| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
По разделу |
521992 | 1565 |
58 |
132 |
129 |
140 |
113 |
155 |
134 |
138 |
148 |
128 |
192 |
98 |
0 |
3 |
4 |
2 |
6 |
3 |
3 |
5 |
5 |
5 |
4 |
5 |
6 |
7 |
9 |
4 |
6 |
6 |
5 |
4 |
4 |
4 |
3 |
4 |
3 |
4 |
3 |
2 |
4 |
3 |
3 |
5 |
3 |
3 |
3 |
4 |
3 |
4 |
5 |
5 |
7 |
4 |
6 |
5 |
4 |
7 |
4 |
2 |
3 |
6 |
3 |
3 |
6 |
5 |
3 |
5 |
5 |
5 |
6 |
5 |
4 |
6 |
|
7. О символизации насилия. Песочный Человек |
3603 | 724 |
23 |
60 |
56 |
46 |
40 |
55 |
74 |
60 |
96 |
82 |
76 |
56 |
0 |
0 |
1 |
2 |
6 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
7 |
8 |
2 |
5 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
2 |
2 |
1 |
1 |
1 |
5 |
0 |
0 |
1 |
6 |
0 |
1 |
1 |
4 |
0 |
5 |
2 |
4 |
2 |
3 |
1 |
1 |
|
Художественные описания механизмов психологической защиты |
13411 | 650 |
26 |
49 |
42 |
49 |
39 |
44 |
47 |
75 |
93 |
73 |
51 |
62 |
0 |
2 |
4 |
1 |
0 |
1 |
1 |
1 |
2 |
3 |
2 |
1 |
4 |
4 |
3 |
0 |
3 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
5 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
2 |
0 |
3 |
1 |
2 |
3 |
0 |
2 |
2 |
1 |
2 |
1 |
2 |
5 |
0 |
0 |
2 |
1 |
5 |
0 |
2 |
1 |
|
Проявление архетипа Раненого Целителя в субкультуре "скорой медицинской помощи |
4051 | 554 |
20 |
62 |
48 |
70 |
62 |
47 |
55 |
46 |
43 |
38 |
38 |
25 |
0 |
0 |
3 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
5 |
4 |
6 |
1 |
6 |
1 |
2 |
3 |
1 |
2 |
3 |
1 |
3 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
2 |
2 |
4 |
3 |
4 |
1 |
4 |
1 |
3 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
3 |
0 |
5 |
2 |
2 |
4 |
1 |
1 |
0 |
|
1. Расставание брата и сестры |
3932 | 532 |
11 |
38 |
31 |
44 |
37 |
113 |
47 |
38 |
41 |
54 |
42 |
36 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
5 |
0 |
3 |
2 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
3 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
2 |
|
11. Отношения с Персоной в произведениях Э. - Т. - А. Гофмана |
1984 | 525 |
29 |
55 |
46 |
55 |
47 |
50 |
50 |
59 |
43 |
38 |
26 |
27 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
2 |
5 |
2 |
3 |
5 |
3 |
4 |
0 |
6 |
0 |
3 |
0 |
3 |
2 |
0 |
2 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
2 |
3 |
3 |
3 |
2 |
3 |
2 |
2 |
2 |
2 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
3 |
2 |
4 |
2 |
3 |
0 |
|
7. Интерпретация эпоса об Урал-Батыре |
2133 | 510 |
26 |
64 |
62 |
54 |
50 |
42 |
55 |
41 |
37 |
34 |
27 |
18 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
4 |
1 |
4 |
1 |
1 |
6 |
5 |
8 |
1 |
2 |
2 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
4 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
3 |
7 |
4 |
5 |
1 |
4 |
2 |
2 |
0 |
1 |
3 |
3 |
1 |
2 |
0 |
3 |
2 |
5 |
3 |
6 |
3 |
4 |
0 |
|
1. Переодетая сестра: трансформация маскулинности и женское Эго |
2613 | 449 |
23 |
56 |
57 |
30 |
30 |
33 |
29 |
31 |
42 |
50 |
46 |
22 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
4 |
7 |
6 |
2 |
2 |
1 |
2 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
2 |
2 |
5 |
4 |
5 |
1 |
2 |
2 |
1 |
2 |
4 |
0 |
3 |
2 |
1 |
0 |
2 |
1 |
3 |
4 |
1 |
2 |
4 |
0 |
1 |
2 |
|
Ритуал и выгорание в субкультуре скорой помощи |
9713 | 447 |
10 |
35 |
35 |
48 |
23 |
93 |
36 |
38 |
41 |
30 |
37 |
21 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
1 |
4 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
4 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
3 |
0 |
1 |
|
26. Динамика развития психики по оси Самость-Эго |
2066 | 351 |
10 |
38 |
29 |
29 |
29 |
25 |
27 |
39 |
41 |
34 |
27 |
23 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
5 |
1 |
4 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
1 |
5 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
3 |
1 |
0 |
1 |
|
Мотив Города |
3426 | 344 |
12 |
40 |
30 |
38 |
22 |
22 |
29 |
24 |
33 |
41 |
34 |
19 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
1 |
2 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
1 |
0 |
1 |
0 |
|
6. Насилие и интеграция психики в архаической сказке |
1544 | 340 |
19 |
30 |
25 |
21 |
23 |
27 |
19 |
21 |
24 |
24 |
85 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
0 |
4 |
5 |
3 |
4 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
0 |
2 |
0 |
0 |
2 |
|
4. О символизации насилия в эддической поэзии |
2489 | 333 |
15 |
51 |
35 |
24 |
21 |
21 |
19 |
23 |
34 |
46 |
28 |
16 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
2 |
3 |
8 |
3 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
5 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
3 |
3 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
1 |
2 |
4 |
2 |
1 |
1 |
|
12. Интеграция и Анимы, и Анимуса |
2019 | 325 |
19 |
38 |
29 |
34 |
25 |
24 |
20 |
33 |
37 |
29 |
20 |
17 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
2 |
5 |
4 |
3 |
2 |
6 |
0 |
3 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
3 |
4 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Психосоматика наизнанку |
5192 | 319 |
7 |
35 |
31 |
28 |
29 |
20 |
19 |
39 |
30 |
39 |
23 |
19 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
1 |
3 |
0 |
4 |
1 |
5 |
3 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
3 |
3 |
4 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
6 |
|
Совершая труд |
4906 | 314 |
19 |
37 |
33 |
22 |
24 |
18 |
17 |
21 |
24 |
31 |
52 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
4 |
2 |
1 |
4 |
5 |
3 |
0 |
3 |
6 |
5 |
1 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
|
5. Особенности архаической сказки |
1909 | 309 |
13 |
36 |
32 |
33 |
29 |
18 |
19 |
27 |
30 |
32 |
25 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
2 |
3 |
0 |
2 |
0 |
2 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
2 |
1 |
2 |
3 |
2 |
0 |
2 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
|
Графоманские стихи |
3641 | 309 |
10 |
44 |
33 |
32 |
23 |
22 |
23 |
31 |
25 |
31 |
22 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
5 |
6 |
1 |
4 |
1 |
2 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
4 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
|
Упражнение Бог |
3836 | 305 |
6 |
29 |
25 |
34 |
27 |
27 |
19 |
28 |
30 |
37 |
27 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
4 |
0 |
4 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
3 |
1 |
2 |
1 |
1 |
0 |
|
24. Травмирующие архетипические персонажи Х. Мураками |
1816 | 305 |
14 |
34 |
32 |
32 |
26 |
21 |
22 |
22 |
29 |
28 |
21 |
24 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
3 |
3 |
0 |
2 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
2 |
1 |
4 |
0 |
2 |
1 |
2 |
3 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
8. Запутанная история Джона Ди |
1754 | 300 |
9 |
37 |
28 |
25 |
20 |
24 |
28 |
23 |
24 |
41 |
26 |
15 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
4 |
3 |
3 |
3 |
2 |
0 |
4 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
|
14. Мастера и шарлатаны Гофмана |
2220 | 299 |
5 |
33 |
28 |
22 |
24 |
38 |
15 |
22 |
31 |
45 |
21 |
15 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
1 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
3 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
3 |
1 |
|
Клеменс Брентано. Лоре Лай |
1624 | 294 |
17 |
35 |
28 |
26 |
16 |
17 |
16 |
17 |
32 |
40 |
26 |
24 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
1 |
2 |
2 |
5 |
2 |
0 |
2 |
0 |
4 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
5 |
|
Симбиоз гештальта и символдрамы |
3361 | 294 |
7 |
32 |
35 |
25 |
23 |
17 |
25 |
30 |
29 |
26 |
29 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
4 |
2 |
1 |
5 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
1 |
4 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
3 |
3 |
1 |
3 |
3 |
0 |
|
2. Андрогинность в сказке и мифе |
1841 | 294 |
9 |
29 |
19 |
26 |
30 |
18 |
20 |
16 |
34 |
41 |
33 |
19 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
5 |
3 |
0 |
2 |
2 |
4 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
|
16. Список литературы |
1392 | 294 |
10 |
41 |
29 |
29 |
25 |
12 |
16 |
21 |
37 |
32 |
31 |
11 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
4 |
3 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
3 |
0 |
3 |
5 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
1 |
0 |
2 |
|
10. Об Аниме женщины |
2041 | 289 |
7 |
29 |
19 |
40 |
25 |
27 |
20 |
28 |
23 |
41 |
17 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
3 |
6 |
2 |
3 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
3 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
|
О книге Матрица и потенциал характера |
1681 | 285 |
20 |
34 |
30 |
34 |
18 |
13 |
21 |
20 |
21 |
36 |
20 |
18 |
0 |
0 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
3 |
3 |
2 |
3 |
2 |
4 |
1 |
4 |
1 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
|
16. Типичные психологические механизмы в произведениях Э. - Т. - А. Гофмана |
1988 | 285 |
15 |
32 |
24 |
34 |
23 |
21 |
21 |
16 |
33 |
30 |
21 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
4 |
3 |
2 |
4 |
0 |
3 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
3 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
|
3. О символизации насилия в поэзии скальдов |
3392 | 284 |
25 |
35 |
26 |
26 |
18 |
21 |
37 |
14 |
24 |
25 |
19 |
14 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
4 |
1 |
3 |
3 |
1 |
4 |
4 |
2 |
0 |
2 |
2 |
3 |
3 |
2 |
4 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
2 |
|
Архетипические мотивы в фольклоре єскорой помощи" |
2435 | 284 |
12 |
23 |
25 |
24 |
20 |
12 |
23 |
21 |
21 |
25 |
69 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
2 |
3 |
2 |
1 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
2. О символизации насилия в произведениях о Гражданской войне и Октябрьской Революции |
2371 | 283 |
12 |
49 |
20 |
23 |
23 |
16 |
16 |
20 |
28 |
36 |
21 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
5 |
5 |
2 |
4 |
0 |
3 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
|
Эмоциональное выгорание, травма и нарциссизм |
5871 | 282 |
15 |
36 |
28 |
25 |
21 |
16 |
16 |
23 |
32 |
33 |
19 |
18 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
4 |
7 |
0 |
2 |
0 |
3 |
3 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
1 |
1 |
|
2. Представления об Анимусе мужчины |
2141 | 280 |
16 |
30 |
29 |
30 |
20 |
14 |
16 |
14 |
34 |
31 |
34 |
12 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
2 |
6 |
6 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
4 |
2 |
0 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
|
4. Влияния Анимы и Анимуса на мужское Эго |
2870 | 280 |
11 |
40 |
31 |
26 |
22 |
14 |
19 |
17 |
33 |
30 |
19 |
18 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
4 |
4 |
7 |
1 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
1 |
1 |
1 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
3 |
2 |
1 |
0 |
2 |
|
Ритуалы "скорой помощи", механизмы прерывания контакта и эмоциональное выгорание |
2602 | 280 |
14 |
27 |
21 |
26 |
27 |
26 |
21 |
22 |
35 |
30 |
17 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
5 |
1 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
0 |
0 |
3 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
6. О символизации насилия. Значимые персонажи |
2147 | 278 |
16 |
32 |
25 |
30 |
24 |
24 |
18 |
19 |
24 |
27 |
28 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
4 |
1 |
3 |
0 |
3 |
1 |
2 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
2 |
1 |
2 |
2 |
2 |
0 |
0 |
|
13. Аида: комментарии к либретто |
1964 | 278 |
7 |
37 |
29 |
24 |
24 |
30 |
14 |
19 |
30 |
25 |
19 |
20 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
2 |
4 |
0 |
4 |
1 |
5 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
4 |
2 |
5 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
0 |
3 |
4 |
0 |
0 |
0 |
|
10. Современные андрогинные персонажи, Душа и Дух |
1806 | 275 |
15 |
42 |
18 |
28 |
22 |
23 |
13 |
18 |
25 |
29 |
27 |
15 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
4 |
2 |
4 |
1 |
4 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
3 |
1 |
3 |
2 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
|
Оценка эффективности работы психолога с клиентами |
3040 | 274 |
15 |
35 |
23 |
23 |
26 |
19 |
20 |
30 |
24 |
32 |
17 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
5 |
5 |
5 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
3 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
9. Лихтенберг - мыслящее тело |
1253 | 261 |
9 |
33 |
23 |
28 |
29 |
21 |
16 |
33 |
17 |
27 |
17 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
8 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
7. Созидающее насилие: подвиги Геракла |
1737 | 261 |
23 |
26 |
26 |
25 |
20 |
18 |
11 |
31 |
25 |
22 |
15 |
19 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
3 |
2 |
3 |
5 |
3 |
3 |
0 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
|
6. Сходство и различия сюжетов о Переодетой сестре |
1824 | 261 |
13 |
32 |
30 |
24 |
18 |
16 |
23 |
17 |
21 |
35 |
16 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
5 |
5 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
|
Непрожитая старость |
10479 | 260 |
7 |
35 |
27 |
25 |
25 |
18 |
18 |
14 |
31 |
24 |
20 |
16 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
4 |
0 |
4 |
3 |
3 |
0 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
5 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
2 |
2 |
1 |
2 |
|
О Румпельштильцхене, панических атаках, Льве Толстом и Михаиле Булгакове |
1648 | 259 |
9 |
31 |
21 |
25 |
23 |
11 |
18 |
24 |
28 |
35 |
23 |
11 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
3 |
0 |
3 |
2 |
4 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
0 |
|
Юные птицы старого русского рока |
1037 | 257 |
16 |
30 |
30 |
28 |
21 |
11 |
13 |
26 |
21 |
33 |
17 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
2 |
2 |
4 |
4 |
2 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
3 |
0 |
3 |
3 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
|
7 Заклинатели |
1827 | 256 |
6 |
34 |
28 |
36 |
14 |
20 |
14 |
19 |
20 |
35 |
18 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
2 |
4 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
1 |
|
Образ Бога и зрелость личности |
2584 | 256 |
11 |
38 |
29 |
25 |
24 |
18 |
10 |
28 |
23 |
19 |
22 |
9 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
4 |
8 |
1 |
4 |
1 |
2 |
1 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
2 |
2 |
0 |
1 |
|
Запрет на идентификацию с больным и эмоциональное выгорание |
3099 | 255 |
13 |
36 |
26 |
24 |
25 |
11 |
17 |
18 |
23 |
32 |
18 |
12 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
4 |
1 |
2 |
3 |
3 |
2 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
3 |
1 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
4 |
0 |
0 |
1 |
|
Больница глазами гештальт-терапевта |
4147 | 255 |
6 |
31 |
22 |
30 |
20 |
17 |
11 |
20 |
27 |
35 |
23 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
6 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
0 |
2 |
|
8. Проблемы андрогинности в произведениях М. Цветаевой и Т. Манна |
1718 | 254 |
5 |
35 |
20 |
30 |
20 |
19 |
16 |
30 |
21 |
27 |
18 |
13 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
1 |
3 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
4 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
|
О старости |
2277 | 254 |
13 |
39 |
29 |
30 |
15 |
16 |
32 |
16 |
15 |
27 |
15 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
7 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
2 |
2 |
2 |
0 |
0 |
|
Из плена профессиональной Персоны? |
1607 | 253 |
21 |
40 |
24 |
32 |
16 |
12 |
15 |
18 |
22 |
23 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
6 |
3 |
1 |
1 |
1 |
1 |
2 |
4 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
4 |
3 |
2 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
|
1. Преамбула: феминное и маскулинное |
1906 | 253 |
6 |
30 |
26 |
28 |
20 |
20 |
15 |
17 |
22 |
33 |
20 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
3 |
0 |
0 |
1 |
|
20. О некоторых особенностях структуры фэнтези |
1917 | 252 |
11 |
33 |
26 |
19 |
20 |
17 |
15 |
20 |
22 |
35 |
22 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
3 |
4 |
1 |
3 |
1 |
4 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
0 |
|
3. Убежища |
1636 | 252 |
15 |
29 |
31 |
27 |
21 |
11 |
11 |
15 |
23 |
32 |
25 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
4 |
3 |
5 |
0 |
1 |
0 |
|
22. О героях авторских сказок и фэнтези |
1610 | 251 |
12 |
32 |
37 |
27 |
23 |
12 |
10 |
22 |
19 |
26 |
20 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
1 |
1 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
4 |
1 |
1 |
0 |
1 |
5 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
0 |
2 |
|
9. Психика как пара |
1774 | 251 |
7 |
29 |
19 |
27 |
20 |
18 |
13 |
20 |
20 |
34 |
32 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
7 |
1 |
2 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
|
14. Мир и образ зла в эпопее о Гарри Поттере |
1661 | 250 |
7 |
33 |
26 |
26 |
21 |
11 |
16 |
22 |
30 |
29 |
16 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
5 |
1 |
3 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
|
5. Мужчина выбирает между Анимусом и Анимой |
1732 | 250 |
15 |
25 |
24 |
23 |
23 |
20 |
20 |
25 |
22 |
25 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
2 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
3 |
0 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
7. О проекции переживаний травмы на Аниму |
1559 | 250 |
19 |
29 |
25 |
34 |
17 |
11 |
15 |
17 |
30 |
29 |
11 |
13 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
3 |
3 |
4 |
2 |
1 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
3 |
1 |
0 |
1 |
|
33. Пространство, время, человек и божество в сказке |
1457 | 250 |
11 |
38 |
20 |
25 |
20 |
9 |
14 |
30 |
22 |
28 |
16 |
17 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
|
4. Зловещие магнетизеры |
2351 | 248 |
3 |
30 |
29 |
35 |
31 |
19 |
13 |
17 |
18 |
26 |
15 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
5 |
0 |
3 |
1 |
5 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
|
8. Тотем, Трикстер, Первопредки |
1598 | 248 |
5 |
30 |
22 |
26 |
25 |
15 |
14 |
20 |
28 |
28 |
25 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
5 |
2 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
|
2. Конец истории о Крысолове |
2089 | 248 |
8 |
30 |
30 |
35 |
16 |
12 |
11 |
22 |
28 |
25 |
19 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
2 |
3 |
1 |
4 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
1 |
5 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
|
3. Молитвенная мельница |
1609 | 248 |
16 |
22 |
19 |
23 |
17 |
14 |
15 |
27 |
29 |
32 |
22 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
2 |
4 |
2 |
1 |
1 |
0 |
4 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
|
Роковой треугольник - 1 |
1949 | 248 |
12 |
29 |
25 |
25 |
17 |
12 |
14 |
20 |
21 |
28 |
33 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
2 |
4 |
3 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
|
16. Миры и образы зла, связанные с Темной Башней |
2207 | 246 |
8 |
33 |
26 |
20 |
17 |
18 |
17 |
17 |
25 |
27 |
22 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
2 |
1 |
4 |
4 |
2 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
3 |
1 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
1 |
|
Перстень, яблоко, собор |
1818 | 246 |
10 |
39 |
27 |
28 |
24 |
12 |
16 |
17 |
20 |
23 |
18 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
3 |
0 |
4 |
1 |
4 |
1 |
3 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
4 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
|
11. Миры и зло Средиземья и Валинора |
1663 | 245 |
14 |
25 |
23 |
22 |
20 |
15 |
19 |
21 |
23 |
28 |
20 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
5 |
2 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
|
27. О различении Я и Эго-комплекса |
1377 | 245 |
18 |
31 |
30 |
22 |
25 |
12 |
14 |
16 |
22 |
27 |
12 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
0 |
4 |
0 |
2 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
4 |
2 |
0 |
1 |
|
2. О преображении в полете |
875 | 245 |
6 |
33 |
32 |
22 |
20 |
26 |
14 |
15 |
19 |
29 |
21 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
4 |
1 |
4 |
0 |
3 |
2 |
3 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
3 |
1 |
2 |
0 |
0 |
1 |
1 |
3 |
2 |
3 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
|
9. Символизация насилия: предварительные замечания об интегрирующих образах травмы |
1451 | 245 |
13 |
28 |
24 |
22 |
24 |
14 |
18 |
18 |
30 |
23 |
14 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
3 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
5 |
3 |
0 |
0 |
0 |
3 |
0 |
1 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
|
15. Мир и образ зла в "Темных началах" |
1456 | 244 |
12 |
30 |
30 |
28 |
18 |
14 |
14 |
17 |
21 |
28 |
18 |
14 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
2 |
2 |
1 |
0 |
1 |
4 |
0 |
0 |
|
Кошачья подсистема в семье |
1097 | 243 |
7 |
32 |
19 |
28 |
21 |
14 |
15 |
23 |
20 |
31 |
25 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
5 |
1 |
2 |
2 |
4 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
0 |
0 |
|
Три бестселлера |
1494 | 243 |
14 |
28 |
32 |
27 |
18 |
14 |
16 |
12 |
21 |
28 |
21 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
4 |
2 |
2 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
3 |
1 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Из У. Блейка. Заложенная маленькая девочка (обретенная дочь) |
1778 | 243 |
16 |
31 |
26 |
24 |
20 |
21 |
17 |
14 |
18 |
28 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
3 |
3 |
4 |
3 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
3 |
3 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
0 |
|
Звездный ворон и ядовитый волк |
1207 | 242 |
7 |
38 |
25 |
29 |
31 |
13 |
11 |
15 |
23 |
23 |
17 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
3 |
4 |
0 |
2 |
3 |
4 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
4 |
4 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
|
12. Песочник и его жертва |
1451 | 242 |
14 |
24 |
37 |
18 |
20 |
19 |
16 |
21 |
22 |
23 |
17 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
0 |
2 |
3 |
2 |
1 |
0 |
0 |
1 |
1 |
6 |
1 |
1 |
0 |
3 |
3 |
2 |
2 |
0 |
1 |
|
3 консультации в гештальт-подходе |
2387 | 242 |
5 |
33 |
25 |
24 |
17 |
10 |
14 |
32 |
24 |
27 |
21 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
3 |
5 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
Дворянин Фаланд или владыка альвов? |
1086 | 241 |
10 |
27 |
30 |
26 |
20 |
16 |
16 |
16 |
21 |
30 |
19 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
3 |
4 |
0 |
1 |
2 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
3 |
1 |
0 |
0 |
|
4. Погребальные дроги |
1480 | 241 |
14 |
27 |
27 |
25 |
19 |
12 |
14 |
12 |
26 |
26 |
28 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
4 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
|
2. Персонажи "Котлована" строят новый мир и новое тело |
1180 | 241 |
6 |
29 |
22 |
18 |
25 |
19 |
11 |
34 |
23 |
26 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
2 |
6 |
2 |
1 |
1 |
3 |
2 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
1 |
1 |
|
8. Как остаться инфантильной |
1428 | 240 |
16 |
23 |
24 |
26 |
28 |
20 |
12 |
17 |
23 |
26 |
15 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
0 |
1 |
4 |
4 |
1 |
0 |
2 |
1 |
4 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
|
10. Самозванцы: Пепсер и Крошка Цахес |
2605 | 240 |
11 |
31 |
18 |
26 |
18 |
14 |
16 |
16 |
27 |
32 |
20 |
11 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
2 |
3 |
1 |
0 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
|
16. Медведь |
1283 | 240 |
16 |
30 |
32 |
24 |
20 |
10 |
12 |
19 |
21 |
26 |
17 |
13 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
3 |
1 |
2 |
2 |
3 |
5 |
0 |
2 |
1 |
2 |
0 |
3 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
0 |
2 |
0 |
|
7. Верховное полутело |
1143 | 240 |
5 |
32 |
31 |
22 |
21 |
13 |
15 |
27 |
23 |
23 |
14 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
4 |
2 |
3 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
3 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
|
2.Почему же произведения Гофмана популярны до сих пор? |
1345 | 239 |
13 |
34 |
23 |
18 |
23 |
12 |
14 |
31 |
16 |
29 |
14 |
12 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
0 |
1 |
2 |
3 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
3 |
2 |
2 |
1 |
0 |
4 |
2 |
3 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
|
1. Тело и мир персонажей Андрея Платонова |
1480 | 239 |
13 |
29 |
20 |
23 |
21 |
14 |
17 |
20 |
25 |
25 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
2 |
5 |
4 |
1 |
1 |
0 |
3 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
2 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
|
10. Большая женщина. Начало возрождения |
1133 | 238 |
11 |
26 |
20 |
27 |
22 |
17 |
11 |
26 |
21 |
28 |
16 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
|
О способности понять душевнобольного |
2288 | 237 |
8 |
31 |
30 |
20 |
21 |
10 |
12 |
30 |
19 |
28 |
14 |
14 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
2 |
3 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
|
4. Архаичные материнские образы |
1485 | 237 |
16 |
26 |
26 |
25 |
23 |
14 |
14 |
21 |
19 |
26 |
16 |
11 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
3 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
|
1. Явление Крысолова |
1506 | 237 |
14 |
31 |
25 |
31 |
18 |
14 |
14 |
14 |
19 |
27 |
22 |
8 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
3 |
3 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
1 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
|
Г. Гессе. Стихотворение о Степном Волке |
1916 | 237 |
7 |
38 |
23 |
20 |
14 |
16 |
17 |
19 |
24 |
27 |
19 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
6 |
1 |
2 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
3 |
1 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
|
5. Заместитель |
1460 | 237 |
16 |
26 |
22 |
24 |
25 |
11 |
14 |
19 |
19 |
27 |
20 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
2 |
1 |
5 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
|
Шекспир, сонет 146 |
1444 | 236 |
14 |
26 |
27 |
23 |
21 |
14 |
11 |
17 |
20 |
30 |
23 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
3 |
2 |
0 |
3 |
4 |
2 |
1 |
1 |
1 |
4 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Роковой треугольник -2 |
1854 | 236 |
14 |
30 |
24 |
26 |
16 |
8 |
15 |
14 |
24 |
34 |
22 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
4 |
1 |
3 |
4 |
1 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
2 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
2 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
|
Телесный симптом в роли символа |
2024 | 236 |
13 |
22 |
24 |
24 |
21 |
13 |
20 |
23 |
19 |
33 |
14 |
10 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
2 |
3 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
5 |
2 |
1 |
1 |
|
11. Кое-что об Анимусе женщины |
1601 | 236 |
3 |
38 |
22 |
28 |
23 |
10 |
10 |
26 |
22 |
25 |
14 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
3 |
2 |
3 |
4 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
3 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
|
Хороший начальник Емеля |
1102 | 235 |
15 |
28 |
28 |
27 |
20 |
10 |
15 |
19 |
16 |
25 |
15 |
17 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
1 |
6 |
4 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
12. Мир и зло "Властелина Колец" |
2006 | 235 |
7 |
31 |
25 |
28 |
24 |
14 |
19 |
20 |
20 |
25 |
13 |
9 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
4 |
1 |
2 |
0 |
3 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
0 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
|
6. Анимус делает Аниму зависимой и нежизнеспособной |
1671 | 235 |
13 |
32 |
22 |
16 |
21 |
13 |
13 |
18 |
26 |
33 |
13 |
15 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
3 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
4 |
2 |
1 |
2 |
1 |
0 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
|
Тум-балалайка |
1980 | 234 |
11 |
29 |
21 |
18 |
18 |
15 |
12 |
28 |
22 |
27 |
23 |
10 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
5 |
4 |
2 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
3 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
|
Ангел |
1714 | 234 |
12 |
27 |
25 |
22 |
18 |
13 |
11 |
28 |
25 |
24 |
17 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
0 |
3 |
0 |
3 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Мы и Они |
1892 | 234 |
10 |
36 |
32 |
21 |
21 |
16 |
13 |
18 |
19 |
21 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
3 |
4 |
3 |
1 |
3 |
2 |
2 |
1 |
3 |
1 |
1 |
0 |
3 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
4 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
2 |
4 |
0 |
1 |
2 |
0 |
2 |
|
Мир на костылях |
1529 | 233 |
16 |
37 |
22 |
26 |
18 |
9 |
15 |
20 |
18 |
27 |
16 |
9 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
5 |
4 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
4 |
2 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
|
11. Ничего не кончается |
1128 | 233 |
7 |
26 |
29 |
22 |
31 |
11 |
12 |
19 |
19 |
29 |
12 |
16 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
0 |
4 |
2 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
|
11. Пространство лагеря |
1179 | 233 |
6 |
25 |
21 |
33 |
17 |
18 |
18 |
31 |
14 |
27 |
12 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
6 |
1 |
0 |
3 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
|
Особенности структуры семьи учащихся техникума |
2148 | 233 |
7 |
30 |
19 |
26 |
23 |
23 |
11 |
19 |
19 |
25 |
21 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
0 |
3 |
0 |
4 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
0 |
0 |
0 |
|
5. Сравнение прогностической ценности разных факторов |
1741 | 233 |
12 |
23 |
25 |
24 |
23 |
15 |
14 |
18 |
28 |
23 |
17 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
1 |
3 |
1 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
2 |
1 |
1 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
2 |
|
4. Ранние пьесы М. Цветаевой |
2016 | 233 |
7 |
30 |
22 |
22 |
22 |
16 |
14 |
17 |
18 |
31 |
22 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
3 |
1 |
2 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Ответ Земли (другой вариант) |
1699 | 232 |
8 |
24 |
25 |
28 |
22 |
13 |
13 |
26 |
23 |
23 |
12 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
2 |
3 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
1 |
|
3. Произведения молодости М. Цветаевой |
1482 | 232 |
5 |
33 |
29 |
31 |
14 |
13 |
11 |
17 |
21 |
26 |
17 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
3 |
3 |
1 |
2 |
2 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
5 |
1 |
3 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
1 |
0 |
2 |
5 |
1 |
1 |
1 |
|
Из У. Блейка. Ответ Земли |
1887 | 231 |
14 |
30 |
30 |
20 |
22 |
10 |
12 |
14 |
28 |
27 |
12 |
12 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
1 |
3 |
2 |
6 |
0 |
2 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
1 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
2 |
1 |
2 |
4 |
3 |
2 |
1 |
1 |
|
6. Насколько опасен Анимус мужчины |
1511 | 231 |
11 |
26 |
27 |
19 |
19 |
11 |
11 |
19 |
23 |
33 |
18 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
0 |
1 |
0 |
2 |
3 |
0 |
1 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
1 |
3 |
2 |
0 |
3 |
0 |
0 |
2 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
|
15. Типичные протагонисты произведений Гофмана |
1552 | 231 |
15 |
28 |
23 |
21 |
19 |
11 |
17 |
19 |
24 |
27 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
4 |
3 |
6 |
1 |
2 |
1 |
3 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
5. Идущий следом |
1551 | 231 |
11 |
29 |
27 |
26 |
14 |
16 |
13 |
15 |
22 |
25 |
20 |
13 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
2 |
1 |
3 |
4 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
2 |
0 |
2 |
4 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
2 |
|
4. прогнозирование выгорани я у сотрудников "скорой медицинской помощи" по отмеченным ими значимым факторам трудового стресса |
1644 | 231 |
6 |
36 |
23 |
24 |
17 |
13 |
11 |
29 |
25 |
26 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
7 |
1 |
1 |
4 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
2 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
|
35. О консервативности юнгианского подхода к сказочным сюжетам |
1559 | 231 |
13 |
28 |
29 |
19 |
24 |
11 |
13 |
19 |
19 |
25 |
18 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
4 |
4 |
4 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
3 |
3 |
2 |
0 |
|
9. Начало перехода |
1131 | 230 |
20 |
25 |
24 |
18 |
16 |
11 |
15 |
29 |
17 |
30 |
15 |
10 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
5 |
4 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
30. Сказочный персонаж: форма и содержимое |
1442 | 230 |
9 |
36 |
24 |
21 |
18 |
21 |
14 |
20 |
18 |
20 |
15 |
14 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
5 |
2 |
3 |
2 |
3 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
|
Типы семей, получающих помощь в социальном центре |
1737 | 230 |
10 |
27 |
21 |
20 |
23 |
13 |
12 |
22 |
24 |
28 |
22 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
3 |
3 |
1 |
1 |
3 |
3 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
4 |
2 |
2 |
2 |
0 |
1 |
|
3. Сказка о феминном и маскулинном состояниях Эго |
1646 | 230 |
12 |
27 |
26 |
25 |
17 |
15 |
17 |
14 |
18 |
25 |
19 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
6 |
4 |
2 |
3 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
4 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
5 |
2 |
1 |
2 |
0 |
|
2. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по высказанным в разговорах эмоциям |
1716 | 230 |
6 |
41 |
18 |
21 |
19 |
16 |
13 |
23 |
25 |
23 |
14 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
2 |
2 |
3 |
2 |
5 |
2 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
|
2. Сказка о становлении гендерных различий и женского Эго |
1671 | 230 |
12 |
27 |
23 |
24 |
22 |
11 |
14 |
18 |
26 |
21 |
17 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
5 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
1 |
2 |
3 |
0 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
|
23. Настя заболела |
1331 | 230 |
11 |
34 |
17 |
30 |
17 |
16 |
11 |
14 |
22 |
24 |
19 |
15 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
9 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
3 |
2 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
|
1. Введение |
1663 | 229 |
10 |
33 |
26 |
29 |
19 |
15 |
11 |
17 |
16 |
23 |
18 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
2 |
4 |
5 |
2 |
1 |
0 |
4 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
0 |
1 |
0 |
1 |
1 |
4 |
1 |
0 |
0 |
|
Реквием Ваське |
1656 | 229 |
19 |
27 |
25 |
28 |
17 |
9 |
10 |
16 |
23 |
25 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
2 |
4 |
2 |
5 |
2 |
1 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
|
27. Безвременье котлована |
1128 | 229 |
17 |
26 |
16 |
23 |
18 |
15 |
13 |
21 |
22 |
23 |
20 |
15 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
2 |
3 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
3 |
1 |
0 |
4 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
|
15. Ненаучное животное в мусорном ветре |
1203 | 229 |
16 |
31 |
21 |
25 |
24 |
10 |
13 |
17 |
21 |
26 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
|
3. прогнозирование выгорания у сотрудников "скорой медицинской помощи" по отмеченным ими у себя симтомам выгорания |
1747 | 228 |
8 |
30 |
24 |
26 |
18 |
21 |
11 |
18 |
22 |
24 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
4 |
6 |
1 |
3 |
0 |
2 |
0 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
|
5. Женщина в плаще цвета Времени |
1384 | 228 |
6 |
31 |
21 |
28 |
26 |
13 |
10 |
19 |
18 |
27 |
17 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
3 |
8 |
2 |
3 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
|
8. Поглощенное время |
1546 | 228 |
11 |
29 |
22 |
26 |
21 |
10 |
20 |
18 |
21 |
26 |
14 |
10 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
4 |
3 |
1 |
1 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
5 |
2 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
|
Представления современных городских девятиклассников о мотивах вступления в интимные отношения |
1762 | 228 |
14 |
27 |
17 |
24 |
18 |
19 |
17 |
14 |
32 |
21 |
16 |
9 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
4 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
|
Начальство развлекается |
1485 | 228 |
5 |
25 |
28 |
25 |
23 |
11 |
11 |
25 |
22 |
28 |
15 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
2 |
3 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
2 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
|
24. Медведь и другие |
1037 | 228 |
17 |
34 |
24 |
26 |
17 |
12 |
13 |
16 |
19 |
25 |
15 |
10 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
3 |
1 |
3 |
4 |
2 |
3 |
0 |
2 |
1 |
4 |
0 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
|
28. О символике эволюции |
1364 | 228 |
9 |
25 |
31 |
23 |
22 |
14 |
12 |
23 |
15 |
29 |
15 |
10 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
2 |
2 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
3 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
2 |
2 |
0 |
3 |
0 |
1 |
2 |
0 |
2 |
|
3. Выбор художника - Анима или Анимус? |
1643 | 228 |
11 |
26 |
20 |
22 |
20 |
11 |
15 |
20 |
28 |
22 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
0 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
1 |
2 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
4 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
|
13. Теневая консолидация психики, Эго и границы в произведениях Дж. Р. Р. Толкиена |
1457 | 228 |
14 |
27 |
21 |
19 |
26 |
13 |
14 |
16 |
22 |
28 |
15 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
0 |
3 |
3 |
2 |
5 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
4 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
|
Г. Гессе. Ступени |
1775 | 227 |
7 |
26 |
24 |
25 |
15 |
18 |
10 |
15 |
25 |
29 |
19 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
3 |
3 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
15. Деревня изнутри. Во дворах |
1146 | 227 |
8 |
25 |
25 |
26 |
19 |
16 |
10 |
19 |
22 |
28 |
17 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
1 |
0 |
3 |
2 |
3 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
|
4. Блуждания невоплощенного |
1210 | 227 |
13 |
30 |
27 |
21 |
19 |
10 |
15 |
15 |
24 |
23 |
15 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
4 |
3 |
0 |
2 |
3 |
2 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
4 |
1 |
3 |
1 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
2 |
2 |
2 |
2 |
3 |
|
Отношения клиента с субъектами профилактики и эффективность психологического консультирования |
1691 | 227 |
14 |
22 |
21 |
25 |
20 |
16 |
14 |
19 |
20 |
27 |
18 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
1 |
1 |
2 |
2 |
0 |
2 |
2 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
|
Из У. Блейка. Ангел |
1614 | 227 |
16 |
29 |
27 |
28 |
21 |
10 |
11 |
14 |
24 |
25 |
11 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
1 |
2 |
3 |
1 |
0 |
1 |
|
Венок сонетов Ваське |
1959 | 227 |
6 |
24 |
23 |
25 |
18 |
10 |
8 |
16 |
38 |
24 |
24 |
11 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
2 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
|
25. Об особенностях травматической интеграции психики |
1494 | 226 |
14 |
23 |
24 |
24 |
20 |
16 |
13 |
19 |
18 |
25 |
16 |
14 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
2 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
2 |
1 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
|
10. Модели интеграции психики в героическом эпосе |
1598 | 226 |
10 |
29 |
31 |
17 |
21 |
15 |
12 |
18 |
20 |
29 |
12 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
|
Юнгианцы и странные научные теории |
831 | 226 |
16 |
36 |
16 |
21 |
22 |
12 |
12 |
18 |
23 |
23 |
14 |
13 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
4 |
0 |
3 |
1 |
4 |
5 |
1 |
1 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
4 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
|
1. Птичьи формы феминности в эпосе "Урал-Батыр" |
784 | 226 |
10 |
34 |
29 |
25 |
15 |
14 |
12 |
21 |
20 |
21 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
0 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
3 |
2 |
4 |
1 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
4 |
1 |
1 |
0 |
0 |
0 |
|
18. Ночные пляски |
1144 | 226 |
10 |
31 |
31 |
26 |
16 |
14 |
10 |
14 |
19 |
24 |
18 |
13 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
3 |
4 |
4 |
3 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
4 |
0 |
1 |
5 |
1 |
1 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
2 |
|
Ритуал перехода и эмоциональное выгорание сотрудников скорой помощи |
2338 | 226 |
14 |
24 |
24 |
28 |
16 |
14 |
12 |
27 |
19 |
26 |
10 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
1 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
2 |
|
20. Нвстя заболевает |
1202 | 225 |
13 |
26 |
16 |
25 |
15 |
12 |
15 |
12 |
26 |
30 |
22 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
5 |
6 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
1 |
1 |
3 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
|
Юнгианское стихотворение о сказках |
1550 | 225 |
3 |
27 |
20 |
34 |
22 |
11 |
15 |
19 |
22 |
25 |
15 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
0 |
2 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
|
1. Маленький рыцарский роман |
1571 | 225 |
13 |
28 |
22 |
30 |
18 |
17 |
10 |
18 |
17 |
24 |
15 |
13 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
2 |
2 |
1 |
3 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
2 |
3 |
1 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
|
Бестиарий |
1460 | 225 |
10 |
35 |
25 |
23 |
21 |
15 |
15 |
16 |
22 |
21 |
13 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
2 |
5 |
0 |
3 |
0 |
3 |
0 |
2 |
3 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
3 |
1 |
1 |
1 |
0 |
2 |
1 |
2 |
0 |
1 |
|
18. Диспозиция и динамика некоторых авторских сказок |
1277 | 224 |
15 |
23 |
24 |
23 |
21 |
11 |
17 |
17 |
22 |
21 |
18 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
1 |
4 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
2 |
2 |
3 |
1 |
1 |
1 |
|
6. Скорбная земля |
1660 | 224 |
11 |
34 |
20 |
23 |
17 |
13 |
16 |
14 |
24 |
23 |
18 |
11 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
2 |
3 |
5 |
2 |
1 |
0 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
|
26. Настина смерть |
1168 | 224 |
14 |
30 |
26 |
30 |
18 |
10 |
12 |
13 |
18 |
25 |
16 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
7 |
3 |
2 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
|
5. Мужской Анимус конкурирует с Анимой в том, что касается творчества |
1574 | 224 |
11 |
29 |
21 |
21 |
17 |
21 |
15 |
16 |
20 |
28 |
15 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
6 |
3 |
0 |
2 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
1 |
|
14. Мертвая мать и ее дети |
1172 | 223 |
8 |
36 |
26 |
23 |
20 |
13 |
14 |
13 |
20 |
22 |
15 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
4 |
5 |
4 |
1 |
0 |
3 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
4 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
7. Мужское и женское в произведениях Т. Манна |
1667 | 218 |
8 |
22 |
25 |
22 |
20 |
11 |
20 |
14 |
20 |
24 |
17 |
15 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
4 |
0 |
2 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
3 |
0 |
0 |
3 |
2 |
3 |
2 |
2 |
0 |
0 |
|
10. Начало контакта |
1118 | 218 |
15 |
25 |
21 |
25 |
20 |
9 |
12 |
28 |
13 |
25 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
4 |
1 |
2 |
2 |
1 |
3 |
3 |
1 |
2 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
|
Жили-были... |
1698 | 218 |
10 |
27 |
19 |
22 |
21 |
9 |
14 |
27 |
24 |
23 |
15 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
5 |
4 |
0 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
3 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
|
19. Тишина |
1134 | 217 |
17 |
26 |
20 |
22 |
19 |
12 |
12 |
16 |
24 |
24 |
16 |
9 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
3 |
1 |
1 |
4 |
4 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
2 |
2 |
2 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
|
4. Сказка о травме и восстановлении |
1647 | 217 |
18 |
22 |
26 |
24 |
19 |
11 |
19 |
15 |
17 |
20 |
13 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
3 |
2 |
1 |
3 |
6 |
2 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
3 |
0 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
|
29. Как экономят мышление с помощью мифических образов |
1287 | 217 |
9 |
26 |
23 |
21 |
22 |
13 |
10 |
18 |
21 |
29 |
10 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
4 |
6 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
|
9. Некоторые модели психической интеграции |
1543 | 217 |
8 |
29 |
19 |
25 |
22 |
9 |
14 |
19 |
18 |
27 |
14 |
13 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
4 |
0 |
3 |
0 |
2 |
0 |
2 |
2 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
4 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
|
Бумажная Принцесса |
1219 | 217 |
13 |
30 |
24 |
25 |
18 |
8 |
15 |
15 |
22 |
22 |
17 |
8 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
1 |
4 |
3 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
4 |
2 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
|
Прогнозирование эффективности психологической помощи семьям |
1743 | 217 |
7 |
33 |
21 |
22 |
19 |
10 |
16 |
19 |
23 |
24 |
13 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
3 |
3 |
0 |
2 |
0 |
3 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
2 |
4 |
3 |
1 |
2 |
0 |
0 |
2 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
|
Вариация на тему |
934 | 216 |
8 |
23 |
22 |
25 |
19 |
16 |
12 |
17 |
19 |
26 |
17 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
2 |
1 |
4 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
|
7. Индивидуальности котлована |
1187 | 216 |
10 |
25 |
22 |
26 |
18 |
8 |
11 |
17 |
21 |
28 |
15 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
2 |
2 |
2 |
4 |
1 |
1 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
0 |
|
Визит Аристокла |
1550 | 216 |
7 |
27 |
28 |
23 |
23 |
11 |
12 |
16 |
21 |
25 |
16 |
7 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
4 |
2 |
0 |
1 |
1 |
3 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
5 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
3 |
0 |
1 |
0 |
|
3. На улице |
1150 | 216 |
6 |
36 |
23 |
30 |
14 |
12 |
13 |
13 |
17 |
29 |
13 |
10 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
1 |
2 |
1 |
5 |
3 |
2 |
1 |
3 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
1 |
|
5. Погибшее братство и Лихтенберг |
1064 | 215 |
13 |
23 |
28 |
25 |
16 |
11 |
9 |
17 |
19 |
25 |
18 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
0 |
3 |
2 |
4 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
4 |
2 |
1 |
0 |
0 |
|
Из У. Блейка. Маленькая пропавшая девочка (Заблудившаяся дочь) |
1914 | 215 |
9 |
23 |
25 |
29 |
19 |
12 |
11 |
15 |
17 |
27 |
13 |
15 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
3 |
3 |
1 |
1 |
1 |
|
12. Люди лагеря |
1075 | 215 |
13 |
31 |
18 |
19 |
18 |
16 |
12 |
17 |
19 |
29 |
15 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
2 |
4 |
2 |
6 |
2 |
2 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
3 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
|
Компьютерная игра вместо визуализации |
1838 | 215 |
10 |
25 |
28 |
28 |
18 |
17 |
12 |
17 |
17 |
22 |
12 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
4 |
5 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
2 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
0 |
1 |
|
Милая жизнь |
1290 | 215 |
5 |
35 |
22 |
30 |
17 |
17 |
10 |
13 |
14 |
23 |
15 |
14 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
3 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
2 |
1 |
4 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
1 |
|
31. Становление символа во времени |
1339 | 214 |
18 |
17 |
28 |
22 |
21 |
11 |
11 |
20 |
19 |
25 |
12 |
10 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
3 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
3 |
2 |
|
Хрупкие миры |
602 | 214 |
5 |
29 |
27 |
19 |
16 |
16 |
10 |
19 |
17 |
23 |
21 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
3 |
0 |
3 |
1 |
4 |
2 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
4 |
2 |
1 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
| Итого | За последние 12 месяцев | Nov | Oct | Sep |
| Всего | 12мес | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 |
|
17. Плот |
1178 | 214 |
6 |
25 |
27 |
17 |
13 |
12 |
11 |
34 |
17 |
27 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
4 |
1 |
2 |
2 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
5 |
1 |
2 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
|
Проблемы профессионального становления личности: работа со сновидениями |
1777 | 214 |
11 |
25 |
22 |
22 |
18 |
17 |
9 |
16 |
23 |
23 |
16 |
12 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
5 |
4 |
0 |
1 |
0 |
2 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
3 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
2 |
|
32. Для чего нужен символ? |
1298 | 214 |
12 |
21 |
21 |
19 |
20 |
16 |
12 |
16 |
18 |
29 |
17 |
13 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
3 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
3 |
1 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
|
5. О символизации насилия. Сравнение описаний скальдов, эддических и советских авторов |
1671 | 213 |
16 |
25 |
26 |
21 |
21 |
9 |
13 |
13 |
16 |
26 |
15 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
2 |
4 |
5 |
5 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
0 |
0 |
|
Король |
1567 | 213 |
13 |
27 |
28 |
22 |
23 |
10 |
11 |
16 |
18 |
21 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
3 |
2 |
2 |
1 |
4 |
3 |
1 |
1 |
1 |
4 |
0 |
1 |
3 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
|
34. Ошибка психики: чрезмерная ее консолидация |
1514 | 213 |
8 |
30 |
19 |
16 |
22 |
15 |
11 |
18 |
26 |
22 |
14 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
4 |
3 |
0 |
2 |
1 |
3 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
3 |
1 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
|
1. Миф, мир и психика |
1558 | 213 |
9 |
26 |
24 |
20 |
22 |
12 |
14 |
20 |
16 |
24 |
17 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
2 |
3 |
3 |
0 |
1 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
5 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
|
Мышиная звезда |
780 | 213 |
7 |
31 |
21 |
24 |
20 |
11 |
14 |
14 |
24 |
26 |
13 |
8 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
2 |
4 |
0 |
2 |
2 |
4 |
1 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
2 |
2 |
0 |
0 |
3 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
|
2. Усталость |
1814 | 213 |
5 |
28 |
23 |
23 |
15 |
12 |
14 |
16 |
27 |
21 |
17 |
12 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
2 |
2 |
3 |
1 |
3 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
|
Как растет Бог |
1745 | 212 |
3 |
27 |
26 |
16 |
16 |
25 |
11 |
21 |
14 |
24 |
20 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
1 |
3 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
|
3. О смысле телесности в повести А. Платонова "Котлован" |
1184 | 212 |
7 |
31 |
24 |
25 |
17 |
12 |
12 |
18 |
20 |
20 |
15 |
11 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
4 |
1 |
3 |
1 |
2 |
0 |
2 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
4 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
2 |
0 |
2 |
0 |
|
Кто это входит в мои мозги? |
1791 | 212 |
5 |
31 |
19 |
23 |
21 |
9 |
14 |
20 |
15 |
28 |
17 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
2 |
1 |
2 |
2 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
2 |
3 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
2 |
|
9. Расщепление Эго и Персоны в отношениях с Анимой |
1416 | 212 |
5 |
24 |
25 |
22 |
19 |
13 |
15 |
20 |
17 |
27 |
14 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
2 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
4 |
0 |
1 |
1 |
2 |
3 |
0 |
1 |
0 |
|
1. Телесные трансформации в рассказе "Мусорный ветер" |
1133 | 211 |
16 |
23 |
16 |
20 |
19 |
14 |
13 |
16 |
20 |
24 |
17 |
13 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
1 |
0 |
5 |
3 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
4 |
3 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
|
23. Снейп и Колтер: маргинальные персонажи фэнтези |
1321 | 210 |
6 |
28 |
28 |
27 |
20 |
8 |
8 |
16 |
21 |
25 |
13 |
10 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
3 |
4 |
1 |
3 |
1 |
2 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
4 |
1 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
3 |
2 |
1 |
0 |
3 |
1 |
1 |
3 |
0 |
0 |
1 |
|
12. Новое пространство |
1070 | 210 |
5 |
33 |
22 |
25 |
17 |
8 |
10 |
18 |
19 |
26 |
16 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
4 |
1 |
2 |
1 |
2 |
3 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
0 |
6 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
1 |
0 |
|
10 охламонов |
1817 | 210 |
7 |
31 |
22 |
22 |
20 |
11 |
7 |
15 |
23 |
26 |
18 |
8 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
2 |
0 |
3 |
2 |
2 |
1 |
2 |
3 |
0 |
4 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
|
22. Девушки и Прушевский |
1188 | 209 |
16 |
23 |
22 |
21 |
19 |
10 |
12 |
18 |
17 |
25 |
14 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
4 |
4 |
4 |
2 |
0 |
1 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
3 |
4 |
0 |
0 |
0 |
|
Попурри а-ля постмодерн |
1748 | 209 |
13 |
25 |
21 |
21 |
15 |
21 |
12 |
15 |
18 |
26 |
14 |
8 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
2 |
3 |
3 |
3 |
0 |
2 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
2 |
2 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
|
Среда обитания |
1806 | 209 |
14 |
24 |
26 |
29 |
18 |
10 |
11 |
15 |
15 |
24 |
14 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
3 |
4 |
3 |
1 |
0 |
1 |
0 |
2 |
2 |
1 |
3 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
1 |
0 |
0 |