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| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
| По разделу | 44005 | 1064 | 70 | 94 | 80 | 76 | 81 | 112 | 107 | 99 | 116 | 93 | 70 | 66 | 0 | 3 | 3 | 2 | 3 | 6 | 2 | 3 | 1 | 3 | 1 | 2 | 2 | 2 | 2 | 5 | 2 | 3 | 2 | 4 | 4 | 3 | 5 | 5 | 2 | 6 | 3 | 4 | 4 | 2 | 2 | 6 | 6 | 2 | 3 | 2 | 3 | 3 | 5 | 4 | 3 | 2 | 3 | 2 | 2 | 2 | 4 | 4 | 2 | 2 | 3 | 1 | 3 | 3 | 3 | 1 | 4 | 3 | 2 | 2 | 2 | 3 |
| Роман И.А.Бунина "жизнь Арсеньева": "контексты Понимания" И Символика Образов | 2640 | 633 | 42 | 60 | 32 | 39 | 49 | 73 | 75 | 74 | 60 | 45 | 39 | 45 | 0 | 3 | 0 | 2 | 0 | 6 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 5 | 1 | 0 | 2 | 1 | 1 | 2 | 5 | 5 | 0 | 6 | 0 | 2 | 2 | 0 | 1 | 6 | 6 | 2 | 1 | 2 | 3 | 3 | 1 | 3 | 3 | 0 | 2 | 0 | 2 | 2 | 1 | 4 | 2 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 |
| О новой повести Валентина Распутина "Дочь Ивана, мать Ивана" | 14068 | 407 | 26 | 31 | 29 | 28 | 25 | 34 | 40 | 55 | 45 | 44 | 33 | 17 | 0 | 0 | 3 | 0 | 3 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 2 | 1 | 4 | 0 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 1 | 0 | 2 | 2 | 3 | 1 | 2 | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 |
| А.С. Грин: Виноградная Ветвь И Проблема Миропонимания Писателя | 1254 | 371 | 33 | 28 | 32 | 35 | 29 | 29 | 32 | 36 | 41 | 30 | 23 | 23 | 0 | 2 | 1 | 1 | 2 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 3 | 2 | 1 | 0 | 3 | 3 | 2 | 5 | 3 | 0 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 2 | 0 | 1 | 2 | 2 | 2 | 1 | 1 | 0 | 0 | 2 | 0 | 1 | 1 | 4 | 1 | 1 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 |
| Роман И.А. Бунина "жизнь Арсеньева": "контексты понимания" и символика образов | 1159 | 295 | 20 | 21 | 24 | 24 | 15 | 43 | 29 | 33 | 32 | 22 | 23 | 9 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 3 | 1 | 0 | 1 | 0 |
| Небесная составляющая русской литературы (Несколько слов к вопросу о "бессюжетности". Из работы А.И. Смоленцева "Иван Бунин. Гармония страдания") | 1412 | 278 | 17 | 20 | 26 | 17 | 14 | 22 | 25 | 40 | 40 | 21 | 18 | 18 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 4 | 1 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 2 | 0 |
| Художественный мир творчества Н.А. Заболоцкого в контексте мира Библии | 1644 | 264 | 14 | 25 | 27 | 15 | 16 | 22 | 33 | 27 | 32 | 31 | 9 | 13 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 3 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 3 | 0 | 1 | 0 | 4 | 1 | 2 | 1 | 1 | 0 |
| Высшая мера мечты( "Алые паруса" А.С. Грина - Православный взгляд) | 1827 | 264 | 18 | 11 | 21 | 21 | 20 | 19 | 22 | 27 | 44 | 20 | 18 | 23 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 2 | 2 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 0 | 1 | 1 |
| "...до четырнадцатой строки" (поэзия Евгения Чепурных и настоящее русского творческого слова) | 1676 | 239 | 28 | 19 | 22 | 19 | 8 | 16 | 24 | 26 | 30 | 22 | 17 | 8 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 2 | 1 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 4 | 2 | 4 | 0 | 2 | 2 | 0 | 1 | 2 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 2 | 0 |
| Информация о владельце раздела | 991 | 236 | 19 | 18 | 23 | 24 | 11 | 14 | 24 | 23 | 33 | 19 | 13 | 15 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 0 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 |
| Замысел "воскресить чей-то далекий юный образ..." (стихотворение И.А.Бунина "1885 год" и роман "жизнь Арсеньева") | 715 | 227 | 16 | 12 | 14 | 13 | 9 | 17 | 23 | 26 | 31 | 28 | 21 | 17 | 0 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 2 | 3 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 3 |
| Мир Бога в художественном мире И. А. Бунина (роман "жизнь Арсеньева") | 684 | 223 | 13 | 18 | 21 | 15 | 16 | 19 | 23 | 24 | 31 | 20 | 15 | 8 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 5 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 1 | 1 |
| Александр Пушкин: "инстинкт Истины". Православный вектор судьбы | 1331 | 222 | 14 | 11 | 19 | 17 | 13 | 14 | 19 | 26 | 34 | 30 | 10 | 15 | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 |
| Умейте же беречь! Слово и Мужество Русской литературы | 992 | 217 | 18 | 22 | 15 | 18 | 19 | 23 | 21 | 19 | 22 | 19 | 11 | 10 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 3 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 1 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 |
| Пересеченная местность | 818 | 217 | 16 | 17 | 16 | 10 | 12 | 22 | 21 | 31 | 27 | 17 | 14 | 14 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 |
| Спор "Лев Толстой и Православие" - в Православных координатах | 848 | 212 | 19 | 22 | 19 | 13 | 16 | 17 | 17 | 21 | 26 | 18 | 11 | 13 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 2 | 0 | 2 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 2 | 2 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 |
| Чистая боль о Василии Макаровиче Шукшине, его жизни и прозе, истории души его героев | 823 | 209 | 18 | 20 | 17 | 10 | 10 | 18 | 23 | 28 | 21 | 24 | 12 | 8 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 2 | 2 | 1 | 4 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 |
| "Божественный зов" (Религиозные аспекты символизма в поэзии И. А. Бунина. Православный взгляд) | 1386 | 207 | 10 | 19 | 16 | 14 | 11 | 15 | 20 | 28 | 31 | 19 | 11 | 13 | 0 | 1 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Переправа Ивана Смоленцева | 845 | 207 | 21 | 24 | 17 | 11 | 10 | 17 | 16 | 25 | 22 | 21 | 11 | 12 | 0 | 1 | 0 | 2 | 2 | 1 | 2 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 | 3 | 1 | 2 | 0 | 0 | 1 | 4 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 |
| Береженый хлеб | 826 | 205 | 15 | 15 | 16 | 12 | 14 | 38 | 15 | 21 | 21 | 20 | 10 | 8 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| Итого | За последние 12 месяцев | Oct | Sep | Aug | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | |
| Недо-тимуры и их недо-команды... (стравнение масштабов - стихотворение Арсения Несмелова и спектакли современной общественной жизни) | 622 | 203 | 13 | 14 | 11 | 12 | 16 | 14 | 20 | 24 | 31 | 21 | 16 | 11 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 3 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 |
| Иван Смоленцев - неизвестный крестьянский русский поэт второй половины Хх века | 853 | 201 | 12 | 19 | 19 | 15 | 14 | 12 | 17 | 29 | 32 | 17 | 8 | 7 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 | 0 |
| "землячество" как "контекст понимания" в творчестве Ивана Бунина | 586 | 196 | 11 | 18 | 17 | 13 | 7 | 14 | 20 | 25 | 31 | 14 | 17 | 9 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 |
| "Стыд мыслить и ужас быть человеком": Анненский и Бунин над переводом Л. де Лиля | 1460 | 195 | 22 | 21 | 12 | 13 | 14 | 17 | 14 | 20 | 29 | 12 | 16 | 5 | 0 | 2 | 1 | 2 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 1 | 2 | 2 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 |
| Птицы как "свидетели" тайны творчества (по стихам и прозе Ивана Бунина) | 626 | 194 | 14 | 18 | 17 | 14 | 13 | 17 | 19 | 22 | 28 | 15 | 10 | 7 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 | 2 | 3 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 3 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| Название сериала "перевал Дятлова" нельзя было связывать с реальной трагедией... это - стыдно... | 716 | 192 | 17 | 16 | 16 | 11 | 12 | 31 | 19 | 24 | 21 | 12 | 6 | 7 | 0 | 1 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 0 | 2 | 1 | 2 | 1 | 1 | 2 | 0 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 1 |
| Иван. И. Твердовский: "собери людей, куда они поразбрелись!" (о фильме "конференция" - "заметки сгоряча"... на скорую руку) | 557 | 188 | 13 | 7 | 18 | 12 | 9 | 17 | 20 | 24 | 27 | 18 | 14 | 9 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 2 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 2 | 0 |
| О мотивации, сбойной конструкции и прочих прелестях иной "любви" | 1101 | 178 | 17 | 14 | 15 | 14 | 10 | 16 | 10 | 23 | 27 | 10 | 11 | 11 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 | 1 | 3 | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 |
| Трагедия Новочеркасска: стреляли в Население попали в Народ... - об очевидных, - но, вряд ли, замеченных, - смыслах фильма А. Кончаловского "дорогие товарищи" | 447 | 165 | 19 | 20 | 11 | 16 | 5 | 10 | 15 | 18 | 21 | 11 | 9 | 10 | 0 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 2 | 1 | 1 | 2 | 0 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| "Землячество" как "контекст понимания" в творчестве Ивана Бунина | 497 | 165 | 10 | 12 | 13 | 9 | 8 | 9 | 20 | 24 | 28 | 11 | 11 | 10 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 |
| "знание Бога" (Благодать) и "знание о Боге" (Закон) как критерий понимания | 601 | 156 | 10 | 10 | 18 | 12 | 7 | 10 | 15 | 22 | 18 | 11 | 15 | 8 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 |