен символ? |
1312 | 215 |
0 |
26 |
21 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
|
31. Становление символа во времени |
1349 | 214 |
1 |
27 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1928 | 214 |
2 |
21 |
23 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
|
Попурри а-ля постмодерн |
1761 | 214 |
3 |
23 |
25 |
21 |
21 |
15 |
21 |
12 |
15 |
18 |
26 |
14 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
|
7. Мужское и женское в произведениях Т. Манна |
1678 | 214 |
1 |
18 |
22 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
|
Реквием по идиоту |
1800 | 214 |
4 |
19 |
28 |
20 |
23 |
22 |
10 |
12 |
14 |
19 |
22 |
21 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
3 |
7 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
|
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1683 | 213 |
0 |
28 |
25 |
26 |
21 |
21 |
9 |
13 |
13 |
16 |
26 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
4 |
5 |
5 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
|
Король |
1578 | 213 |
1 |
23 |
27 |
28 |
22 |
23 |
10 |
11 |
16 |
18 |
21 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1526 | 213 |
1 |
19 |
30 |
19 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
|
Как растет Бог |
1754 | 212 |
0 |
12 |
27 |
26 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
|
Кто это входит в мои мозги? |
1801 | 212 |
0 |
15 |
31 |
19 |
23 |
21 |
9 |
14 |
20 |
15 |
28 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
|
12. Новое пространство |
1083 | 212 |
0 |
18 |
33 |
22 |
25 |
17 |
8 |
10 |
18 |
19 |
26 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
|
29. Как экономят мышление с помощью мифических образов |
1297 | 212 |
0 |
19 |
26 |
23 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
6 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
1. Телесные трансформации в рассказе "Мусорный ветер" |
1147 | 212 |
1 |
29 |
23 |
16 |
20 |
19 |
14 |
13 |
16 |
20 |
24 |
17 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
5 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
|
Проблемы профессионального становления личности: работа со сновидениями |
1787 | 212 |
0 |
21 |
25 |
22 |
22 |
18 |
17 |
9 |
16 |
23 |
23 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
5 |
4 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
|
Милая жизнь |
1301 | 212 |
0 |
16 |
35 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1194 | 211 |
0 |
17 |
31 |
24 |
25 |
17 |
12 |
12 |
18 |
20 |
20 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
|
Среда обитания |
1817 | 211 |
1 |
24 |
24 |
26 |
29 |
18 |
10 |
11 |
15 |
15 |
24 |
14 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
4 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
|
Для кота |
1781 | 211 |
0 |
22 |
24 |
21 |
19 |
23 |
9 |
9 |
17 |
26 |
25 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
4 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
4 |
2 |