| Итого | За последние 12 месяцев | May | Apr | Mar |
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 |
|
По разделу |
32242 | 742 |
59 |
102 |
76 |
95 |
72 |
56 |
47 |
49 |
46 |
40 |
45 |
55 |
0 |
1 |
2 |
4 |
2 |
4 |
3 |
5 |
7 |
2 |
4 |
5 |
2 |
2 |
3 |
3 |
6 |
2 |
2 |
3 |
3 |
4 |
5 |
2 |
3 |
11 |
3 |
3 |
1 |
2 |
3 |
2 |
3 |
2 |
3 |
3 |
2 |
1 |
1 |
2 |
3 |
1 |
3 |
1 |
1 |
4 |
2 |
2 |
4 |
2 |
2 |
3 |
2 |
2 |
3 |
2 |
2 |
4 |
6 |
2 |
3 |
3 |
|
Повесть Даниила Хармса "Старуха": петербургский миф в обэриутской интерпретации |
3570 | 344 |
0 |
53 |
42 |
63 |
32 |
18 |
22 |
15 |
21 |
17 |
20 |
41 |
0 |
1 |
2 |
4 |
1 |
2 |
2 |
2 |
7 |
0 |
4 |
3 |
0 |
1 |
2 |
0 |
6 |
1 |
1 |
0 |
1 |
1 |
1 |
2 |
0 |
1 |
3 |
1 |
0 |
1 |
3 |
0 |
0 |
1 |
0 |
3 |
2 |
0 |
0 |
0 |
3 |
1 |
2 |
0 |
0 |
4 |
2 |
1 |
4 |
0 |
1 |
1 |
2 |
0 |
0 |
2 |
1 |
4 |
5 |
1 |
2 |
0 |
|
"Ужас телесности": секс и страх в традиционной японской гравюре эпохи Эдо (1603-1868) |
3388 | 302 |
0 |
51 |
51 |
49 |
36 |
27 |
21 |
13 |
13 |
11 |
17 |
13 |
0 |
1 |
0 |
1 |
0 |
4 |
2 |
1 |
0 |
1 |
0 |
5 |
1 |
2 |
2 |
0 |
5 |
1 |
2 |
2 |
3 |
4 |
1 |
2 |
1 |
1 |
3 |
2 |
0 |
2 |
2 |
1 |
3 |
1 |
3 |
0 |
1 |
1 |
1 |
0 |
3 |
1 |
3 |
1 |
1 |
0 |
2 |
2 |
1 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
2 |
5 |
2 |
3 |
3 |
|
Ходячие мертвецы в русском страшном повествовании 1810-1840 гг. |
2877 | 241 |
0 |
42 |
29 |
44 |
25 |
18 |
13 |
20 |
16 |
11 |
12 |
11 |
0 |
1 |
1 |
0 |
2 |
2 |
2 |
3 |
2 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
0 |
2 |
4 |
5 |
1 |
0 |
1 |
2 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
2 |
2 |
1 |
|
"Ужасное" в эстетике и поэзии Жуковского |
2892 | 204 |
0 |
32 |
24 |
25 |
22 |
21 |
19 |
14 |
16 |
9 |
12 |
10 |
0 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
4 |
2 |
2 |
3 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
2 |
2 |
3 |
|
Развенчание страха в рассказе "В ожидании страха" Огуза Атая |
2560 | 189 |
0 |
31 |
21 |
38 |
23 |
19 |
18 |
6 |
11 |
7 |
5 |
10 |
0 |
0 |
0 |
3 |
0 |
1 |
2 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
2 |
2 |
2 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
4 |
0 |
2 |
1 |
|
"Живые мертвецы" в фантастических новеллах символистов |
1825 | 146 |
0 |
31 |
22 |
21 |
22 |
11 |
10 |
7 |
4 |
3 |
13 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
4 |
2 |
2 |
1 |
2 |
0 |
3 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |
0 |
3 |
1 |
2 |
1 |
6 |
1 |
1 |
1 |
|
Тема |
1942 | 140 |
0 |
28 |
16 |
21 |
27 |
11 |
13 |
4 |
3 |
6 |
4 |
7 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
1 |
1 |
0 |
3 |
2 |
1 |
1 |
2 |
0 |
2 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
2 |
2 |
1 |
1 |
2 |
|
Манускрипты |
1639 | 137 |
0 |
40 |
12 |
21 |
17 |
10 |
5 |
6 |
4 |
3 |
8 |
11 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
5 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
2 |
0 |
2 |
0 |
3 |
11 |
2 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
4 |
0 |
1 |
0 |
|
Правила |
2965 | 132 |
0 |
25 |
17 |
17 |
19 |
7 |
13 |
11 |
2 |
5 |
9 |
7 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
3 |
0 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
3 |
1 |
|
Демоническое пространство в балладах акмеистов |
2153 | 129 |
0 |
26 |
16 |
17 |
16 |
12 |
10 |
4 |
7 |
2 |
11 |
8 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
4 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
2 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
4 |
0 |
2 |
2 |
|
Склеп |
1662 | 123 |
0 |
21 |
19 |
21 |
17 |
9 |
12 |
4 |
1 |
6 |
4 |
9 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
2 |
3 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
1 |
2 |
2 |
1 |
1 |
1 |
|
Знай и умей свой хоррор |
2056 | 121 |
0 |
24 |
23 |
14 |
13 |
11 |
11 |
6 |
2 |
3 |
5 |
9 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
3 |
2 |
1 |
2 |
0 |
0 |
2 |
0 |
2 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
3 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
2 |
2 |
0 |
2 |
1 |
|
Чаша Йада |
1411 | 115 |
0 |
28 |
17 |
13 |
18 |
10 |
8 |
3 |
3 |
1 |
8 |
6 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
2 |
2 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
2 |
4 |
1 |
1 |
1 |
|
Голое сование |
1302 | 108 |
0 |
25 |
15 |
13 |
16 |
8 |
12 |
4 |
5 |
1 |
5 |
4 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
2 |
2 |
2 |
2 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
2 |