| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
По разделу |
75240 | 1617 |
26 |
173 |
129 |
100 |
99 |
114 |
176 |
208 |
173 |
188 |
122 |
109 |
1 |
7 |
10 |
3 |
5 |
7 |
3 |
3 |
8 |
2 |
4 |
9 |
6 |
9 |
5 |
6 |
9 |
9 |
6 |
16 |
4 |
5 |
3 |
7 |
4 |
5 |
5 |
3 |
10 |
6 |
7 |
2 |
3 |
4 |
3 |
7 |
4 |
4 |
4 |
5 |
3 |
3 |
8 |
3 |
3 |
4 |
2 |
3 |
4 |
3 |
3 |
4 |
5 |
2 |
3 |
2 |
4 |
3 |
2 |
12 |
3 |
4 |
|
Дик Хэбдидж, Субкультура, значение стиля |
7635 | 1459 |
25 |
159 |
109 |
86 |
66 |
99 |
171 |
208 |
163 |
176 |
106 |
91 |
0 |
7 |
10 |
3 |
5 |
7 |
1 |
1 |
8 |
2 |
4 |
9 |
6 |
9 |
5 |
6 |
7 |
9 |
6 |
16 |
4 |
3 |
3 |
7 |
3 |
5 |
5 |
3 |
10 |
6 |
7 |
1 |
3 |
1 |
2 |
5 |
4 |
3 |
4 |
4 |
2 |
1 |
8 |
3 |
3 |
4 |
1 |
0 |
4 |
1 |
3 |
4 |
5 |
2 |
3 |
2 |
4 |
3 |
2 |
12 |
0 |
1 |
|
Иисус Христос был хиппи |
1267 | 359 |
1 |
39 |
44 |
24 |
29 |
32 |
35 |
26 |
37 |
46 |
20 |
26 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
3 |
2 |
0 |
2 |
1 |
2 |
1 |
2 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
1 |
0 |
0 |
3 |
2 |
3 |
3 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
|
Paul Goodman "Growing Up Absurd" |
2102 | 302 |
4 |
30 |
35 |
30 |
33 |
22 |
16 |
17 |
19 |
31 |
40 |
25 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
3 |
1 |
3 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
4 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
0 |
2 |
2 |
4 |
0 |
4 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
|
Словарик терминов полиамории |
1402 | 301 |
3 |
24 |
29 |
27 |
30 |
15 |
15 |
19 |
31 |
39 |
41 |
28 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Теодор Роззак Создание старшей культуры |
1582 | 223 |
1 |
23 |
31 |
29 |
16 |
21 |
9 |
16 |
16 |
17 |
22 |
22 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
2 |
2 |
3 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
2 |
1 |
3 |
2 |
1 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
|
Провалился ли проект религиозной контркультуры? |
1146 | 215 |
3 |
24 |
32 |
24 |
21 |
12 |
16 |
13 |
18 |
22 |
17 |
13 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
3 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
2 |
0 |
1 |
3 |
0 |
1 |
2 |
0 |
2 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
|
Контркультура vs левые, история конфликта |
1555 | 215 |
0 |
12 |
23 |
16 |
22 |
17 |
12 |
15 |
26 |
33 |
17 |
22 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
1 |
1 |
2 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
|
Субкультуры и самоубийства, социологический аспект |
1225 | 214 |
9 |
20 |
23 |
20 |
22 |
12 |
11 |
13 |
27 |
22 |
24 |
11 |
0 |
3 |
4 |
2 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Пилат и другие - до Петровича, но с Вайдой |
1473 | 212 |
2 |
21 |
32 |
20 |
19 |
17 |
16 |
14 |
12 |
27 |
17 |
15 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
5 |
2 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
3 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
|
Атеизм в шестидесятых: Ссср и Сша |
1227 | 212 |
4 |
18 |
36 |
21 |
21 |
15 |
15 |
8 |
14 |
27 |
20 |
13 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
4 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
3 |
1 |
0 |
2 |
1 |
|
Американская психоистория |
1679 | 210 |
2 |
23 |
26 |
19 |
20 |
17 |
16 |
7 |
13 |
27 |
24 |
16 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
6 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Банды Манчестера: История «scuttlers» |
1443 | 209 |
2 |
16 |
31 |
21 |
21 |
20 |
9 |
18 |
16 |
20 |
25 |
10 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
2 |
2 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Теория праздного класса, Торстейн Веблен |
1460 | 209 |
1 |
19 |
23 |
19 |
22 |
16 |
11 |
14 |
17 |
19 |
30 |
18 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
2 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
0 |
0 |
2 |
|
Джоан Баэз - Воины Солнца |
1344 | 202 |
1 |
22 |
26 |
20 |
31 |
17 |
13 |
11 |
15 |
17 |
15 |
14 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
1 |
2 |
2 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
3 |
0 |
2 |
3 |
1 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
|
Мириам Уильямс, Из жизни сакральной проститутки |
2019 | 200 |
2 |
25 |
28 |
24 |
20 |
13 |
4 |
13 |
22 |
16 |
18 |
15 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
2 |
1 |
1 |
1 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Youth: The Hippies |
1218 | 195 |
1 |
22 |
21 |
18 |
24 |
12 |
10 |
12 |
13 |
28 |
23 |
11 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Неформальная литература, размышления о непонятном |
1525 | 194 |
5 |
41 |
22 |
14 |
16 |
14 |
9 |
7 |
9 |
19 |
18 |
20 |
0 |
1 |
1 |
2 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
3 |
9 |
7 |
5 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
3 |
1 |
0 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
|
Кеннет Рексрот, «создавая Контркультуру» |
1658 | 193 |
3 |
22 |
27 |
20 |
15 |
13 |
7 |
8 |
19 |
18 |
28 |
13 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
3 |
0 |
2 |
0 |
1 |
1 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Теодор Роззак, Лсд, хиппи и культ свободной любви |
1688 | 192 |
5 |
21 |
26 |
21 |
14 |
14 |
9 |
7 |
15 |
22 |
20 |
18 |
0 |
0 |
0 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
3 |
0 |
0 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
3 |
0 |
2 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Лоуренс Липтон, Святые варвары |
1569 | 191 |
2 |
23 |
30 |
12 |
23 |
12 |
11 |
6 |
14 |
25 |
18 |
15 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
2 |
2 |
2 |
2 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
4 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
|
Теодор Роззак, Декларация Взаимозависимости |
1340 | 190 |
1 |
18 |
25 |
15 |
24 |
19 |
6 |
9 |
16 |
19 |
23 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
2 |
0 |
3 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
3 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Русские панки - взгляд с Запада |
1245 | 189 |
2 |
22 |
26 |
16 |
28 |
13 |
14 |
6 |
14 |
16 |
18 |
14 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
3 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
4 |
|
О хиппи, панках и битниках, взгляд антрополога |
1048 | 189 |
4 |
18 |
25 |
16 |
19 |
14 |
10 |
10 |
23 |
21 |
14 |
15 |
0 |
2 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
1 |
1 |
3 |
3 |
2 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
|
Школьные банды |
1212 | 188 |
3 |
18 |
25 |
17 |
18 |
10 |
11 |
13 |
14 |
22 |
20 |
17 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
2 |
0 |
1 |
3 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
|
Словесный бриколаж: тру и цивильное, «новый» стиль жизни |
1124 | 186 |
2 |
20 |
32 |
20 |
16 |
13 |
15 |
8 |
12 |
15 |
17 |
16 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
2 |
0 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
|
Теодор Роззак, Альфа-самец человека |
1475 | 185 |
3 |
16 |
28 |
19 |
18 |
11 |
8 |
10 |
14 |
24 |
21 |
13 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
4 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
4 |
|
Herbst der Gammler |
1552 | 183 |
1 |
13 |
27 |
10 |
21 |
18 |
9 |
9 |
11 |
23 |
24 |
17 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
|
Культы и Космическое сознание: видение религии в 1960 годах |
1072 | 183 |
0 |
19 |
22 |
19 |
17 |
16 |
9 |
9 |
13 |
23 |
23 |
13 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
4 |
2 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
|
Хаос и разруха, Танцуй рок с утра до утра |
1608 | 180 |
3 |
19 |
23 |
19 |
17 |
13 |
8 |
9 |
14 |
20 |
17 |
18 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
3 |
0 |
3 |
3 |
0 |
2 |
2 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
|
Culture, Crime, and Cultural Criminology |
1188 | 177 |
0 |
23 |
30 |
17 |
16 |
10 |
8 |
6 |
18 |
21 |
16 |
12 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
2 |
1 |
3 |
2 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
|
Из истории фотожурналистики |
1236 | 176 |
1 |
18 |
25 |
21 |
12 |
13 |
11 |
8 |
19 |
16 |
18 |
14 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
|
Знаменитый Port Huron Statement (1962) |
1141 | 176 |
1 |
14 |
26 |
19 |
26 |
11 |
11 |
8 |
14 |
18 |
17 |
11 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Август Зандер — между непристойностью и документалистикой. |
1458 | 176 |
1 |
23 |
28 |
13 |
17 |
13 |
11 |
6 |
12 |
18 |
19 |
15 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
|
Теодор Роззак Ревизия Утопии: Упражнение в культурной археологии |
1314 | 175 |
2 |
20 |
25 |
19 |
12 |
11 |
5 |
9 |
14 |
21 |
23 |
14 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
0 |
0 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
3 |
2 |
1 |
2 |
0 |
1 |
3 |
1 |
1 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
|
Port Huron Statement (1962) |
1344 | 175 |
0 |
21 |
33 |
9 |
21 |
15 |
12 |
11 |
15 |
14 |
13 |
11 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
3 |
3 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
2 |
|
Социалистический гендерный трап |
1310 | 174 |
4 |
20 |
27 |
15 |
21 |
9 |
4 |
8 |
13 |
23 |
17 |
13 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
2 |
1 |
3 |
1 |
0 |
4 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
1 |
|
Неправда фотографии - Огюст Роден |
1534 | 173 |
0 |
16 |
24 |
26 |
14 |
13 |
4 |
6 |
12 |
24 |
15 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
0 |
2 |
2 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
|
Дом Гекльберри - первый контркультурный приют для детей |
1048 | 173 |
2 |
14 |
24 |
21 |
13 |
14 |
7 |
5 |
19 |
24 |
19 |
11 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
|
Эпизоды альтернативной эротики |
1058 | 172 |
2 |
32 |
15 |
16 |
20 |
13 |
13 |
6 |
12 |
20 |
12 |
11 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
3 |
4 |
5 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
4 |
4 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
| Итого | За последние 12 месяцев | Dec | Nov | Oct |
| Всего | 12мес | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | Apr | Mar | Feb | Jan | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 |
|
Неизвестная классика атеизма, Джордж Уильям Фут |
1645 | 171 |
1 |
19 |
24 |
14 |
20 |
15 |
7 |
7 |
16 |
17 |
16 |
15 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
3 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
|
Исследования Фбр, Lanning Report |
1069 | 170 |
1 |
20 |
28 |
12 |
20 |
12 |
5 |
8 |
14 |
18 |
20 |
12 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
0 |
2 |
2 |
1 |
1 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
|
Welcome to the Digger Archives |
917 | 170 |
1 |
17 |
25 |
18 |
20 |
13 |
5 |
12 |
11 |
16 |
15 |
17 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
3 |
2 |
1 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
|
Парижские байкеры 70-х годов от Яна Морвана |
1009 | 168 |
1 |
17 |
25 |
15 |
18 |
14 |
7 |
11 |
11 |
20 |
18 |
11 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
|
Свободная Любовь или Интеллигенция посещает баню |
1215 | 165 |
2 |
17 |
27 |
13 |
21 |
13 |
5 |
11 |
10 |
19 |
16 |
11 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
2 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
|
Это не трубка |
1101 | 165 |
1 |
21 |
26 |
20 |
15 |
9 |
9 |
8 |
12 |
19 |
13 |
12 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
3 |
1 |
2 |
0 |
0 |
0 |
2 |
1 |
1 |
2 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
|
Young Lords Party |
1310 | 165 |
0 |
12 |
21 |
16 |
17 |
11 |
9 |
9 |
17 |
24 |
13 |
16 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
2 |
2 |
1 |
0 |
4 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
|
Мемуары стареющего хиппи |
1712 | 164 |
2 |
19 |
27 |
11 |
21 |
16 |
5 |
12 |
10 |
16 |
12 |
13 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
7 |
3 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
3 |
1 |
|
Фритьоф Капра, "Размышления о Духе и Наследии шестидесятых" |
1265 | 163 |
2 |
17 |
23 |
8 |
19 |
10 |
10 |
11 |
13 |
22 |
15 |
13 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
2 |
1 |
2 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
1 |
|
Hunga Dunga: Исповедь непримиримого хиппи |
924 | 162 |
2 |
15 |
26 |
14 |
16 |
12 |
7 |
6 |
18 |
19 |
14 |
13 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
|
Теодор Роззак, Любовь, Лояльность и Конец сексуального |
1367 | 161 |
2 |
16 |
25 |
15 |
16 |
16 |
5 |
5 |
11 |
18 |
20 |
12 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
1 |
1 |
2 |
0 |
0 |
4 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
|
1968 год в Америке: Музыка, политика, хаос, контркультура |
1182 | 154 |
3 |
13 |
20 |
10 |
17 |
13 |
8 |
9 |
12 |
19 |
16 |
14 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
2 |
0 |
3 |
2 |
0 |
0 |
2 |
2 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |