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| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
| По разделу | 48149 | 980 | 28 | 96 | 71 | 72 | 85 | 110 | 89 | 98 | 94 | 80 | 76 | 81 | 0 | 5 | 2 | 4 | 3 | 3 | 4 | 2 | 2 | 3 | 5 | 2 | 3 | 2 | 2 | 3 | 2 | 3 | 4 | 5 | 3 | 3 | 3 | 2 | 4 | 3 | 2 | 5 | 2 | 2 | 4 | 6 | 6 | 3 | 5 | 1 | 2 | 2 | 4 | 3 | 2 | 2 | 3 | 2 | 3 | 3 | 2 | 2 | 3 | 4 | 2 | 1 | 2 | 3 | 1 | 4 | 2 | 1 | 1 | 5 | 1 | 2 |
| Роман И.А.Бунина "жизнь Арсеньева": "контексты Понимания" И Символика Образов | 2921 | 503 | 21 | 41 | 36 | 38 | 34 | 53 | 45 | 55 | 60 | 32 | 39 | 49 | 0 | 4 | 2 | 2 | 2 | 1 | 4 | 2 | 1 | 3 | 3 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 0 | 1 | 1 | 5 | 0 | 2 | 3 | 0 | 6 | 3 | 2 | 0 | 2 | 1 | 0 | 0 | 2 | 1 | 3 | 1 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 1 | 4 | 1 | 0 | 0 | 5 | 0 | 2 |
| А.С. Грин: Виноградная Ветвь И Проблема Миропонимания Писателя | 1507 | 410 | 9 | 34 | 36 | 42 | 31 | 51 | 39 | 44 | 28 | 32 | 35 | 29 | 0 | 0 | 1 | 0 | 3 | 1 | 1 | 1 | 0 | 2 | 2 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 5 | 1 | 1 | 3 | 0 | 3 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 1 | 2 | 2 | 3 | 1 | 1 | 0 | 3 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 |
| О новой повести Валентина Распутина "Дочь Ивана, мать Ивана" | 14299 | 370 | 18 | 34 | 26 | 21 | 25 | 50 | 42 | 41 | 31 | 29 | 28 | 25 | 0 | 5 | 0 | 4 | 1 | 2 | 1 | 0 | 2 | 3 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 0 | 4 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 5 | 1 | 2 | 0 | 1 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 3 | 4 | 0 | 1 | 0 | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 |
| Роман И.А. Бунина "жизнь Арсеньева": "контексты понимания" и символика образов | 1327 | 272 | 10 | 33 | 13 | 11 | 34 | 33 | 24 | 30 | 21 | 24 | 24 | 15 | 0 | 3 | 1 | 2 | 1 | 1 | 0 | 0 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 5 | 0 | 1 | 3 | 3 | 2 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 0 |
| Умейте же беречь! Слово и Мужество Русской литературы | 1170 | 270 | 11 | 30 | 15 | 19 | 23 | 36 | 34 | 28 | 22 | 15 | 18 | 19 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 1 | 2 | 2 | 1 | 2 | 0 | 1 | 1 | 2 | 1 | 2 | 1 | 1 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Художественный мир творчества Н.А. Заболоцкого в контексте мира Библии | 1792 | 245 | 12 | 25 | 16 | 11 | 19 | 27 | 23 | 29 | 25 | 27 | 15 | 16 | 0 | 3 | 2 | 1 | 1 | 1 | 0 | 1 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 4 | 0 | 1 | 2 | 0 | 0 | 0 | 2 | 4 | 2 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
| Небесная составляющая русской литературы (Несколько слов к вопросу о "бессюжетности". Из работы А.И. Смоленцева "Иван Бунин. Гармония страдания") | 1562 | 244 | 12 | 19 | 12 | 11 | 24 | 28 | 35 | 26 | 20 | 26 | 17 | 14 | 0 | 3 | 1 | 1 | 0 | 3 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 5 | 0 | 2 | 0 | 0 | 2 | 2 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| "...до четырнадцатой строки" (поэзия Евгения Чепурных и настоящее русского творческого слова) | 1822 | 242 | 13 | 18 | 14 | 16 | 20 | 26 | 28 | 39 | 19 | 22 | 19 | 8 | 0 | 3 | 2 | 1 | 1 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 3 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Переправа Ивана Смоленцева | 1003 | 241 | 7 | 20 | 14 | 12 | 41 | 28 | 27 | 30 | 24 | 17 | 11 | 10 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 3 | 0 | 0 | 2 | 1 | 2 | 1 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Информация о владельце раздела | 1122 | 226 | 5 | 15 | 9 | 14 | 32 | 26 | 22 | 27 | 18 | 23 | 24 | 11 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Высшая мера мечты( "Алые паруса" А.С. Грина - Православный взгляд) | 1956 | 220 | 10 | 19 | 14 | 15 | 16 | 29 | 17 | 27 | 11 | 21 | 21 | 20 | 0 | 4 | 1 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 2 | 5 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| "Божественный зов" (Религиозные аспекты символизма в поэзии И. А. Бунина. Православный взгляд) | 1533 | 217 | 9 | 23 | 27 | 19 | 17 | 26 | 20 | 16 | 19 | 16 | 14 | 11 | 0 | 3 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 4 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 |
| Иван Смоленцев - неизвестный крестьянский русский поэт второй половины Хх века | 988 | 214 | 6 | 21 | 9 | 12 | 22 | 30 | 25 | 22 | 19 | 19 | 15 | 14 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Спор "Лев Толстой и Православие" - в Православных координатах | 972 | 213 | 4 | 20 | 9 | 10 | 17 | 28 | 31 | 24 | 22 | 19 | 13 | 16 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 0 | 1 | 4 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Птицы как "свидетели" тайны творчества (по стихам и прозе Ивана Бунина) | 763 | 213 | 8 | 25 | 10 | 10 | 16 | 34 | 21 | 27 | 18 | 17 | 14 | 13 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 0 | 2 | 2 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 1 | 1 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Александр Пушкин: "инстинкт Истины". Православный вектор судьбы | 1467 | 210 | 8 | 19 | 20 | 16 | 20 | 24 | 21 | 22 | 11 | 19 | 17 | 13 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 1 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 |
| Чистая боль о Василии Макаровиче Шукшине, его жизни и прозе, истории души его героев | 954 | 206 | 7 | 22 | 11 | 11 | 18 | 30 | 24 | 26 | 20 | 17 | 10 | 10 | 0 | 2 | 0 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 3 | 1 | 0 | 1 | 0 | 2 | 0 | 2 | 1 | 3 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 3 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| "Стыд мыслить и ужас быть человеком": Анненский и Бунин над переводом Л. де Лиля | 1573 | 195 | 7 | 23 | 11 | 9 | 10 | 23 | 24 | 28 | 21 | 12 | 13 | 14 | 0 | 2 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 0 | 2 | 0 | 1 | 1 | 1 | 6 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Мир Бога в художественном мире И. А. Бунина (роман "жизнь Арсеньева") | 793 | 192 | 7 | 25 | 11 | 8 | 15 | 16 | 19 | 21 | 18 | 21 | 15 | 16 | 0 | 1 | 0 | 2 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 0 | 1 | 2 | 0 | 1 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 |
| Итого | За последние 12 месяцев | May | Apr | Mar | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Всего | 12мес | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | |
| Пересеченная местность | 935 | 188 | 7 | 13 | 11 | 11 | 17 | 24 | 22 | 28 | 17 | 16 | 10 | 12 | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Название сериала "перевал Дятлова" нельзя было связывать с реальной трагедией... это - стыдно... | 831 | 187 | 6 | 17 | 7 | 11 | 19 | 21 | 25 | 26 | 16 | 16 | 11 | 12 | 0 | 1 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Береженый хлеб | 939 | 185 | 9 | 18 | 13 | 8 | 21 | 17 | 20 | 22 | 15 | 16 | 12 | 14 | 0 | 5 | 1 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 3 | 4 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 |
| Трагедия Новочеркасска: стреляли в Население попали в Народ... - об очевидных, - но, вряд ли, замеченных, - смыслах фильма А. Кончаловского "дорогие товарищи" | 553 | 177 | 7 | 13 | 10 | 7 | 16 | 18 | 26 | 28 | 20 | 11 | 16 | 5 | 0 | 2 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| "землячество" как "контекст понимания" в творчестве Ивана Бунина | 689 | 169 | 3 | 19 | 14 | 11 | 9 | 24 | 14 | 20 | 18 | 17 | 13 | 7 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 2 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Замысел "воскресить чей-то далекий юный образ..." (стихотворение И.А.Бунина "1885 год" и роман "жизнь Арсеньева") | 817 | 166 | 3 | 17 | 10 | 9 | 17 | 20 | 16 | 26 | 12 | 14 | 13 | 9 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| О мотивации, сбойной конструкции и прочих прелестях иной "любви" | 1195 | 164 | 6 | 17 | 8 | 8 | 13 | 16 | 17 | 26 | 14 | 15 | 14 | 10 | 0 | 2 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Недо-тимуры и их недо-команды... (стравнение масштабов - стихотворение Арсения Несмелова и спектакли современной общественной жизни) | 719 | 163 | 7 | 11 | 7 | 10 | 20 | 21 | 15 | 19 | 14 | 11 | 12 | 16 | 0 | 0 | 1 | 2 | 2 | 0 | 1 | 0 | 1 | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Иван. И. Твердовский: "собери людей, куда они поразбрелись!" (о фильме "конференция" - "заметки сгоряча"... на скорую руку) | 656 | 158 | 8 | 11 | 9 | 10 | 18 | 14 | 18 | 24 | 7 | 18 | 12 | 9 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 3 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| "знание Бога" (Благодать) и "знание о Боге" (Закон) как критерий понимания | 698 | 154 | 5 | 15 | 9 | 12 | 16 | 19 | 11 | 20 | 10 | 18 | 12 | 7 | 0 | 0 | 1 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 0 | 2 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 |
| "Землячество" как "контекст понимания" в творчестве Ивана Бунина | 593 | 148 | 3 | 15 | 7 | 9 | 14 | 28 | 15 | 15 | 12 | 13 | 9 | 8 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 3 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |